The series explores another side of Rome - the dirty business of entertaining the masses, giving the mob what they want most - blood and sport.The series explores another side of Rome - the dirty business of entertaining the masses, giving the mob what they want most - blood and sport.The series explores another side of Rome - the dirty business of entertaining the masses, giving the mob what they want most - blood and sport.
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Alright; many of the reviews are correct. The CGI was ordinary, just let it go. The acting is pretty good, the perspective highly entertaining. The plot quite original and engrossing. Do not quite understand the hate on this one. Gladiator; it ain't. Actually liked the plot more than Spartacus.
Oddly enough, Hopkins is somewhat out of place, probably got paid a packet by being there, pretty flat showing by him in all honesty. Not familiar with the rest of the cast, the characterisation of Vespasian's two sons was great, they pulled it off beautifully. Iwan Rheon was cast well, as Tenax I was unsure whether to love him or hate him. Give it a go folks. It's far from the worst thing you'll ever invest your time in.
Oddly enough, Hopkins is somewhat out of place, probably got paid a packet by being there, pretty flat showing by him in all honesty. Not familiar with the rest of the cast, the characterisation of Vespasian's two sons was great, they pulled it off beautifully. Iwan Rheon was cast well, as Tenax I was unsure whether to love him or hate him. Give it a go folks. It's far from the worst thing you'll ever invest your time in.
The show's attention to detail in set design and costumes immerses viewers in the era, making the brutal and often heart-wrenching scenes even more impactful. Plunges viewers into the gritty and intense world of ancient Rome. The performances are top-notch, with the cast delivering powerful portrayals that bring the historical figures to life. The narrative is gripping, filled with twists and turns that keep you on the edge of your seat. Overall, "Those About To Die" is a show you should watch for fans of historical dramas and action-packed storytelling. It offers a raw and unflinching look at the lives of those who fought for survival and glory, leaving a lasting long impression on its viewers.
Those About to Die reminds me very much of a BBC historical drama wrapped up with a 2010s Prince of Persia style Hollywood movie.
Some of the acting and dialogue is a tad painful to watch and the CGI is very ropey. The scenery itself is quite stunning, but, as a soon and chariots start racing, the often used panning out shot has the riders looking like Duracell Bunnies with whips.
The giant white lion, although impressive in size, is again underwhelming in it's overall appearance.
I did enjoy parts of the story but in general was left frustrated and irritated by alot of the character interaction.
A series with a lower first season budget like Vikings did alot better of a job drawing the audience into a historical timeline. Whilst adding drama, humour and excitement.
Not bad but could have been alot better.
Some of the acting and dialogue is a tad painful to watch and the CGI is very ropey. The scenery itself is quite stunning, but, as a soon and chariots start racing, the often used panning out shot has the riders looking like Duracell Bunnies with whips.
The giant white lion, although impressive in size, is again underwhelming in it's overall appearance.
I did enjoy parts of the story but in general was left frustrated and irritated by alot of the character interaction.
A series with a lower first season budget like Vikings did alot better of a job drawing the audience into a historical timeline. Whilst adding drama, humour and excitement.
Not bad but could have been alot better.
When I first saw the trailer for Those About to Die I knew this show was for me. I'm definitely the target audience when they approve shows like this and I have to say even though it probably could've been a little better, I still really liked it. While I don't think it will win any awards but I promise you that at the very least you'll have a good time watching this. If you have a problem with violence or nudity then you should pass because this show has a plenty of both. The show takes place during the height of the Roman Empire as it explores the dark side of the city while also providing plenty of political drama too. I binged through this series as fast as I could (there's not a bad episode) and I pray they renew this for at least another season because there were still a lot of stories unresolved.
This recreation of Ancient Rome shows that although the Romans could hold a horserace on steroids, and put on a show that makes "WrestleMania" look like kids playing in a pre-school sand pit, a decent lighting grid was beyond them. This thing is so dark; half of it seems in silhouette. There were a couple of episodes where I wasn't sure who was doing what to whom.
Accurate I suppose, but other shows about the ancients have got around it without us wondering how they received a visit from Thomas Edison. My favourite sword and sandals series HBO's "Rome" didn't seem that dark. Admittedly it makes the brightness of the chariot racing and arena scenes stand out.
