Sigur Rós: Heima

An absolute masterpiece...visually astonishing and deeply moving.

The juxtaposition of opposites is seen and heard throughout this film (ex: light and shadow, life and death, motion and stillness, perfection and imperfection, young and old) which suggests the circularity of life. Heima also presents the viewer with an all-encompassing look at the beauty of Iceland as a segment of a much larger picture, Earth.

This film is perfectly accentuated by the music of Sigur Ros as well as the free spirited attitude of the members of their band. Altogether, this film transcends the genre of music documentary (rockumentary) and takes it to an entirely new level with beauty that will bring tears to your eyes.

Simply breathtaking. For a band as atmospheric and deep as Sigur Rós, one could not think of any natural visions worthy to accompany the music. It ends up, though, that you don't have to look too far after all. Just take some time to see the beauty and infinite space right in their own home of Iceland. This documentary, Heima, shows the world one of the last untouched visages in existence. The island country is exotic and devoid of pollution of nature and man. Sigur Rós decided to come back home to do a sixteen-city tour, for free, in order to give back to the community that gave them life. Without the hectic bustle of traveling the entire earth from venue to venue, the band is able to bask in the glory that is home, calm themselves down for a short respite, play the music to their own people, and get nothing out of it except the joy from bringing together an entire country through the sounds they have created. It is a touching story of art and life that simply needs to be seen to be understood.

Sigur Rós' music has always been such a visceral and aural experience for me. It is the kind of work that cleanses my mind from all thought to fully envelope my body and soul as one. If you are ever feeling stressed or unable to cope with something in your life, just put on any of their albums, all are masterpieces. The layers meld together for a wall of sound that takes you over, washing away all your fears, filling you with hope and joy for a future coming towards you; a future that can be battled with the knowledge that you can overcome anything.

I am just overjoyed to finally see a little insight into the artists behind the music. The members of this quartet—along with the foursome of women as their string section—are all soft-spoken, down to earth people. They tell of their inhibitions and inability to do many interviews or press junkets to support them. Not because they are standoffish or uncaring for those who enjoy their sound, the band just wants to lead normal lives out of the spotlight that would overtake them if they bought into the machine. With abrupt cuts to the group having fun with each other, we see the good-natured humor they all have. As one member says, he was 21 when they first started and became a sensation. These men didn't quite know what was in store, and rather than become destructive to themselves and the music, they decided to go in the other direction. More a family than a business, Sigur Rós takes great pride in their work and say that they may even take too much time honing everything to the point of perfection. I myself don't care, because the time spent seems to have worked each and every time.

The visuals that director Dean DeBlois has added to enhance the music are magical. For one, the cities chosen for each concert are amazing and diverse. From concert halls, to giant festival stages, to an abandoned fishing complex, to setting up between a couple country houses, to even in front of a newly created dam in the highlands for a protest show, Heima shows Iceland with an eye of wonderment and unfiltered beauty. To see how the band uses layers of projections and cloth curtains, hearkening to the elaborate cd artwork they hold each album in, helps to explain the detail and perfection really at work. Seeing them play an acoustic show outside a dam they feel ruins the natural landscape of the city, in order to create the electricity they refuse to use, is fantastic. Also, the cut scenes to static shots of the world surrounding them show the country in all its glory. The kites in the air, the juxtaposition of the rundown fishing wharf with black and white footage of the time it once bustled, the mountains shrouded in fog, the ice melting, and the water flowing (forwards and backwards) leave you without words as it all encompasses you into the world of their sound.

All the band members share anecdotes and insight into their motivations and creative process, as well as why they still come home and stay in Iceland despite the notoriety and money they have earned since their first album. Through it all, though, it is the music that shines. True artists, their renditions of songs like Starálfur and Hoppípolla can bring a tear to your eye for their sheer emotion. I loved how they sprinkled in motifs of the band throughout, from the Takk… man to the Ágætis byrjun alien, to the birds flying, silhouetted from the sky. Heima gets to the core of what Sigur Rós and their music is while also showcasing a country that many people may never think twice about. I for one now see that I must visit Iceland at least once before I die to experience its beauty for myself.

