A formidable man who cares for nothing is forced to confront his self-destructive core when a violent car crash involving a sexually charged boy who epitomizes life, challenges him to face h... Read allA formidable man who cares for nothing is forced to confront his self-destructive core when a violent car crash involving a sexually charged boy who epitomizes life, challenges him to face his truth.A formidable man who cares for nothing is forced to confront his self-destructive core when a violent car crash involving a sexually charged boy who epitomizes life, challenges him to face his truth.
- Director
- Writer
- Stars
- Awards
- 3 wins & 9 nominations total
Conor Woodman
- Rafe
- (voice)
Bitzy Au
- HK Receptionist
- (voice)
Graham Kinniburgh
- News Reporter
- (voice)
- (as Graham Kinneburg)
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- Writer
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Featured reviews
Upon completing my watch of this indecipherable, preposterous cinematic mess, I couldn't help but come away from it asking myself, "What the hell did I just watch?" Writer-director Antonia Campbell-Hughes's debut narrative feature is so "nuanced" as to be utterly vague and patently incoherent. I probably gave this one more than sufficient benefit of the doubt while screening it, awaiting a payoff (or even a half-hearted rational explanation) come movie's end, but no such luck. The meandering, improbable screenplay of this unfocused tale about a car accident victim who becomes inexplicably fixated about a younger uninjured survivor from the same incident makes virtually no sense, jumping from one ostensibly random situation to another without seeming rhyme or reason, much of it padded with repetitive extraneous shots of the rural windswept Irish landscape. What's more, it's puzzling why this offering was selected as a featured presentation for an LGBTQ+ film festival, given that there are almost no references to the protagonist's sexuality or the gay community at large. It truly boggles my mind how reviewers have praised this incomprehensible exercise in ill-conceived, poorly executed celluloid self-indulgence. Avoid this one at all costs.
Hamish Considine arrives in Ireland to deal with his deceased Aunt's estate, when he's there he's involved in a serious car accident, an accident that lengthens his stay, enough for him to start asking why he feels a connection to the place.
I don't for The life of me understand some of the negative reviews, this film is far more absorbing and deep than some will have you believe.
This is one of those films that simmers throughout, you'll watch it, expecting some big moment of drama, it's bot really like that, it's a subtle, slow burner, everything is very measured.
The visuals are pretty good, I thought they may have shown a bit more of that incredible scenery, but it does look good.
It had an LGBT tag on it, I don't quite see the connection to be honest, and sexuality is not the purpose of the film, it's a film about discovery, but in a very different area.
I haven't seen much of leading man Cosmo Jarvis if I'm honest, but after this I'll definitely be keeping an eye out, I thought it was an impressive performance, he's repressed, he's angry, he's confused, he's unable to process all of the complex emotions that are suddenly thrust upon him, it's as if his world has been turned upside down, and he's left without the tools to deal with it.
8/10.
I don't for The life of me understand some of the negative reviews, this film is far more absorbing and deep than some will have you believe.
This is one of those films that simmers throughout, you'll watch it, expecting some big moment of drama, it's bot really like that, it's a subtle, slow burner, everything is very measured.
The visuals are pretty good, I thought they may have shown a bit more of that incredible scenery, but it does look good.
It had an LGBT tag on it, I don't quite see the connection to be honest, and sexuality is not the purpose of the film, it's a film about discovery, but in a very different area.
I haven't seen much of leading man Cosmo Jarvis if I'm honest, but after this I'll definitely be keeping an eye out, I thought it was an impressive performance, he's repressed, he's angry, he's confused, he's unable to process all of the complex emotions that are suddenly thrust upon him, it's as if his world has been turned upside down, and he's left without the tools to deal with it.
8/10.
Not sure what sort of person would either make or watch this movie. A manic depressive? A suicidal, basket case?
On the plus side, Ireland looks OK, I guess. Although it is filmed in muted tones and at night!?
I am sure some 'clever' person will talk about the 'message' of the movie but it is an interminable slog to get to the end of this uneventful , borefest.
Not sure what sort of person would either make or watch this movie. A manic depressive? A suicidal, basket case?
On the plus side, Ireland looks OK, I guess. Although it is filmed in muted tones and at night!?
I am sure some 'clever' person will talk about the 'message' of the movie but it is an interminable slog to get to the end of this uneventful , borefest.
On the plus side, Ireland looks OK, I guess. Although it is filmed in muted tones and at night!?
I am sure some 'clever' person will talk about the 'message' of the movie but it is an interminable slog to get to the end of this uneventful , borefest.
Not sure what sort of person would either make or watch this movie. A manic depressive? A suicidal, basket case?
