When Vivien Epstein follows her lover into danger and he is caught between life and death, Vivien finds herself going undercover with the fascists, not only for him but for the sake of her c... Read allWhen Vivien Epstein follows her lover into danger and he is caught between life and death, Vivien finds herself going undercover with the fascists, not only for him but for the sake of her country.When Vivien Epstein follows her lover into danger and he is caught between life and death, Vivien finds herself going undercover with the fascists, not only for him but for the sake of her country.
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I think the writing and plot is weak, unconvincing and unbelievable. No problems with the set, scenery and the use of archive film of street scenes of the period are great. The performances are good too but it it ends there. The plot is thin, superficial and full of holes and appears to be lossely constructed to present set scenes.
It's like everything 60s is shoveled into this before it happened, the dressers got carried away again?. Eddie Marsan stands out, as ever, with a great performance, the others, mostly...mabye, they were just killing time till the pub opened? It's all a bit BBC with compromise writ large, which sadly, makes the story and characters suffer at the end of the day. I'd advise getting better writers and a motivated cast. The BBC used to do this stuff so well.
A young Jewish girl leaves her family home for love in London, when shs gets there however her life takes a very different course.
I thought this was a terrific four part series from The BBC, a fascinating, harrowing and incredible story from Britain's history. Not a story many seem to remember.
It is beautifully made, it looks big budget, with a big cast, great sets, and some terrific fashions. I love how they mix in original footage with the new shots, it looks so good.
Pacing is one of the main strengths, it will keep you gripped, and have you on tenterhooks in equal measure.
The acting is terrific all round, Agnes O'Casey, Sam Spiro, Eddie Marsan, and of course Rory Kinnear, who shows his chilling side, don't think I've seen him play a part such as this.
I loved it, served as a warning from history, 9/10.
I thought this was a terrific four part series from The BBC, a fascinating, harrowing and incredible story from Britain's history. Not a story many seem to remember.
It is beautifully made, it looks big budget, with a big cast, great sets, and some terrific fashions. I love how they mix in original footage with the new shots, it looks so good.
Pacing is one of the main strengths, it will keep you gripped, and have you on tenterhooks in equal measure.
The acting is terrific all round, Agnes O'Casey, Sam Spiro, Eddie Marsan, and of course Rory Kinnear, who shows his chilling side, don't think I've seen him play a part such as this.
I loved it, served as a warning from history, 9/10.
I write to endorse the views of another reviewer of this series as to its basic unhistoricality. The BBC and major US media providers are showing an increasing tendency to disregard the actual historical events and cultural realities, in the interest of importing entirely unrealistic racial, ethnic, and cultural themes artificially into those times. Lest anyone suspect my sympathies, I also lived through the 60's and my wife is Jewish, her entire family lost to the Holocaust and other anti-Semitic atrocities of World War II.
Plainly put, there was no widespread Fascist movement in either the US or Great Britain in 1962. Does anyone seriously think that the British constabulary, less than two decades after World War II, in which many fought and had comrades died, would have any sympathy at all for a British Nazi Party? The prosaic fact is that they had none at all.
In the US, George Lincoln Rockwell, the American Nazi, had a following in the dozens. To be sure, in the American South, society clung to an increasingly outdated racial bigotry. But it was increasingly under attack by larger forces. 'To Kill a Mockingbird' won the Pulitzer Prize that year, and the Civil and Voting Rights Acts were passed just two years later.
A drama about Fascist movements that emphasized their aberrance and potential criminality might be acceptable. However, the notion that they had any widespread social appeal is not only incorrect, but slanderous, and somewhat dangerous in itself. You don't redo history simply because it's convenient,.
Plainly put, there was no widespread Fascist movement in either the US or Great Britain in 1962. Does anyone seriously think that the British constabulary, less than two decades after World War II, in which many fought and had comrades died, would have any sympathy at all for a British Nazi Party? The prosaic fact is that they had none at all.
In the US, George Lincoln Rockwell, the American Nazi, had a following in the dozens. To be sure, in the American South, society clung to an increasingly outdated racial bigotry. But it was increasingly under attack by larger forces. 'To Kill a Mockingbird' won the Pulitzer Prize that year, and the Civil and Voting Rights Acts were passed just two years later.
A drama about Fascist movements that emphasized their aberrance and potential criminality might be acceptable. However, the notion that they had any widespread social appeal is not only incorrect, but slanderous, and somewhat dangerous in itself. You don't redo history simply because it's convenient,.
Ridley Road is inspired by a real life clash between UK fascists and Jewish Resisters in London's East End in the early 60's. The contemporary parallels are unmissable with antisemitism and racist hate crimes at record levels.
So I was expecting something a lot more dynamic and engaging than the first episode which took forever to get going and kept going off on romantic tangents.
Direction and script were most at fault, lots of really tight frame cropping for some reason and the script was heavy with platitudes and clunky exposition and short on action. The score was odd, lots of curious mood music that didn't reflect the period or add much.
Cast were uneven but generally good, the lead character was too passive, it didn't seem to be her story. All in all a bit disappointing.
So I was expecting something a lot more dynamic and engaging than the first episode which took forever to get going and kept going off on romantic tangents.
Direction and script were most at fault, lots of really tight frame cropping for some reason and the script was heavy with platitudes and clunky exposition and short on action. The score was odd, lots of curious mood music that didn't reflect the period or add much.
Cast were uneven but generally good, the lead character was too passive, it didn't seem to be her story. All in all a bit disappointing.
Did you know
- TriviaThe Battle of Cable Street actually increased anti-Semitism in the UK, and led to a surge in the BUF's membership.
- How many seasons does Ridley Road have?Powered by Alexa
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- 2.35 : 1
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