Astonishing landscapes, amazing filming, music of beauty.. I was deeply touched by this movie.. Sigur Ros is a band so special and really talented. Seeing the landscapes of Iceland one can understand how the weather, the scenery, the people, affect their music and the way they write these songs. I think this movie is a must for all fans, as well as for people who don't know Sigur Ros yet. The general idea is that after a long series of tours and international activity, they wanted to get back in Iceland to perform a series of live performances for their own people. The places they chose to play live are unbelievable each one affecting their set and the way they sound. A 10 for me!

After completing a 13-month world tour in which they promoted their fourth album, the rock-oriented "Takk", the band Sigur Ros came home to Iceland in the summer of 2006 to give free concerts as a sign of their gratitude to Iceland. Director Dean DeBlois (Lilo and Stich) was there to film them as they toured the stark, almost alien-looking landscape, performing a series of mostly unannounced concerts in a variety of locales throughout the country. There was an abandoned fishing town, a mountain foothill, a camp where locals are protesting the building of a dam, a wilderness outpost, a national park, a community coffee shop, and a large convert venue in Reykjavik which if course had been announced.

The result is a 97-minute documentary called Heima, which means "at home" or "homeland". The film features gorgeous photography of the country's mountains, rivers, valleys, and waterfalls as background for live performances of songs from all four Sigur Ros albums, as well as two two new songs: "Guitardjamm," and "A ferd til Breidarfjardar 1922," performed with poet Steindor Anderson. Though there are interviews in the film with the unassuming band members whose recordings sell in the millions, they are not very revealing. What does come across, however, is their humility, love of nature, and opposition to the exploitation of their land by global corporations. While I would have liked to have learned more about each member, this is not a film about the psychology of the band members or why they have been successful, but a celebration of the group's elegant and hypnotic music and their love letter to the people of Iceland.

Formed in the late 1990's, the band consists of singer-guitarist Jon Thor "Jonsi" Birgisson, bassist Georg "Goggi" Holm, keyboard player Kjartan "Kjarri" Sveinsson and percussionist Orri Pall together with backup musicians. They are distinguished by experimental cutting edge songs lasting between six and thirteen minutes, enhanced by the otherworldly sound of Jonsi's falsetto voice. Their music has been called "glacial", "post-rock" and "transcendent". Whatever the label, their sounds have a way of penetrating your outer shell and reaching deeply into your soul.

Those that came to see the concerts were not the usual excited young people that you might expect at rock concerts, but folks of all ages including families with their children. The band's connection with their audience is very real and the concerts have a feeling of warmth and intimacy. Simply listening to the ethereal music of Sigur Ros is a revelation but seeing them on the big screen performing their music in their native country is a spiritual experience. If you are a lover of Sigur Ros, this is a must see. If you are not, Heima may make you one.

Being a fan of Sigur Rós for a while now, I was incredibly excited for 'Heima.' I didn't know what to expect of it, except that it would be moving, passionate, and that I would love it. It certainly turned out that way. They've succeeded in creating an honest and simple documentary that gave me more respect for them, if that is possible.

This film rotates around a love of music and of Home: Iceland; a simpler place than a lot of us are used to. Sigur Rós tour their home giving free concerts as a way of giving back to the land and people for what they gave them: a place of inspiration and love. They visit the most remote villages, all the way to the largest city in Iceland, Reykjavík, where it looks as if the whole country shows up for the concert.

In between songs, concerts, and interviews (The quartet Amiina also participates in the interviews), there are clips of the country and towns of Iceland. You'll see its mountains, its towns, its fish factories, and its beautiful landscape, which, in my opinion, appropriately fits the music of Sigur Rós.

There isn't too much wasted interview time, rather much of the film is spent on the crowds; their faces and their reaction to the music. My only complaint is that some of my favorite songs weren't played. Still, they couldn't have fit everything into it. There isn't a song by them I don't like, and that's a rare thing from one band. Thank you, Sigur Rós, for allowing the world to have a glimpse of yours.