The Hidden Hand

Magnificently directed by Anna Foerster (whose cinematography background comes to the fore), the launching segment of "Dune Prophecy" sets up a severe, stately atmosphere, reminding me of costume/court dramas of old. But this is an alien world of alien beings, humanoid yes, but with hidden powers. Placing it in a time where "thinking machines" have been defeated in war and banned is crucial to giving the viewer a mindset far removed from our contemporary overload of phones and screens and constant visual pollution.

The color control is expert, with only one primary color (Red) interrupting, especially in the dramatic red gown of the princess, helping her to become the most striking presence on screen. Emily Watson's control in the leading role is immense, and the stern nature of her little world suggest the cloistered confinement of old religious films.

But it the slowly paced, heavy, heavy atmosphere and quiet dialogue that mesmerizes the viewer, allowing the sudden and brief outbursts of violence or mytstical fantasy to exert maximum power. It's the opposite, almost, of the slam-bang, gimmicky "action movie" cliches wrought by the success in recent years of so many comic strip movies with their SFPX emphasis and annoying constant editing.

Okay, let's start with saying that I really like Dune, both books and the movies and they really set the bar high. "Dune: Prophecy" is a very promising show. The first episode was, well... a first episode. I have rated both Dune movies 10/10 (note that there are only few movies that I have given such rating) and "The Hidden Hand" is an 8/10 for me. It's a really good episode.

If you look for something very similar to the movies then I have to upset you, it feels different but it does feel fitting into the Dune universe. Arrakis was mentioned in this episode and even shown for a little bit but the whole story takes place on different planets. Maybe not everyone knows that "Dune" is actually a space opera, just like "Star Wars" or "Rebel Moon".

At the beginning of the episode there was a flashback that have shown us the Butlerian Jihad, which was a war that humans have led against the thinking machines. The war happened 116 years before the action of the series and since then creating thinking machines is prohibited in the Imperium. The plot revolves around Bene Gesserit trying to put their member on the imperial throne.

The whole vibe of the episode remind me a little of "Star Wars: The Phantom Menace", where it's basically politics in space. And I like it.

Note that there is some nudity but it is easily skippable. It happens when Ynez and Constantine go clubbing.

To be honest i was actually pleasently surprissed with this premiere, as I am always a bit nervous for things that excites me, as I am big fan of both the DUNE movies, and the books!

This episode does a great job of introducing us to this time period, as well as the characters and the established power! Id you have read the books and seen the movies, some thibgs will be familiar!

The elements that make for a great DUNE experience, in my opinion, is present in this episode! Scheeming, conspiracies, politics, struggle for power and the visions of an uncertain dangerous future!

The visuals and Cinematography is excellent as well! Some truely amazing shots! The peopke behind this does not care that they are making a TV show, since this looks just as good as the movies!

The elements are here for this to develop into something great!

The long-awaited "Dune" prequel series, "Dune: Prophecy," arrives with its premiere episode, "The Hidden Hand," and it offers a mixed but overall positive introduction to the world of the Bene Gesserit and the Imperium. This is a show that has been in development since before the first of Denis Villeneuve's epic two-part adaptation of Frank Herbert's "Dune" came out and has been in and out of development issues ever since. But now, under the leadership of Alison Schapker, it is finally ready to be seen. And while the show doesn't fully escape from first-episode growing pains, its strengths in world-building, visuals, and standout performances make it a solid beginning.

A remarkable aspect of the premiere is how seamlessly it integrates the "Dune" universe into this earlier timeline. The world-building is compelling, offering a tantalizing look at the Sisterhood's internal politics and their far-reaching influence within the Imperium. For fans of Herbert's work, the show provides intriguing glimpses into the seeds of what will later blossom into the iconic events of the novels. The series also carves out its own identity, setting itself apart while staying true to the themes of power, destiny, and manipulation that define the "Dune" saga. Visually, the show is stunning. The creative team has crafted a production that stands shoulder-to-shoulder with Denis Villeneuve's films. From the austere, haunting halls of the Sisterhood's stronghold to the sweeping vistas, every frame is dripping with detail. The costumes, sets, and special effects are nothing short of cinematic, immersing viewers in a world that feels both alien and eerily familiar. At the heart of the story is Valya Harkonnen, played masterfully by Emily Watson. Valya is a character perfectly attuned to the "Dune" mythos - ambitious, morally complex, and driven by a vision of the future that demands sacrifice and ruthlessness. Watson's nuanced performance captures Valya's steely determination and moments of vulnerability, anchoring the show with gravitas. If there's a weak spot in "The Hidden Hand," it's the storytelling. While the episode excels in setting the stage, the plot feels fragmented, with key motivations and stakes not entirely clear. This lack of narrative cohesion might leave casual viewers feeling lost and even frustrate longtime fans who expect more clarity from the outset. Anna Foester's direction is solid, particularly in how she captures the mood and tone of "Dune." However, the pacing falters at times, with certain scenes lingering too long while others feel rushed. As a result, the episode doesn't always flow as smoothly as it could.

"The Hidden Hand" is a promising start for "Dune: Prophecy," despite its shortcomings in pacing and storytelling. The series captures the spirit of Herbert's universe with impressive visuals, compelling characters, and a bold exploration of the Bene Gesserit's shadowy role in shaping the Imperium. If subsequent episodes can refine the narrative and balance the pacing, the show has the potential to become a fine addition to the "Dune" franchise.

The first episode of Dune: Prophecy is an impressive introduction to what promises to be a remarkable series. The visuals are breathtaking, with stunning graphics that truly bring the Dune universe to life. The soundtrack is equally remarkable, perfectly capturing the epic and mysterious tone of the story.

What stands out the most, however, is the intriguing narrative. It's layered, engaging, and full of potential, offering a deep dive into the rich lore of the Dune universe. Fans of sci-fi and newcomers alike will find themselves drawn in.

A must-watch for anyone who appreciates great storytelling, immersive world-building, and top-tier production quality. Can't wait for the next episode.