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IMDbPro

a-ha: The Movie

  • 2021
  • 1h 49m
IMDb RATING
7.0/10
1.4K
YOUR RATING
Magne Furuholmen, Morten Harket, Pål Waaktaar, and a-ha in a-ha: The Movie (2021)
It follows the band on tour, telling the full story of how three young men followed their impossible dream of becoming Norwegian pop stars. When Take On Me reached number 1 on Billboard in the US in 1985 the dream came true. Or did it?
Play trailer2:24
1 Video
12 Photos
BiographyDocumentaryMusic

Follows the band on tour, telling the full story of how three young men followed their impossible dream of becoming Norwegian pop stars. When Take On Me reached number 1 on Billboard in the ... Read allFollows the band on tour, telling the full story of how three young men followed their impossible dream of becoming Norwegian pop stars. When Take On Me reached number 1 on Billboard in the US in 1985 the dream came true. Or did it?Follows the band on tour, telling the full story of how three young men followed their impossible dream of becoming Norwegian pop stars. When Take On Me reached number 1 on Billboard in the US in 1985 the dream came true. Or did it?

  • Directors
    • Thomas Robsahm
    • Aslaug Holm
  • Writer
    • Thomas Robsahm
  • Stars
    • a-ha
    • Morten Harket
    • Pål Waaktaar
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    1.4K
    YOUR RATING
    • Directors
      • Thomas Robsahm
      • Aslaug Holm
    • Writer
      • Thomas Robsahm
    • Stars
      • a-ha
      • Morten Harket
      • Pål Waaktaar
    • 14User reviews
    • 31Critic reviews
    • 56Metascore
  • See production info at IMDbPro
    • Awards
      • 3 nominations total

    Videos1

    Official Trailer
    Trailer 2:24
    Official Trailer

    Photos12

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    Top cast40

    Edit
    a-ha
    a-ha
    • Themselves
    • (as A-Ha)
    Morten Harket
    Morten Harket
    • Self - Singer
    Pål Waaktaar
    Pål Waaktaar
    • Self - Guitar
    • (as Pål Waaktaar-Savoy)
    Magne Furuholmen
    Magne Furuholmen
    • Self - Keyboards
    Andy Whittle
    • Self
    Sebastian Pitzer
    • Self
    Heidi Rydjord
    • Self - Magne's Wife
    • (voice)
    Jan Omdahl
    • Self - a-ha Biographer
    Lauren Savoy
    Lauren Savoy
    • Self - Pål Wife
    John Ratcliff
    • Self - Manager, 1983-85
    Terry Slater
    • Self
    Alan Tarney
    • Self - Producer
    • (voice)
    Jeff Ayeroff
    • Self - Warner Bros Records
    • (voice)
    Lars Horntveth
    • Self - Producer
    Just Loomis
    • Self - a-ha Photographer Since 1985
    Steve Barron
    Steve Barron
    • Self
    • (voice)
    Inez Andersson
    • Self - Morten's Girlfriend
    • (voice)
    Harald Wiik
    • Self
    • Directors
      • Thomas Robsahm
      • Aslaug Holm
    • Writer
      • Thomas Robsahm
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews14

    7.01.3K
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    Featured reviews

    9sacha_brady

    For A-ha fans, amazing; for non-a-ha fans, a headscratcher.

    I'm not nostalgic, but I enjoyed this.

    I think it was frank and for those with any appreciation for the band's work, provided a context for their major releases.

    My only criticism, understandable for a band going so long, would be that the transition from album to album was fast, without much insight into where the albums fit into their history.

    If you love the songs, the commentary from the group makes a difference. If you come to this without any previous knowledge of a-ha, much of this will likely fly over your head.

    A-ha are the most frustrating band ever. I think many fans believe they are less than the sum of their parts and wait for an album that really shows what they are and can be. "Scoundrel Days" comes closest for me. But a-ha seemingly can start a fight in an empty room. And, alas, let time slip through their fingers and so continue to interact like strangers meeting for the first time.

    If you're a fan, like me, you probably hope for a series to properly explore the workings and history in depth. But if you're not, I'd suggest keeping your expectations low unless anthropology is your thing.

    The major lesson for me is that this is a love-hate relationship band if ever there was one, and in their never-ending fight for identity with one another, they allowed their individuality to become lost, ironically, despite having one of the most distinctive sounds of the time.
    9rainmar-822-625346

    Great and sad

    This is a good documentary about my favourite band growing up on the 80's. I still contend that Scoundrel Days is one of three perfect albums ever made. The other two being Joshua Kadison's Painted Desert Serenade and U2's Joshua Tree.

