Cadillac Records

It is interesting so many people have commented on the historical inaccuracies of the film and condemn the film because of this. No one said it was a historical film? It is an excellent film, and I would consider it a lot more than just popcorn entertainment...it has the *flavor* of history. And what is this about looking for historical details in the film? The film maker made a great film with a storyline built around music. We don't get to see such films which modify facts to suit the narrative and their budget. It made for great, entertaining viewing....One of the things that I have difficulty understanding is when some people either want facts or the book a film is based on to drive a feature film. Unless it's a documentary I don't think the filmmaker is obligated to base the film as such so long as the film openly declares that it is based on facts or book...i.e. it is not claiming to be factual but simply derives it's basic storyline from either as the case may be...beyond that the film has artistic license to adapt the historical or fictional narrative for the film. But if a film faithfully represents history or a particular book, that is welcome too.

Cadillac Records was focused on Chess Records and some of it's principal artistes. Who cares if there was a second brother or that there were other artistes....the film maker told a fictional interpretation of the facts and made it a thoroughly enjoyable film. We learn to care for the characters and get to experience their struggles, frustrations, relationships, foibles and talents etc.

Consider this too "fact junkies" - how many movies out there make for a good story to an audience who is NOT into a particular genre of music or art form, and yet gives them some inkling that a particular topic was loosely based on facts or a book. Whether or not everyone who saw the film came away convinced of it's historical inaccuracies, I am confident that those who did not care about such inaccuracies or even the blues, they certainly came away with a better perspective of a small aspect of the history of the blues (and some aspect of rock music) as well as a record company owner who supported and helped some musicians to become big names in the business. Such a segment of the audience would be unlikely to go see a documentary on the history of the blues. The film introduced the blues by making them accessible to an audience segment who otherwise would have been in the dark.

Getting down to the film, ALL actors portray their characters very well. I thought Eamonn (sp?) Walker and Beyonce playing Howling Wolf and Etta James respectively were quite simply amazing. Beyonce especially. Both their performances were riveting. I refer to them specifically because they had relatively smaller parts compared to Adrien Brody and Jeffery Wright, who did a fantastic job as well. If you see films to enjoy a good story...you have one here in spades. And it is sad that the movie did not get to play in theatres as long as it ought to have. This is a loss for film viewers as much as it is for the filmmakers who made it. But I know this movie is getting more play on DVD because word-of-mouth is getting around. Highly recommended.

"Cadillac Records" is a fun, fast, flashy introduction to the world of Chess Records. In the 1950s, Leonard Chess, a Polish-born Jew in Chicago, along with his brother Phil (not seen in this film) produced "race" records by African American blues and rock and roll legends like Muddy Waters, Howlin' Wolf, Chuck Berry and Etta James.

These artists' work had huge impact on popular music; the Rolling Stones are shown on a pilgrimage to Chess Studio. Their music is great and is played all but non-stop on the soundtrack, which is a very good thing. Flashy glimpses into the glamorous styles of the 1950s and 60s include loving looks at the many Cadillacs Chess gives as gifts to his star performers.

Jeffrey Wright is quietly compelling as Muddy Waters. Mos Def is a charming Chuck Berry; he really communicates the charisma that Berry exuded to his adoring female fans. Eamonn Walker is terrific, and appropriately intimidating, as Howlin' Wolf. Walker electrifies the screen with his every morsel of screen time; I wish that after they'd finished "Cadillac Records," they had just kept the sets up and kept the cameras running and began a biography of Howlin' Wolf with Walker in the lead. Beyonce Knowles is very beautiful and pays worthy tribute to Etta James, the singer she plays.

"Cadillac Records" feels a bit rushed, and not as deep and probing as it could have been. Perhaps much backstory was cut out? A shame, because Adrien Brody, a brilliant and compelling actor, is not given enough to do.

So much more could and should have been said about Chess the man and his motivations, and the complex relationship he had with his singers. There is the story that Chess put Muddy Waters to work painting his ceiling. Some accused him of paternalism; curious viewers are advised to pick up Nadine Cohodas' book "Spinning Blues into Gold: The Chess Brothers and the Legendary Chess Records." Also, "Cadillac Records" can't avoid the clichés inherent in music biopics: the innocent character is introduced to drugs for the first time, and is ruined by them; the self destructiveness of brilliant people, the exhilarating, brutal, rags-to-riches-to-obscurity trajectory of show biz careers. For all that, "Cadillac Records" is fun and it makes you want to learn more about an important cultural moment in American history.

Wow, I've never seen a biopic take such liberties with facts... to the point that the film even invents a murder that never happened. But in all fairness, so did "Amadeus".