On the plus side, Ireland looks OK, I guess. Although it is filmed in muted tones and at night!?
I am sure some 'clever' person will talk about the 'message' of the movie but it is an interminable slog to get to the end of this uneventful , borefest.
'It is in us all' is not a satisfying watch. It has all the look and self-importance to become a very serious art-house deep dive into a human psychology... or something -from the mysterious characters to sweeping wide shots of the landscapes to an extended scene that nearly amounts to body-horror. I sat there and waited something to happen, to go deeper, perhaps even dark. It didn't. It's all misty to the end.
But at least it made me think about one aspect, which the director may never have intended and I may have totally blown out of proportion, but... I find the dynamic of Anglo-Irish relationship featured in the film rather interesting.
For many British (especially English), Ireland remains something blurry back in their mind. A kind of a little brother figure, still feels like a forgotten part of their nation, somewhere they can always visit and impose themselves on but nowhere they particularly want to be anyway. This attitude you can picke up from Hamish's English father. For him, Ireland is just a backwater, and the difficult relationship of the past (represented by his failed marriage to Hamish's Irish mother) is just water under the bridge. In other word, it's just not worth putting much thought to.
On the other hand, the Irish response to the English visitor is a complex mixture of curiosity, fascination, and veiled suspicion. One moment very friendly, but just below the surface there's hostility that runs deep from their acrimonious past relationship.
Hamish, half Englsih half Irish, sits right between these 2 clashing dynamics, and eventually breaks down in the subtle but unbridgeable gap. He arrivs Ireland first as a totally unsympathetic stranger. Even the fatal car accident doesn't seem to stir him much, and he seems to take it as just something happened. Only when he realises the forgotten Irish root, he finally looks around. He's inexplicably attracted to it, yet he can't really understand it nor fully accept it.
This is just my unsubstantiated rant about the film. But it could be a way to see this rather vague film? The very fact that the director chose an English actor as her leading man for her feature debut, and thus making her own country 'the Other' in the dynamic is a telltale sign.
But at least it made me think about one aspect, which the director may never have intended and I may have totally blown out of proportion, but... I find the dynamic of Anglo-Irish relationship featured in the film rather interesting.
For many British (especially English), Ireland remains something blurry back in their mind. A kind of a little brother figure, still feels like a forgotten part of their nation, somewhere they can always visit and impose themselves on but nowhere they particularly want to be anyway. This attitude you can picke up from Hamish's English father. For him, Ireland is just a backwater, and the difficult relationship of the past (represented by his failed marriage to Hamish's Irish mother) is just water under the bridge. In other word, it's just not worth putting much thought to.
On the other hand, the Irish response to the English visitor is a complex mixture of curiosity, fascination, and veiled suspicion. One moment very friendly, but just below the surface there's hostility that runs deep from their acrimonious past relationship.
Hamish, half Englsih half Irish, sits right between these 2 clashing dynamics, and eventually breaks down in the subtle but unbridgeable gap. He arrivs Ireland first as a totally unsympathetic stranger. Even the fatal car accident doesn't seem to stir him much, and he seems to take it as just something happened. Only when he realises the forgotten Irish root, he finally looks around. He's inexplicably attracted to it, yet he can't really understand it nor fully accept it.
This is just my unsubstantiated rant about the film. But it could be a way to see this rather vague film? The very fact that the director chose an English actor as her leading man for her feature debut, and thus making her own country 'the Other' in the dynamic is a telltale sign.
Cosmo Jarvis personally a big fan of him.
Loved him in Calm with horses and his character in this had some great potential to push his acting chops to another level but sadly this was abit of a let down.
I am seriously still scratching my head as to what I have just watched...??????😒🤔
The film's plot was convoluted and nothing really happens to help the flow of the film its just abit strange. The relationships in the film are just odd and tedious.
Although thought provoking, dark, tense which are all good points sadly the plot made very little sense even right until the conclusion and the story throughout was just ambiguous and very confusing.
I really wanted to like this but was sadly left with a feeling of delirium to be honest.
Loved him in Calm with horses and his character in this had some great potential to push his acting chops to another level but sadly this was abit of a let down.
I am seriously still scratching my head as to what I have just watched...??????😒🤔
The film's plot was convoluted and nothing really happens to help the flow of the film its just abit strange. The relationships in the film are just odd and tedious.
Although thought provoking, dark, tense which are all good points sadly the plot made very little sense even right until the conclusion and the story throughout was just ambiguous and very confusing.
I really wanted to like this but was sadly left with a feeling of delirium to be honest.
- How long is It Is in Us All?Powered by Alexa
Details
Box office
- Gross worldwide
- $2,915
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 16:9 HD
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