The Misfortunates

I saw this last month at the 2010 Palm Springs International Film Festival where the film's director Felix van Groeningen attended my screening to take an audience Q&A following the film. Adapted from the Dimitri Verhulst novel by van Groeningen and Christopher Dirickx this is the story of young Gunter Strobe (Kenneth Vanbaeden) being brought up by his single and alcoholic father Marcel (Koen de Graeve) after his mother walked out on them. They live at grandma Strobe's (Gilda de Bal) house along with Gunter's hard partying uncles Petrol (Wouter Hendrickx), Beefcake (Johan Heldenbergh) and Koen (Bert Haelvort). the white trash family is so out of control that it's amazing that social services haven't taken Gunter out of this environment a long time ago, although they have threatened to. It's grandma Strobe with the only sensibility and sense of stability and guidance that keeps Gunter in the home but she has reached the point of exasperation in her the behavior of her sons. Valentijn Dhaenens plays the older Gunter looking back at his his childhood years and giving gratitude to his grandmother. this is an excellent cast. I only wish the grandmother's character was more developed and their was more of an on screen presence of her and also a little more of Gunter's mother and her marriage years to Marcel. The character of uncle Koen is underdeveloped as well. Many might find this film about a distasteful family distasteful as well but there is a lot to like in this relatively slow film and lots of dark comedy and genuine tragedy. This was Belgium's official submission to the 82nd Academy Awards for Best foreign Language film. It's van Groeningen's third film and the third time is a charm and I like this film. I'll look forward to more from the young director and more with a bigger budget hopefully. I loved the Roy Orbison scene. I would recommend this and give it an 8.5 out of 10.

... you can always count on tears, blood, placenta and spilt beer.

Having said this, this film uses all of them to good effect. This brutal confrontation with the Flanders of Pieter Brueghel and Jacques Brel, is not without its pathetic and touching moments. It reminded me a lot of Quebec's "C.R.A.Z.Y" in its enthusiasms for its subject but with, of course, much more squalor.

The actors are all convincing and attractive in their own way and the direction is transparent and unobtrusive. The viewer should be warned that the opus is generously peppered with scenes of fornication, sometimes public, pissing, sometimes public, defecation, sometimes public, vomiting, sometimes public, public male nudity and transvestism, not to mention lots and lots of binge drinking.

I liked the anecdote in the "making of" documentary telling how one of the father's fake moustaches was fashioned from the male actors' and crew's pubic hair. It seemed fitting somehow.

This is a damn good film. I think it sort of goes from being a very low-brow comedy into an interesting examination of a very dysfunctional family and how that shapes Gunther's own life as an adult. The thing about the movie is that under all the "ugliness" the Strobbes display through their behavior, the film is certainly very heartfelt and honest about how it portrays its characters. Sure they may be ugly, unlikable, drunkards, gamblers...but they feel like a real family and that's what the film gets across greatly. They do feel like a very close and tight-knit family and you get to see their ups and downs, mostly downs really, and how they relate to each other. So it's a very well-written film, it's also well-acted but there's something about the film, it's not really a flaw, but somehow the film is content with just being very good, it never feels great. There's some inspired stuff here but it's never great and I'm not sure what the reason is for that. But at least it's still a damn good film about a fascinating family.

When you think of Belgium, many things might pop to your mind, but certainly not this harsh comedy-drama about the dysfunction that tops all disfunctions. The Strobbes, working (although almost nobody is working),class family consists of 4 loutish sons, stoic mother and the 13-year old son of one of the brothers, with more potential than all of them together. And there is almost nothing else but excessive drinking, and all the things that come with it. Cruelty, violence, hangover and such a waste of both lives and space. This is harsh picture of a family, that doesn't know how else to connect but through getting smashed. The scene that stands out is incredibly hard to watch. When the boys father comes from rehab for a weekend, healthier and stronger, his brothers slowly draw him back to the pit he tried to escape. Strange and disturbing movie, but I have a feeling one that you don't forget soon.

The movie is not too bad but stays clearly behind the book of Dimitri Verhulst. It depicts however quite strongly the destiny of the people that are born in less favored place - destiny that you do not escape easily and that is somehow claimed for its future generation. It happens here that this poor area is a small countryside village in Flanders, with its own code and its 'folklore' with a Belgium humour touch. Nonetheless, such a background message could have been issued as well in a parisian suburb or in a "developing" country. The way out does not change as well: education and self-esteem.