One morning it is over. For Hampus it is a relief to break up from their destructive relationship, while Adrian is devastated. Will he be able to survive without the love of his life, or is ... Read allOne morning it is over. For Hampus it is a relief to break up from their destructive relationship, while Adrian is devastated. Will he be able to survive without the love of his life, or is there a way of somehow getting him back?One morning it is over. For Hampus it is a relief to break up from their destructive relationship, while Adrian is devastated. Will he be able to survive without the love of his life, or is there a way of somehow getting him back?
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Short, a beautiful film. Not only at the aesthetic level, but for a sort of honest portrait of the break- up of a relation, for the clean story, for the ignore of excesses. For the clarity . And, sure, for the acting. It is easy to criticize it . But its basic, significant virtue is to be a mirror. It reflects basic realities, familiar emotions, well known feelings and not comfortable said words.It propose a wise way to build his character by Bjorn Elgard, making his Adrian realistic, dark, vulnerable, easy recognizable in many fellows of us or, maybe, in ourselves. It propose a complex love story. And it did that in fair, smart and delicate manner. So, a very special film. Not th last, for the magnificent end - the photography is one of the motives for define in this way.
Yet again, I've been glued to the set watching a film of one hour and forty four minutes. I'm always apprehensive when a film goes over the ninety minute mark as I fear it might just be a sprawling mess. However, here, I didn't glance once at the clock to see how much longer there would be till the end.
When the film started, I was also worried that it was going to be similar to "Weekend" or "Sodom", both films that bored the pants off me. The format looked as if it was going to be the same - two guys discussing their past and their relationship. However, the director and writer had mixed a judicious number of other characters into the pot although it was a film principally about Adrian and Hampus.
The differences between the two leads were marked as were their different ways of dealing with their break up. Adrian, who was afraid of ever losing control, had to deal with it having happened. And with his personality, he was the one who had the greater difficulties in being alone and accepting the fact. Hampus had his hardships too but they were impulsive and emotional, not sustained and obsessive.
The minor characters were ciphers, of course. This was a film about the two former lovers. Nonetheless, their contributions moved the plot along. The one plot device I disliked though was the impossible coincidence of the meeting in the HIV clinic. There were better ways to engineer the story towards a dinner party for the exes and their new fellas.
I understand that on the deluxe DVD there is an alternative ending that can be played. If that ending is what I suspect it might be, then it would be an utter cop out and I'm glad it wasn't used for general release.
The very last shots in the film screamed "Sweden" to me. Even without having seen the film or heard the language, seeing those fields and that lane would have had me saying that this was Sweden or (possibly) Finland. I'd feared that the ending was going to be different but it was perfect and apt.
When the film started, I was also worried that it was going to be similar to "Weekend" or "Sodom", both films that bored the pants off me. The format looked as if it was going to be the same - two guys discussing their past and their relationship. However, the director and writer had mixed a judicious number of other characters into the pot although it was a film principally about Adrian and Hampus.
The differences between the two leads were marked as were their different ways of dealing with their break up. Adrian, who was afraid of ever losing control, had to deal with it having happened. And with his personality, he was the one who had the greater difficulties in being alone and accepting the fact. Hampus had his hardships too but they were impulsive and emotional, not sustained and obsessive.
The minor characters were ciphers, of course. This was a film about the two former lovers. Nonetheless, their contributions moved the plot along. The one plot device I disliked though was the impossible coincidence of the meeting in the HIV clinic. There were better ways to engineer the story towards a dinner party for the exes and their new fellas.
I understand that on the deluxe DVD there is an alternative ending that can be played. If that ending is what I suspect it might be, then it would be an utter cop out and I'm glad it wasn't used for general release.
The very last shots in the film screamed "Sweden" to me. Even without having seen the film or heard the language, seeing those fields and that lane would have had me saying that this was Sweden or (possibly) Finland. I'd feared that the ending was going to be different but it was perfect and apt.
Fantastic movie from Sweden...
I honestly don't understand why this movie has got such a low rate, the movie is absolutely relatable, the actors are great and they storyline really flows.
Highly recommended.
Highly recommended.
Talented actors and good cinematography do not save the show, due to the poor screenplay. The dialogue is simply not believable; the characters express their emotions as if they had been watching daytime soap operas all their lives.
The movie opens with two men slowly - very slowly - discussing their breakup. That continues - slowly, depressingly, pointlessly - for the next hour and 45 minutes. As with another reviewer, I was begging for the end.
Also, this movie contains one of the least likeable protagonists imaginable. If you want someone to root for, Adrian isn't it.
Also, this movie contains one of the least likeable protagonists imaginable. If you want someone to root for, Adrian isn't it.
Did you know
- TriviaThe movie was shot in conological order. They filmed for a couple of days then taking a breaks for a couple of months. This enabled the seasons to change in between shooting days.
- ConnectionsEdited from No More We (2018)
- SoundtracksMute
Composed by Johan Renck & Martin Landqvist
Performed by Stakka Bo
Courtesy of Universal Music
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- Vivir sin nosotros
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- Gothenburg, Sweden(Home city exteriors and interiors.)
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