The point of the film, however, is not to present facts but to foster interest. That much is said in the director's commentary: she says that if people become interested to learn more about these (and other) classic artists, then the film has done its job.

Then by all means, it succeeded. The names of Muddy Waters, Etta James, Little Walter & Howlin Wolf have always been a footnote to the general public (including myself). But now I'll definitely take notice.

If you're already a blues aficianado, then I doubt you'll care much for this film. But if you're part of the target audience--those who are not familiar with the origin of rock'n'roll or who think erroneously (as I did) that Elvis was the one who started it all--then this movie is worth a watch.

I'll give you one warning. It gets ugly. This is NOT a film to be showcased during Black History Month! It portrays many of these artists at their worst: drug-addicted, alcoholic, violent, sex-crazed, uneducated, selfish and perpetually angry. The film has a very cynical, malicious vibe. But I think this was done with a specific intent; the director seemed to be making a strong metaphor to today's gangsta rap, probably with the hopes of reaching a young generation that never appreciated blues & rock'n'roll. I thought that was an interesting angle, though it must offend many blues purists.

So there you have it... Don't expect facts. Don't expect history. Don't expect many feel-good moments. Instead expect a very stylish drama about the Chicago 'hood with a lot of sex, drugs & rock'n'roll. I know it sounds like I'm disparaging the movie, but I'm not. I really thought it was an interesting presentation.

While this film lacks an original framework (it's "Ray" and "La Bamba" and "Hot Wax" and "Why Do Fools Fall in Love"....), both the subject--a seminal recording label--and the performances make this electrifying entertainment.

I can't speak to the accuracy of its historical facts regarding Leonard Chess' exploitation of some of music's largest figures, but the screenplay zooms along and takes us with it. Jeffrey Wright finally gets a role that hopefully will secure his stature. It's overdue. As Muddy Waters his towering strength both as a character and an actor are very impressive here. As well, the entire supporting cast (and it's a large cast) really rise to the occasion. Columbus Short as Little Walter and Gabrielle Union as Water's wife are equally impressive. And in smaller roles, Eamonn Walker as Howlin' Wolf and Mos Def as Chuck Berry nearly steal the show.

I've never been much of a fan of Adrien Brody, but in the first half of the film, he's quite effective. It's only when Beyoncé Knowles arrives that he stumbles, and who can blame him. Ms. Knowles takes a sensational role and scorches the screen. As the conflicted and troubled Etta James, there's a scene on a livingroom floor in front of a fireplace that should win Ms. Knowles many awards. And we're given a generous helping of sensational James' track very well covered by Ms. Knowles.

When we watch America's taste in music change--both before and after the centerpiece of this story--we're at first exhilarated at the discovery of this "new" form of music, and when it wanes and the lives that were propelled to stardom flag, we feel an enormous sadness. But what we know today--that these individuals became legends--is of great consolation.

I don't care that the structure is straightforward. The recreation of the period and it's attitudes are spot on, and the cinematography by Anastas N. Michos make the film rise above any weakness in the script.

Then, there's the soundtrack....

'Cadillac Records' is an admirable attempt to tell the tale of the legendary Chess Records,which did for Blues what Atlantic Records did for R&B/Soul,Jazz,Rock & Roll,etc. The main problem is that Hollywood can always be counted on for totally screwing up any & all forms of social history (and fumbles the ball,big time as usual). The film's writer/director obviously didn't do a whole lot of home work in looking for historical authenticity. It seemed to content that Chess Records only had about a handful of talent recording (Muddy Waters,Howlin' Wolf,Etta James,while totally ignoring Bo Diddley & the stable of other equally talented musicians & song writers). A friend of mine who knows his onions in the field of creative African American/Black music told me of a lot of the glaring omissions that was left out of this film (there were actually two Chess brothers that ran the label),as well as the fact that several Rhythm & Blues,Rock & Roll & even Jazz acts also recorded for Chess Records,back in the day. Adrian Brody,who normally pulls down some world class roles seems content to be the closest thing to a used car salesman (while spouting a nearly non stop,fire cracker string of swearing out of his mouth). Jeffrey Wright has some nice screen time as Muddy Waters. Some of the rest of the cast just seems wasted in this half baked attempt of telling the story of Blues music. This film only played out for a couple of weeks before it ended up as a 2nd string, budget line feature (does that tell you something?). Rated 'R' by the MPAA, this film features wall to wall swearing,lots of sexual goings-on,drug & alcohol abuse & other material that you probably wouldn't want junior to see (at least until he/she's a bit older)