Padavettu

An intense drama, the theme is a great eye-opener for common people with rooted story telling ! Hat's off to Liju Krishna (not considering the legal battle in his personal life) and Mind Blowing BGM from Govind Vasantha

1. Why Nivin Pauly isn't recognised at a pan Indian level ?

2. Topics covered in my mind (High-speed survey stone, twenty-twenty, quarry mafia, tree-felling scam, corporate supporting political leaders, youth of our country, Kannur political rivalry, Religion/culture/ Development based fake politics, Wild life encroachment, Farmers of our country, Land and Ecosystem based politics and Lack of backing for atheletics/sports in our state) while watching this movie.

Amazing cinematography and bgm... realistic characters but with a fairy tale touch... what a brilliant director LK is! My second favorite director after LJP in malayalam cinema!!! Very artistic move! So times we are confused with the story and think what this director is trying to say but if we understand that is the way director is trying to portrait the characters like in a fairy tale and it is very artistic! Dont watch the movie expecting like a typical old generation movies but this one is director's brilliance and we need to watch from his angle. Then we can really enjoy the art in the film.

The story was not bad but the screenplay dragged each scene with unnecessary shots that it became impossible to even pretend to like the film... Too much slowmo in the last fight, in fact the whole fight was in slow-motion. Story writing style was pretty old where things were being explained on atom level, c'mon, we are living in net age. People understand things faster than the speed of light.

However I liked the casting. Shine could've been used better or a bit more of his involvement would have been great.

Overall an average flick... People who watch movies based on the lead actor in the film would like it a lot 'cause Nivin has done a great job.

Padavettu is a film that aspires to delve deep into themes of personal struggle and societal change, presenting a story that's firmly rooted in its setting. The film's grounded storytelling is one of its standout features, offering a realistic portrayal of rural life that feels authentic and immersive. It's a story that aims to reflect the challenges and aspirations of its characters in a way that resonates with the audience. However, despite these positives, the film struggles to maintain its momentum, leaving me with mixed feelings.

The film opens with promise, setting up a narrative that feels both intimate and epic. The cinematography captures the essence of the rural landscape beautifully, enhancing the film's realistic tone. There are moments where the storytelling shines, drawing me into the world and the characters' lives. The film's attention to detail in depicting its setting and the nuances of everyday life is commendable.

However, the film falters with its pacing. The story unfolds at a sluggish pace, making it challenging to stay engaged throughout its runtime. At times, I found myself waiting for the plot to pick up, only to be met with prolonged sequences that felt more meandering than meaningful. This slow pace, combined with a plot that can be hard to follow, detracts from the overall impact of the film. The narrative occasionally becomes muddled, making it difficult to fully grasp the characters' motivations and the story's direction.

Another significant drawback is the film's lead character, who comes across as unlikable and hard to empathize with. While complex, flawed protagonists can be compelling, this particular character lacks the depth needed to make his journey relatable. His decisions and actions often left me feeling disconnected, which is a shame considering the film's potential to explore meaningful themes.

The supporting cast, while delivering competent performances, are sometimes underutilized. There are glimpses of interesting character dynamics and subplots that could have added depth to the story but remain underexplored. This leaves certain aspects of the film feeling incomplete, as though some narrative threads were left dangling without resolution.

Despite its shortcomings, Padavettu offers moments of brilliance that hint at what could have been a powerful narrative. The film's grounded storytelling and visual appeal are its strongest assets, providing a glimpse into a world that's both familiar and new. However, these positives are overshadowed by pacing issues, a hard-to-follow plot, and an unlikable lead character, making it a film that falls short of its potential.

I haven't liked Nivin's film since 2017, and there were films that makes one feel like he has forgotten acting. However, this film is different, it is much fair. From the nature of the story and scenes, I believe the actor just had to act, cause everything else went like a clockwork along with it. Supporting actors were also good. His mother's sister and the old guys (I wish someone would add their names too) were really good. I wish Shammi's character was a bit more menacing, then the drama might have been a bit more fatty. Also, thanks for not making the film super political and for not signalling any parties messages, thanks for using plot devices solely for storytelling. Thanks for telling the messages of grit through the person rather than using a political party. A much appreciative work and wouldn't have hurt if more elements of grit from the protagonist and personal viciousness from villains were added. I didn't know that LK was one of those who abused people for personal fun. I know a lot who does, and a lot of them who keeps Vaashi films explanation of laws related to abuse close to their heart, and have formed it as the legitimate basis for abusing more people.