A big city hotel manager learns that her hopes for a promotion are based on a return to her hometown to restructure a local establishment, which the townspeople are less than thrilled about.A big city hotel manager learns that her hopes for a promotion are based on a return to her hometown to restructure a local establishment, which the townspeople are less than thrilled about.A big city hotel manager learns that her hopes for a promotion are based on a return to her hometown to restructure a local establishment, which the townspeople are less than thrilled about.
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Nicole Duke
- Hotel Patron
- (uncredited)
Jade Gottfredson
- Hotel Patron
- (uncredited)
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- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Corporate fixer goes back to her home town to make peace with town folks opposed to the evil empire. Besides being derivative, the premise is forced as are many of the other plot points. It's especially forced when Erin's brainstorm idea magically changes everyone's attitude instantly. The story just doesn't make sense. Like many of the other Christmas movies, the protagonists quest their way to reaching their stated goal, but I really didn't care. I didn't care about the hotel, and I didn't care about the obvious building romance. It's all just more of the same thing within nothing new or special.
The acting is poor, especially those playing Erin's parents and other supporting characters. Sets seemed cheap and uninspired especially when you consider that the Windsor hotel chain is supposed to be ultra high end.
Moreover, so many details during the movie belied the idea that this was an upscale hotel trying to impress investors with high end tastes and values. It goes beyond the fact that the hometown atmosphere Erin was promoting isn't really compatible with those high end values. Christmas movies so often rely on DIY mentality and this movie does the same while creating the hotel infrastructure and getting it ready to open. That isn't high end.
Logistical details in the climax are clumsy and forced. So much in the movie was as if the writers never bothered to learn anything at all about their subjects. Also, I couldn't get over how consistently Erin exhibited childish and unprofessional behavior in the face of her boss.
In a Christmas romance, there is always the question of chemistry between the leads. Good chemistry often goes a long way toward compensating for faults in the story.I don't think these leads had enough screen time developing chemistry, at least I didn't see it.
As the movie builds toward climax, the plot followed the exact same patterns as so many other Christmas movies. There was nothing new. Nothing special. The viewer could almost predict each and every plot progression as it happened. I make much of the derivative, unoriginal, and clumsy plot. I realize that with only a few refreshing exceptions, most of the Christmas movies are going to be that way. But in this case it is a matter of degree. This movie seemed to me that it was extreme in that regard.
The acting is poor, especially those playing Erin's parents and other supporting characters. Sets seemed cheap and uninspired especially when you consider that the Windsor hotel chain is supposed to be ultra high end.
Moreover, so many details during the movie belied the idea that this was an upscale hotel trying to impress investors with high end tastes and values. It goes beyond the fact that the hometown atmosphere Erin was promoting isn't really compatible with those high end values. Christmas movies so often rely on DIY mentality and this movie does the same while creating the hotel infrastructure and getting it ready to open. That isn't high end.
Logistical details in the climax are clumsy and forced. So much in the movie was as if the writers never bothered to learn anything at all about their subjects. Also, I couldn't get over how consistently Erin exhibited childish and unprofessional behavior in the face of her boss.
In a Christmas romance, there is always the question of chemistry between the leads. Good chemistry often goes a long way toward compensating for faults in the story.I don't think these leads had enough screen time developing chemistry, at least I didn't see it.
As the movie builds toward climax, the plot followed the exact same patterns as so many other Christmas movies. There was nothing new. Nothing special. The viewer could almost predict each and every plot progression as it happened. I make much of the derivative, unoriginal, and clumsy plot. I realize that with only a few refreshing exceptions, most of the Christmas movies are going to be that way. But in this case it is a matter of degree. This movie seemed to me that it was extreme in that regard.
Actors aside, 'Christmas Hotel' does not have much going for it.
That is not me saying the acting is amazing, of course, but I dug Tatyana Ali and Sean Patrick Thomas enough, their performances fall within the cheesy Xmas television flick remit. Sheryl Lee Ralph is the best of the rest. The rest of the film is lame, the plot is boring - not helped by how quickly the town's people switch their beliefs about the hotel itself. I bet certain governments wished they had protesters that switched as easily as the people of Garland Grove do!
I watched this on the Christmas 24 (twenty four) television channel.
That is not me saying the acting is amazing, of course, but I dug Tatyana Ali and Sean Patrick Thomas enough, their performances fall within the cheesy Xmas television flick remit. Sheryl Lee Ralph is the best of the rest. The rest of the film is lame, the plot is boring - not helped by how quickly the town's people switch their beliefs about the hotel itself. I bet certain governments wished they had protesters that switched as easily as the people of Garland Grove do!
I watched this on the Christmas 24 (twenty four) television channel.
There never has been any bias against Lifetime's output, much of it is formulaic sure and some of it has just as much corn and schmaltz of that of Hallmark's but with the right leads and the right amount of charm and heart they can have some likeability. Provided that not too much is expected from it and enough of their output has been surprisingly good. Their 2019 output was a very mixed bag, some were surprising hits and others were mediocre at best or outright failures.