    It was sad though to see the ongoing strife and resentment between the band members. At times the constant bickering seemed childish, but like a family does, they seem to get together again. Therefore, great and sad feelings were experienced watching it. I suppose life never really presents the fairy tales we were told as kids.
    10Sinbaddylad

    Headlines & Deadlines, the pains of a-ha

    A documentary made for the fans, with a strong nod to those who will seek out their catalogue after viewing. With a large nod to Ron Howard's Beatles doc, Thomas Robsahm has opened the a-ha box and has shown everyone the pains of when 3 of the most talented musicians ever, collide to make timeless classic pop music with 3 different directions.

    What the non-fans will admire from the doc is the raw talent from an early age - Mags learning keyboards in just a few weeks - the record breaking crowds, the solo projects and how 3 close friends ultimately respect each other - even when not liking each other.

    What the fans will see is a dark picture of pain, distrust, lack of empathy and a drive to be World Famous - but then deciding fame wasn't for them at all.

    It's a very well put together timeline which intersperses with old and new footage, rehearsals, recordings and not a single interview of the band together. You'll love it.
    8dakjets

    The story of A-ha

    The Norwegian pop sensation A-ha has had a long and eventful career. This documentary is based on the music, but also how the members have experienced being part of this pop group. What I really appreciated about the documentary is that it devotes a lot of space to just the music. The film deals with the group's releases in chronological order, and allows members to tell about the background for different styles and choices. For those of us who grew up with A-ha, this provides new insight and it is exciting to hear Morten Harket, Magne Furuholmen and Pål Waaktaar talk about songwriting, production and not least the collaboration between them. This documentary also reveals strong disagreements between the group's members, and the disagreements they have had that at times have made it difficult to keep the group together. I find this documentary both insightful and entertaining. It also has many new recordings of the group over the years. Key people also contribute. This makes the documentary appear solid and worth seeing.
    9silicontourist

    They Have Thrown Their Talent Down The Drain Because Of Ego's They Can't Share!

    I have always thought the descriptive word for one particular style of music was utterly stupid. When music journalists or DJ's etc came up with the names, 'SOUL', 'Rock & Roll', 'ROCK', Heavy Metal' and 'Thrash' music etc they all make absolute sense. From early classical music to our now times of all styles of music they are all popular but, there is one music term used to describe a brand of music that does not and has not EVER existed. That descriptive word is 'POP' music. I mention that here because you find out in this documentary that it was not what A-ha started out to be and that they have hated the fact that they became a teen fave band. I largely credit that problem to them, and their naivety, with allowing too many people to have absolute control in their musical direction. The music industry (and I know this as a fact but I'm not mentioning name's etc.) is a very corrupt, greedy, life-force draining business that, if you let it, will use you up, severely overwork you, get as much out of you in profits as it can and, then ditch you and spit you out if you become worn out! A-ha have experienced (just slightly, luckily for them) some of the industry pitfalls but the rest of the failings they have created for themselves is purely of their own making; and they won't - for some unknown reason - try to solve their individual stubborn attitudinal ego problems.

    The most important comment in this entire documentary is expressed by a group members wife in the following line's, "They need to first see a psychiatrist/psychiatrists individually and then as a group". You will know exactly why when/if you watch this! For now they are just lucky they were not born in Japan or South Korea because, J-Pop and K-Pop is directly aimed at and for teens and it is seriously ten times worse in their individual countries music industries; utterly disgraceful in fact!

    I was, and still am to this day, an immediate lover of A-Ha's music and style from the absolute beginning and, I enjoy listening to their music just as much today. They have inspired some of the biggest names in music of the last 35 years but for their petty niggling and bickering amongst themselves etc, they have denied themselves a truly deserved 'Superstars' mantle of gifted for their unique musical style recognition!

    Watch it as it is a fascinating insight you never get to see (record companies hire people to hide all of this type of thing so that the money keeps pouring in).

    A lot of people would/will not like what I will finish with here but, they should disband and go their own ways. The Ah in A-Ha has gone.

    PS. I saw a documentary concerning the exact same problems about METALLICA. They chose going down the getting help path when things got bad/worse between them and, the psychiatrist path helped them BIG time!

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    Storyline

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    Did you know

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    • Connections
      Features A-ha: Take on Me (1985)

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    Details

    Edit
    • Release date
      • September 3, 2021 (Norway)
    • Countries of origin
      • Norway
      • Germany
    • Official sites
      • Official site
      • Official Site - Germany
    • Languages
      • Norwegian
      • English
      • German
    • Also known as
      • 阿哈:帶我走
    • Production companies
      • Motlys
      • Fenris Film
      • Kinescope Film
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $4,258
    • Gross worldwide
      • $32,518
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 49m(109 min)
    • Color
      • Color

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