In the aftermath of a roadside accident, the line between the living and the dead collapses for a mother, a daughter and a stranger.In the aftermath of a roadside accident, the line between the living and the dead collapses for a mother, a daughter and a stranger.In the aftermath of a roadside accident, the line between the living and the dead collapses for a mother, a daughter and a stranger.
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Decent acting come on it's a low budget horror movie it's not Shakespeare!! The acting was sufficient the story was excellent and it had some gore and some mystery. I liked it and will watch it again, I was especially impressed when I read it's written, directed, starred and even filmed by the same people, that's talent my friends!!!
Slow burner.
Well executed.
Some gore but few .
Im really impressed by Hellbenders , the recent movie from the same family of actor/director/cineast.
Recommended, require patience.
Well executed.
Some gore but few .
Im really impressed by Hellbenders , the recent movie from the same family of actor/director/cineast.
Recommended, require patience.
At least show some original thought.
As for the movie: good plot, good acting, great cinematography, all on a low budget.
It's not a barn-burner and don't expect it to jump-scare you. It is horror I suppose, but it could also be considered psychological thriller.
All in all, a very watchable movie.
I don't know much about the background of this movie, but I know it was made on location by an actual family, probably with a budget of next to nothing. In spite of that, this movie is gorgeously lensed. The supernatural sequences have the twisty, extradimensional, mechanical cadaver feel of Tarsem or of a late 90s Marilyn Manson video, and the disorienting special effects are done with a sleight-of-hand (digital or practical, I'm not sure) that's seamless and very impressive. The non-supernatural sequences are likewise artfully crafted, with the camera often functioning as a ghostly voyeur. The setting is immersive, with richly contrasted color. There's a crisp, almost monochrome color palette of white snow against black night, with a touch of resonant blue and a splash of red thrown in for good measure. The cinematography here is not to be missed.
The acting is fine, and the characterization is well-developed. Toby Poser as the grieving mother is especially good, effectively conveying a realistically complex and moving portrait of someone's who's simultaneously certain of her pessimistic convictions yet desperately hopeful that she will be proven wrong. The film also subtly portrays her grappling with her own disillusionment and cynicism, regretting the ways in which she has turned her gifts into a selfish, hollow racket. A scene in which she communicates with a double of herself is perhaps the high point of the film.
Unfortunately, this theme is only vaguely fleshed out, given some additional background by a former protege who has the artistic misfortune of being portrayed by a stereotypical magical negro, all gleaming teeth and sinister laughter. The borderline offensive tropiness here is the only deliberate wrong step the film takes, but the story as a whole could have also been a little more "deeply" developed.
Overall, this a very solid, engaging horror film with stylistic flair that's all the more impressive given the tiny budget. The movie never overstays its welcome, and horror aficionados will find it well worth their time.
The acting is fine, and the characterization is well-developed. Toby Poser as the grieving mother is especially good, effectively conveying a realistically complex and moving portrait of someone's who's simultaneously certain of her pessimistic convictions yet desperately hopeful that she will be proven wrong. The film also subtly portrays her grappling with her own disillusionment and cynicism, regretting the ways in which she has turned her gifts into a selfish, hollow racket. A scene in which she communicates with a double of herself is perhaps the high point of the film.
Unfortunately, this theme is only vaguely fleshed out, given some additional background by a former protege who has the artistic misfortune of being portrayed by a stereotypical magical negro, all gleaming teeth and sinister laughter. The borderline offensive tropiness here is the only deliberate wrong step the film takes, but the story as a whole could have also been a little more "deeply" developed.
Overall, this a very solid, engaging horror film with stylistic flair that's all the more impressive given the tiny budget. The movie never overstays its welcome, and horror aficionados will find it well worth their time.
Don't trust no human that doesn't wash their hands after using the restroom.
The film is an art piece, and that's not my preference. That said, the story is interesting. The acting is great. And the execution is solid.
The film is an art piece, and that's not my preference. That said, the story is interesting. The acting is great. And the execution is solid.
Did you know
- TriviaThe entire production was a family affair. It's written, directed, and produced by John Adams, his wife Toby Poser, and their daughter, Zelda. They also star, shoot, and compose the film's score. Their democratic directing process is if multiple Adamses have varying ideas for how a scene should be shot or acted, their modus operandi was to shoot it every way and select the best option. The best ideas always won, not the stronger voice.
- GoofsThe officers would identify themselves as being from the Sullivan County Sherrif's Department and not the Sullivan County Police.
- SoundtracksLonely
Written by H6LLB6ND6R
[played during end credits]
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- Roscoe, New York, USA(Town scenes)
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