'Christmas Hotel' regrettably is one of the outright failures and very close to being among their worst. Really did want to like it and Christmas films set in hotels have worked (a primary example being 'Home Alone 2'), but 'Christmas Hotel' is a case of the setting not working and not being used well. Sadly that's not even the worst aspect of the film, nearly everything fails and this is not being said with pleasure and also when taking the film for what it's meant to be.
Its least bad aspect is some of the scenery which is quite nice, but that is pretty much it with the praise.
Despite some nice scenery, 'Christmas Hotel' doesn't really look too good. Some of the decor looks gaudy, and the photography is usually a lot better than how it is here. Which in this case is very drab and static. Worst of all is the disorganised editinng. There is nothing memorable about the music, there could have been less of it, some of it is too treacly and it doesn't always sound very festive. It doesn't feel like there is much direction going on, indicative of inexperience or indifference.
Which really does affect the acting, which is near-uniformly poor, apart from some (underused) vim from Sheryl Lee Ralph. Neither Tatyana Ali or Sean Patrick Thomas are convincing, she trying too hard and he not enough. They are very stiff and disconnected together and it was like the film was shot with not much rehearsal time. None of the characters are worth investing in, with uninteresting personalities or/and exaggerated flaws, the female lead character's unprofessionalism is to be seen to be believed.
Calling 'Christmas Hotel' cliched sums it up well, both story and characters, and that is being generous. Some familiar (well actually well worn out) story tropes here, all predictably executed. The first portions are slow and quite thinly plotted, uneventful at times, and some decision making seemed contrived. The script lays it on too thick with the corn and slushy schmaltz, not unexpected but it was overkill in places. The film doesn't get off to a particularly good start, very cheesy and quite dull, while the ending is rushed and too tidy and the lack of tension and conflict severely hurts what little there is of the drama.
On the whole, not good. 3/10.
'Christmas Hotel' regrettably is one of the outright failures and very close to being among their worst. Really did want to like it and Christmas films set in hotels have worked (a primary example being 'Home Alone 2'), but 'Christmas Hotel' is a case of the setting not working and not being used well. Sadly that's not even the worst aspect of the film, nearly everything fails and this is not being said with pleasure and also when taking the film for what it's meant to be.
Its least bad aspect is some of the scenery which is quite nice, but that is pretty much it with the praise.
Despite some nice scenery, 'Christmas Hotel' doesn't really look too good. Some of the decor looks gaudy, and the photography is usually a lot better than how it is here. Which in this case is very drab and static. Worst of all is the disorganised editinng. There is nothing memorable about the music, there could have been less of it, some of it is too treacly and it doesn't always sound very festive. It doesn't feel like there is much direction going on, indicative of inexperience or indifference.
Which really does affect the acting, which is near-uniformly poor, apart from some (underused) vim from Sheryl Lee Ralph. Neither Tatyana Ali or Sean Patrick Thomas are convincing, she trying too hard and he not enough. They are very stiff and disconnected together and it was like the film was shot with not much rehearsal time. None of the characters are worth investing in, with uninteresting personalities or/and exaggerated flaws, the female lead character's unprofessionalism is to be seen to be believed.
Calling 'Christmas Hotel' cliched sums it up well, both story and characters, and that is being generous. Some familiar (well actually well worn out) story tropes here, all predictably executed. The first portions are slow and quite thinly plotted, uneventful at times, and some decision making seemed contrived. The script lays it on too thick with the corn and slushy schmaltz, not unexpected but it was overkill in places. The film doesn't get off to a particularly good start, very cheesy and quite dull, while the ending is rushed and too tidy and the lack of tension and conflict severely hurts what little there is of the drama.
On the whole, not good. 3/10.
I, not only, enjoyed this movie, I enjoyed seeing some of favorite actors as well. Sheryl Lee Ralph: Dreamgirls, It's a Living, and Moesha, Telma Hopkins: Tony Orlando and Dawn, Gimme A Break, Family Matters, and William Allen Young: A Soldier's Story and Moesha.
Once the over-acting parents appeared on the scene, that pretty much did it, and set the tone for the rest of the film. I have seen better acting in amateur productions, and these are professionals !!!! Maybe for many it was their first role as they left acting school, but some were so wooden they would be better of taking up carpentry as a career. The script didn't help, so zero points for the scriptwriters.
In essence, not worth staying in for.
In essence, not worth staying in for.
Did you know
- TriviaGarland Grove is portrayed by Midway, Utah
- GoofsIn the Reindeer Ring Toss scene, Connor throws a ring onto Erin's antlers. The ring is there to be seen, then it isn't, then it is again, then it isn't again.
- Soundtracks10 Pounds of Christmas
Written by Scott Nickoley, Ryan Curry Franks & Jamie Dunlap
Performed by Scott Nickoley & Ryan Curry Franks
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