The Forty-Year-Old Version

Radha, a screenwriter in her 40's, living day by day, without anything significant in her career, sees in rap music a way to rediscover herself, under the name RadhaMUSPrime.

A dramatic comedy that does its job: makes you laugh, and also reflect and think about life, at different moments.

The narrative is based on the feeling that currently many pre-adults/adults tend to think over and over again, which is their role in society, in the form of professional fulfillment, and on a personal level, like "will I be remembered as a good person?" while struggling with inner demons.

The sarcasm used is well applied, and stands out in the characters who use it.

The black and white photography makes sense, as we are being guided to the end of the film and we see the "bigger picture".

The social critic, about gentrification and the shallow and hypocrite social support by the upper classes in a pretentious way is one of my favorite parts.

This has got a lovely pace, beautifully shot, and keeps on keeping things real - with the delight and courage and struggle and beauty that real life can have. Radha is charming and funny as well as raw, and her relationships - from those on the street corner, old friends and very new ones, the teenagers she works with each week - too.

When I first saw this advertised I thought oh wow a refreshing comedy tackling some interesting concepts.

Sure there parts which are touching, funny and insightful but I was left with a sense of disappointment. There were characters who could done with more substance to them and development in the story as a whole. And the chance to developer her art form further was a change that was missed. It could of taken the movie in a refreshing direction.

Overall it worth a watch as it does address some genuine and authentic life experiences.

Wow, am I really leaving the first review? This movie made me laugh (a lot, lots of giggles) and made me think. On a universal level, there are so few movies that address the humor and pains of being 40 (The 30 yos get all the fun) so, anyone who is about to turn 40 will find something to relate to in this movie. But on another level, it made me think about what being a black female playwright and poet is like (I'm a white dude), and did so in a way that made me laugh and feel uncomfortable at the same time. That's a rare quality and I feel like a better human being today for it. So, in short - LOVED IT.

GRADE: B-

THIS FILM IS RECOMMENDED.

IN BRIEF: A flawed but intriguing look at an artist's journey.

JIM'S REVIEW: Artists are often told to make art based on what you know and that sage advice is exactly what Radha Blank did in her autobiographical indie debut entitled The Forty-Year-Old Version. This engaging comedy, filmed mostly in b&w and on a the smallest of budgets, depicts an artist's journey with many interesting characters and stops along the way.

Ms. Blank directs, writes, and stars here, making an impressive triple-threat debut. She plays Radha, a struggling playwright unable to find success she drifts into the world of hiphop, her real passion. A 30 year-old prodigy, Radha has gone nowhere in these past ten years, except for her teaching job which helps to pay the bills. As she wrestles with self-doubt and depression, her latest artistic project improbably gets green-lighted for Broadway. This contrived plot device leads her and moviegoers to this question: Will the artist stay true to her own vision or sell out? It's a fictitious version of herself and any artist's on-going dilemma. Ms. Blank uses her real life experiences and unique talents to convey those two conflicting worlds quite effectively.

As an actress, she is a commanding screen presence with some droll comic timing. Her screenplay creates an authentic world, one step from poverty and living off the gritty streets of Harlem. Her dialog has sparks of insight and wit. However, her depiction of her Caucasian characters in the film is slightly offensive though humorous. There is a a reverse Uncle Tomism subtly on display as these white stereotype characters become mere bobbleheads, walking cliches of ineptitude and silliness who are out of touch with the world and more concerned about their white privilege. In her directorial debut, Ms. Blank establishes her narrative well, but lets too many scenes go on past their expiration date, including a rap smackdown sequences that honors the craft but adds little to the story. The movie felt padded with too much attention to atmosphere and not enough on the plot structure. A shorter film version itself or more judicious editing by the filmmaker could have made the movie have greater impact.

Peter Kim as her gay friend/agent Archie and Oswin Benjamin as D, her rapper friend and muse, provide strong support as does Reed Birney as J. Whitman, in a thankless role as the pompous producer of her play.

The Forty-Year-Old Version is as crude and raw as its profane language and liberal use of n-words, but there is much to say and hear from a promising and gifted artist. One looks forward to her next project.