I Love You Phillip Morris

It's more unique than rare that a film affects me this much. The center, the emotional center of Phillip Morris has entered my subconscious in a way that I can't quite describe. It changed my perception of things. This is the first time I see two men kissing that made complete sense. I believe and understood like never before the "normalness" of the feeling. I liked "Brokeback Mountain" too but in that case, the torturous path of self-loathing that the Heath Ledger character goes trough, kept me at the periphery of the story like a sympathetic, moved spectator. Here I was part of it, of them. I'm sure Jim Carrey and Ewan McGregor have a lot to do with it. No cheap shots, no low comedy. They are so true that you can't help loving them and rooting for them, flaws and all. I predict "I Love You Phillip Morris" will become the sleeper of 2009.

Continuing my MIFF reviews, I saw this last week with a packed house at Greater Union.

Firstly, it has to be said that it's a tragedy that this film's general release has been such a stifled process. The entertainment value of this picture, its expert construction and superb performances cannot be denied.

Carrey turns in what is possibly his best performance in a decade. It's bizarre, the way that his signature antics actually enhance rather than diminish the dramatic aspects of this film, based loosely on real life events. In fact, for me, the movie trumps The Truman Show as Carrey's true coming of age as a performer of depth. Ewan McGregor is equally astonishing as Phillip Morris - you'd swear you were watching the kind of unique romantic chemistry between two actors that arrives very rarely in cinema, and virtually never between two A-listers playing gay lovers; but the love story is only a foundation for what emerges as a kinetic, superbly told comedy-drama about the real life exploits of con man and recidivist prison escapee Steven Jay Russell.

Directors/writers Glenn Ficarra and John Requa expertly handle the tensions of comic and dramatic performance and also prove to have a masterly touch with the frenzied action sequences. Bit parts are cast beautifully. You can see the attention to detail and craft in this movie.

It can only be assumed that the gay context of this film has cost it it's commercial potential in the eyes of distributors, because everything else about it spells box office success. Apparently, it will finally have a limited release in the US in October this year, with the potential of expansion.

Without spoiling any of the twists of the film's detailed series of events, the film succeeds at beautifully hijacking audience expectation time and again. Just when you think you've got the film pinned for being predictable, suddenly it flips on you with a wry smile as if to say, "I knew what you were thinking".

I'm not sure how close the producers stuck to the facts, but it scarcely matters. If 5% of this narrative is true, it would be amazing in itself. I would be happy if the film was complete fiction.

It's a wonderful, assured comedy and deserves wide commercial exploitation.

I love You Philip Morris is an exceptional film, not because of the script, acting, or filming all of which are above average but simply because it seriously tries to take a homosexual relationship and show it as a heterosexual one and does so without the squirm.

Maybe the world still ain't ready (this is most under-reviewed of any Carey film on IMDb) but it is a good film.

With strong elements of humor, con tricks, prison, and a heart that is genuine, it is a very entertaining film.

Hopefully it is a ground-breaking film. It is enjoyable , has real depth, and you would need to be mean spirited indeed to find it repugnant in any way.

Go see, then complain.

I'd never heard of this movie. Or the story behind it. And, I gotta say, never been a big fan of Carey, TBH, though I have seen most of his films. I kinda think this is his best work. Certainly up there in the top three.

Same for McGregor, whom I do like, but often seems like he takes himself too seriously (sorta the "ac-TOR" type, mebbe..). But this work is understated, 'real', wonderfully shy and fun to watch all around.

I liked it!

There's really only one thing you need to ask yourself before you see this movie: are you prepared to see Jim Carrey getting it on with Ewan MacGregor? If so, you should definitely go.

The movie tells the true story—and trust me, you'll have trouble believing it's true—of Steven Russell, a gay man who just can't stop conning his way through life. He uses his extraordinary abilities to gain a variety of jobs, gets indicted for embezzlement, and wins the love of the titular Phillip Morris while the two are fellow inmates in prison.

"I Love You Phillip Morris" was written and directed by Glen Ficarra and John Requa, the same writing team responsible for "Bad Santa". Like "Bad Santa", this movie effectively balances humor and with some very dark themes, though I would say the overall tone is not nearly as bleak as that of the earlier movie.

The writers told the Nashville audience that when choosing material to include from Steve McVicker's nonfiction book, they decided they primarily wanted to tell the love story. They do so very successfully. You might even call this the perfect romantic comedy for people who hate traditional romantic comedies: it's homo- rather than hetero-oriented, it's non-fiction, and it features a somewhat off-kilter con man as the romantic lead. Sounds bizarre, sure, and yet all these elements come together to make a really entertaining movie.

For the most part Jim Carrey loses himself in the character of Steven Russell, delivering an effectively non-hammy (and non-Carrey) comic performance. MacGregor's Phillip Morris is also believably innocent, Southern, and wide-eyed. Nice supporting performances, such as Leslie Mann's as Russell's ex-wife Deb, round out the movie.

Much of the romance takes place in prison, and this creates many beautifully absurd scenes. The movie also has its fair share of sad moments, and contains a pretty clear message about social justice in Texas -- as did the book-- but this is kept mercifully subtle, underlying rather than overshadowing the story.

The directors said they hoped the movie would make spectators laugh, cry and think, and the Nashville audience seemed to do all three. There were a lot of laughs but some definite sniffles at the appropriate moments. At the Q&A, there was a fair amount of interest in the real story, and Ficarra, McVicker, and Requa were happy to oblige with further information.

Come to think of it, you may not have to worry about seeing the two leads have sex. Although the love scenes were kept technically PG, the directors were expecting a fight with the MPAA because of the homosexual content. That's a real pity, but I hope they win.