Director Roland Emmerich said he was inspired to make the series after reading Daniel P. Mannix's history of the games. I read that book years ago; it was a pretty sensational read detailing the happenings in the arena and the Circus Maximus over many centuries. The filmmakers couldn't follow that format or it would have ended up a docu-drama like The History Channel's tedious "Colosseum". Instead they borrowed the format of HBO's "Rome" where we dive into a specific time. "Those About To Die" takes place around 80 AD and features the reign of Emperor Vespasian and his sons Titus and Domitian. The series depicts the lives of the elites contrasted against Ancient Rome's great unwashed.
Anthony Hopkins as Vespasian joins those esteemed British actors deep into their careers that have donned the imperial purple to play Rome's greatest emperors on the cusp of divinity; he gives the series a lift.
Despite the mood lighting, the series has strong stories and a literate script. Although eight episodes would have tightened it, and we get far too much of Scorpus the charioteer, the series becomes compelling, gripping even, as we head towards the end.
We cut between the intrigues of the royal court in the marble-floored palaces and the story of Numidian Cala (Sara Martens) down in the mean alleyways of Rome attempting to rescue her daughters from slavery and her son from the arena. Through her changing relationship with Tenax (Iwon Rheon), an ancient version of crime boss and big-time bookie, we are taken behind the scenes of the chariot racing, and later the sick fun of the Roman Games.
I think the CGI is used well. The recreation of the Circus Max and the Colosseum are impressive, and don't worry too much about the sex scenes, most of them are so gloomy they seem like they were shot in a disused train tunnel.
Roland Emmerich and the filmmakers did what author Daniel P. Mannix did in the book; where the ancient texts didn't deliver enough gasps, they took a somewhat sadistic guess.
Like HBO's "Rome" this series gives an idea of the life of the ancient Romans, living in an empire that through movies and television seems more like an alternate universe than ancient history.
Accurate I suppose, but other shows about the ancients have got around it without us wondering how they received a visit from Thomas Edison. My favourite sword and sandals series HBO's "Rome" didn't seem that dark. Admittedly it makes the brightness of the chariot racing and arena scenes stand out.
Director Roland Emmerich said he was inspired to make the series after reading Daniel P. Mannix's history of the games. I read that book years ago; it was a pretty sensational read detailing the happenings in the arena and the Circus Maximus over many centuries. The filmmakers couldn't follow that format or it would have ended up a docu-drama like The History Channel's tedious "Colosseum". Instead they borrowed the format of HBO's "Rome" where we dive into a specific time. "Those About To Die" takes place around 80 AD and features the reign of Emperor Vespasian and his sons Titus and Domitian. The series depicts the lives of the elites contrasted against Ancient Rome's great unwashed.
Anthony Hopkins as Vespasian joins those esteemed British actors deep into their careers that have donned the imperial purple to play Rome's greatest emperors on the cusp of divinity; he gives the series a lift.
Despite the mood lighting, the series has strong stories and a literate script. Although eight episodes would have tightened it, and we get far too much of Scorpus the charioteer, the series becomes compelling, gripping even, as we head towards the end.
We cut between the intrigues of the royal court in the marble-floored palaces and the story of Numidian Cala (Sara Martens) down in the mean alleyways of Rome attempting to rescue her daughters from slavery and her son from the arena. Through her changing relationship with Tenax (Iwon Rheon), an ancient version of crime boss and big-time bookie, we are taken behind the scenes of the chariot racing, and later the sick fun of the Roman Games.
I think the CGI is used well. The recreation of the Circus Max and the Colosseum are impressive, and don't worry too much about the sex scenes, most of them are so gloomy they seem like they were shot in a disused train tunnel.
Roland Emmerich and the filmmakers did what author Daniel P. Mannix did in the book; where the ancient texts didn't deliver enough gasps, they took a somewhat sadistic guess.
Like HBO's "Rome" this series gives an idea of the life of the ancient Romans, living in an empire that through movies and television seems more like an alternate universe than ancient history.
Did you know
- TriviaThe gladiator Flamma went 13 years unbeaten (technically) in the arena. He was spared 4 times
- GoofsThe emperor puts his thumb up for "live" and down for "kill." In reality, the emperor would to cover his thumb with his four fingers for "live." The gladiator would also live if the emperor yelled the Latin word for "dismissed," or threw a piece of cloth, showing mercy. When he wanted the gladiator to die, he would put his thumb straight out to the side, symbolizing the sword. Studies of Roman artwork suggest that the "thumbs up" gesture was actually an affirmation to proceed with the kill.
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