The Trial

This was my first Italian show. I love murder mysteries. And if its a Foreign show, I'll binge watch it, no matter what, unless its really bad. This is not your average whodunit. A 17 year Old Girl is murdered, Lady Prosecutor and the defense lawyer start off in all righteousness, but the defense start breaking the rules. This is a beautifully done show. Its pacy, characters are extremely likable and the dialog is not difficult to grab. Some of the legal procedural work can be questioned and that is the only flaw. The court proceedings give a deep insight into how Italian law functions. And I dont get the low ratings, I guess its again the lazy folks who are just too dumb to read the subtitles. Its right up there with The Killing, Trapped, etc. This is a masterpiece, go watch it.. Theres enough substance to make you fall in love with the show.

I really enjoyed this one and I ended up seeing it in one day. I regretted that since I was like a zombie next day. The plot is interesting, the characters too. I thought it was well written, dialogues were real and it builds up suspense.

Never seen a twist and turn like this (in American movies) in quite sometimes.

This reminded me of the killing the first season which I loved. A must watch

This Italian noir is crafted with the utmost finesse. Set against the palatial Renaissance backdrop of Mantova-a city still relatively untouched by tourists-Il Processo takes us on a ride through the Italian judiciary system without bogging us down in bureaucracy, detail and Amanda Knox.

A refreshing change from Neopolitan, mafia-led dramas, and all the cringe set in Venice and Rome, Il Processo breathes a breath of fresh air into Italy's TV exports. It steers clear of the path to pretentiousness (from which many of its contemporaries never return), instead prioritising character development and a slow-burning sense of unease over a quick, intense thrill, maintaining intrigue until the end.

Elena, the enigmatic main character-our new best friend and elusive partner in crime-solving-is expertly cast. True to her surname, the prosecutor wages a war against an increasingly desperate defendant and, in the process, lets us question her own motives. The director never leads us down the garden path, instead giving us objectivity with which we come to our own, likely erroneous, conclusions.

Saying bye to Vittoria Puccini's Elena in the sunset-based finale (a solitary dose of corniness to sign off an exceptional series) is genuinely quite sad.