Miss Austen Regrets

This film is so much better than 'Becoming Jane' (which deals with Jane Austen's earlier life), that it is really in another category altogether. Olivia Williams as Jane Austen in this film is scintillatingly brilliant, she truly becomes the character, and although she had already shown in 'The Heart of Me' (see my review) what a sensational actress she is, here she transcends herself. Rarely can an actress have so thoroughly 'become' a historical character as in this film. Olivia Williams has now proved that she is one of the finest actresses in Britain today. She is not vain, and is not afraid to look rough when necessary for the story, whereas Hollywood actresses do not ever want to be seen from the wrong angle, so that they become artificial. Olivia Williams really does seem to suffer with her character every step of the way. She also effervesces and bubbles with uncontrollable mischief and naughtiness, rebelling against the intolerable restrictions of life for a woman in those days. The pathos of Austen's solitary state, when women who were unmarried could not carry on any other relationships either, is vividly portrayed. Greta Scacchi is marvellous as the silent sister Cassandra, though it is hard for me to come to terms with her no longer being the dazzling starlet she was when younger, as I still envisage her as that. Imogen Poots is a mixture of charm and jealousy, feather-brained idiocy, and beaming smiles, even a touch of innate wisdom, in other words, just as full of contradictions as a real person. She pulls it all off, and we believe every aspect of her changing nature as it varies from circumstance to circumstance, laughing with her one minute and at her the next. Her versatility and instinct will doubtless bring her a fine career. Phyllida Law is marvellous as Mrs. Austen, the mother worn out by it all. Adrian Edmondson does a wonderful job as brother Henry, charming but hopeless, devoted brother and failed banker. The director, Jeremy Lovering, has never directed anything other than television material, but here he shows himself as a superb feature film director, albeit this was a film made for television. Let's hope he can now break out of the box. He is announced as director for 'The Wedding Party', and maybe that is for a larger screen. He has proved that he knows how to tease the best results out of his actors and actresses. This film is a genuine triumph, and everyone connected with it should be thrilled at the result, which could hardly be bettered. It is an instant classic, and long may it live its life as a DVD, avidly watched by anyone with an ounce of taste. And above all, what will the amazing Olivia Williams do next? Will she get all the plum roles she deserves? If there be any justice in the world at all, we will see no end of her from now every which way we turn.

If you've read her novels and love the world she creates, you will understand them so much better after seeing this BBC production. Beautifully directed and acted, it captures the person she was, witty, sensitive, a romantic at heart and yet ever so practical - even cynical in realising a good marriage is the only way a woman could lead a comfortable life. But never, not once, does the movie seem staid, or boring. It is effervescent, delicately handled and poignant. Fans of Jane Austen will love the unobtrusive inclusion of quotations from her books, the references to her most loved characters and the irony of her never finding a Mr Darcy in her own life. It moved me deeply.

I SO wanted to absolutely love this movie. I did. Don't get me wrong -- it got a lot right. It was on Masterpiece Theater, for heaven's sake, and the script generally tried to stay closer to the few facts we have about Austen's life. It had decent direction and adept, credible Brits portraying Jane and her family. And yet, there was one huge flaw that I just couldn't ignore. Miss Austen Regrets would have us believe that Jane had several offers of marriage during her lifetime but knowingly and deliberately chose to remain single and focus on her work. This is a 20th to 21st century conceit awkwardly imposed on a 19th century situation.

The few facts we have show that Jane received only one marriage proposal during her life, and that was from someone with an irritating personality. Harris Bigg-Wither was described by Jane's niece Caroline Austen and by one of his own descendants, Reginald Bigg-Wither, as unattractive at best: he was plain, if not homely, stuttered, aggressive in conversation, and almost completely tactless. Those objectionable qualities, despite his comfortable financial position, would have put off many women, then *or* now. Had he had a more pleasing personality, Harris might have tried first for a fiancée from a more prosperous family instead of proposing to Jane.

Moreover, Jane had known Harris since childhood and probably knew full well what she'd be getting into if she decided to marry him. To endure Bigg-Wither every so often at social occasions was one thing, but to marry him and have to endure that personality day in and day out would have been quite another. The simplest explanation is that Austen initially agreed to his proposal in order to be less of a burden to and/or provide for her family, but she knew him too well not to immediately regret her decision the next morning -- and thus she reneged on her acceptance in less than a day, and remained single. She probably considered that the lesser of two evils.

The truth, then, is *not* that Jane Austen turned down acceptable proposals and made a conscious decision to put her writing first and stay independent, particularly given that she *never was* financially independent, but rather that no handsome, sweet-tempered, intelligent man, with or without means, ever asked her. She may have had such men as friends or acquaintances, but none of them ever proposed. If one had, remaining single would have been a much harder decision -- but that's moot, because such a man never did ask. Period. And that's a rude truth she had to suffer for all her adult life. It's not a truth that Miss Austen Regrets chose to address, however, and that is the film's greatest failing.

film about a legend, it is a serious work. her life is more than a picture. her work is more than portrait of a world. because the heart of pages, existence is the sacrifice. it is answer to many ordinaries questions. and beginning to a trip in essence of a society not more different by ours. basic virtue - excellent performance. the second - air of a time - mixture between honey and ash. so, if it is not accurate image about Jane Austen, it is realistic. seductive. and a real show of nuances. the regrets - only flowers of a way to understand life. a kind of lesson , idealistic, of course, but very important as subject of reflection. it is a necessary film in the middle of Jane Austen adaptations. because makes her human been more than a character writing about others characters.

Jane Austen's (16 December 1775 – 18 July 1817) last few years, gorgeously filmed and directed, just as it would be one of her own creations, with the difference that her novels end with 'happy endings', like love and marriage, whilst Austen died at 42 unmarried and depending on her family. One does wonder why Austen, whose very witty and vibrant (though social-critical) books are about women and the necessity of marriage for a social and financial security at her time, never married!?!

This movie is apparently very closely based on the few remaining letters between Jane, her sister Cassandra and her favourite niece Fanny; an assumption of those very intimate and loving letters, a sort of a hypothesis that Jane chose not to marry of her own, by refusing several marriage proposals to be able to write and for her 'freedom'. It is a very emancipated and 21st Century feminist friendly theory. Some hard- core Austen historians still insist though, that Jane never married because, in her very youth, she refused a marriage proposal from a very rich yet ugly, old and dull man...Mr Bigg...and then she was never asked again...for her no Mr. Darcy came along.

Therefore, biographically not fully bullet-proofed but historical events are accurate.

Love the many quotes incorporated in the movie!

I've never heard of Olivia Williams but I must say she earned all my admiration and will look out for her past and future works! Great actress!

If you like BBC period dramas or even Jane Austen's novels adaptations, then you most certainly will enjoy this; a great family-movie which will inspire the interested Teenager to read Jane Austen novels...(so I hope!)