The Vigil

Quite original with the setting and the scare-jumps for this movie. I enjoyed it from start to end, and found the main actor to be a very good and believable character. The only reason that I did not rate this movie even higher was because the main climax of the horror lasted less than 5 minutes and I was expecting more from that aspect.

A good and original premise in a genre that recycles ideas to death. The problems were it was slow and hard to follow in spots. The other being the cinematography. The whole movie is very visually dark. Perhaps their attempt at film noir, but it was too much. It was distracting and again, made it hard to follow.

The title cards at the beginning of 'The Vigil' made for very interesting reading to me. I had never heard of the Jewish process of watching over the soul of a dead body soon after it dies. It does present itself as a great set-up for a horror movie though. For some reason it was very strange watching Hasidic Jews as the characters in a horror film. I can't think of another film in that genre based around them (I'm sure there is, I just haven't seen it). The film has some good moments but ultimately falls short of turning into anything great.

The film is well paced. It starts out with the usual character introductions and some exposition, but then once we get to the house where the action is due to take place the film kicks into gear pretty quickly and doesn't relent for a long while. The middle of this film is by far the strongest third. There are some good scares and a little mystery element as to exactly what is going on.

Sadly the ending of 'The Vigil' let the film down in my opinion. It was very "meh" and left the film as a very forgettable experience unfortunately. Playing it safe when it comes to endings is never the way to go for my liking. However, even though it ends on a bit of a flat note there is enough quality horror through the middle to make this worth a watch. It will probably be a film you will enjoy the most if your expectations aren't too high however.

The Vigil has the merit of taking place on a road rarely trodden by horror films: Jewish folklore. And that's about the only original thing about the film, which follows scenes already seen hundreds of times, with a hero with heavy post-traumatic stress in the background.

Despite an original starting idea and an interesting horrific setting, The Vigil seriously struggles to excite the viewer. The usual jump scares and sudden appearances do not work. The soundtrack, all shrill saturated screams, seems more frightened than the viewer. The misadventures of the protagonist are underwhelming, and the feeling of déjà-vu that reigns makes the film banal.

Quite disappointing, as the first half of the moving was promising, and I was excited to watch a horror movie with a Jewish backdrop.

Set over the course of a single evening in Brooklyn's Hassidic "Boro" Park neighborhood. Having lost his faith, Yakov (Dave Davis - Greyhound) isn't eager to go back to the insular religious community he only recently fled. But when Reb Shulem (Menashe Lustig - Menashe), a rabbi and confidante, approaches Yakov after a support group meeting and offers to pay Yakov to be the shomer - a respected position of someone who watches over the body overnight to keep it from demons - for a recently deceased Holocaust survivor, he reluctantly accepts the job. Shortly after arriving at the dilapidated house, Yakov realizes that something is very, very wrong.

The concept of The Vigil looks good enough on paper to get excited about. The film could've explored territories that are fairly unknown for many of us who aren't part of the Jewish community, with stories that often involve the supernatural and afterlife. Instead of turning into a 21st century "Jewish Excorcist", it rather takes the easy route and goes for a more lighter version of 'The Autopsy of Jane Doe'. The film takes place in one extremely underlit house, where creepy knocks and creaks help build an ominous atmosphere. What starts off strong quickly gets annoying when rough sound design and annoyingly ineffective jump scares take over, unfortunately losing any emotional impact the story could have created by the end of this haunted night.

Director Keith Thomas seems lost in his own screenplay and never elevates what makes his first feature film stand out: the atmosphere. Those dark rooms sure raise questions, as to why Yakov doesn't turn on more lights and keep them on when he starts witnessing shadows in the corners of the room. The problem with the overpowering darkness is that at one point, that isolating feeling loses its effect and every shadow just becomes a blur. Luckily Davis knows how to handle himself, in what's basically a one-man show.

The Vigil never reaches for that light at the end of the tunnel, relying too much on clichés and overused scare tactics. By keeping it all a bit too vague, it loses any sense of terror it so successfully built up in the first half of the film, making it an unfortunate mishap that could've been an unforgettable original addition to the horror genre.