When Vivien Epstein follows her lover into danger and he is caught between life and death, Vivien finds herself going undercover with the fascists, not only for him but for the sake of her c... Read allWhen Vivien Epstein follows her lover into danger and he is caught between life and death, Vivien finds herself going undercover with the fascists, not only for him but for the sake of her country.When Vivien Epstein follows her lover into danger and he is caught between life and death, Vivien finds herself going undercover with the fascists, not only for him but for the sake of her country.
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I write to endorse the views of another reviewer of this series as to its basic unhistoricality. The BBC and major US media providers are showing an increasing tendency to disregard the actual historical events and cultural realities, in the interest of importing entirely unrealistic racial, ethnic, and cultural themes artificially into those times. Lest anyone suspect my sympathies, I also lived through the 60's and my wife is Jewish, her entire family lost to the Holocaust and other anti-Semitic atrocities of World War II.
Plainly put, there was no widespread Fascist movement in either the US or Great Britain in 1962. Does anyone seriously think that the British constabulary, less than two decades after World War II, in which many fought and had comrades died, would have any sympathy at all for a British Nazi Party? The prosaic fact is that they had none at all.
In the US, George Lincoln Rockwell, the American Nazi, had a following in the dozens. To be sure, in the American South, society clung to an increasingly outdated racial bigotry. But it was increasingly under attack by larger forces. 'To Kill a Mockingbird' won the Pulitzer Prize that year, and the Civil and Voting Rights Acts were passed just two years later.
A drama about Fascist movements that emphasized their aberrance and potential criminality might be acceptable. However, the notion that they had any widespread social appeal is not only incorrect, but slanderous, and somewhat dangerous in itself. You don't redo history simply because it's convenient,.
Plainly put, there was no widespread Fascist movement in either the US or Great Britain in 1962. Does anyone seriously think that the British constabulary, less than two decades after World War II, in which many fought and had comrades died, would have any sympathy at all for a British Nazi Party? The prosaic fact is that they had none at all.
In the US, George Lincoln Rockwell, the American Nazi, had a following in the dozens. To be sure, in the American South, society clung to an increasingly outdated racial bigotry. But it was increasingly under attack by larger forces. 'To Kill a Mockingbird' won the Pulitzer Prize that year, and the Civil and Voting Rights Acts were passed just two years later.
A drama about Fascist movements that emphasized their aberrance and potential criminality might be acceptable. However, the notion that they had any widespread social appeal is not only incorrect, but slanderous, and somewhat dangerous in itself. You don't redo history simply because it's convenient,.
Having been brought up about 500 yds from Ridley Rd, I looked forward to seeing this. Having seen the first episode, I am reminded of the wise words of Mark Twain, "The difference between truth and fiction, is that fiction has to be believable. This was not.
I am old enough to remember both Colin Jordan and Oswald Mosley, and in particular, the 1962 "visit" by the latter to Ridley Rd in 1962. This ended within minutes with Mosley receiving a police escort to get him out of the area. I'm not certain, but If that was not his last public appearance, it must have been close to it.
What I don't recall from that period, was that there was a Dalston office of Mossad operating in the area. I know that may seem harsh, but the problem I have with it, is that even as "Faction", it doesn't work for me. When it's gets as specific as naming a real place and a real date, you'd expect to see bits that you can recognise as being "based on a true story". But so far, I've seen nothing of the sort. This bears no resemblance to my recollections of Ridley Road and events in 1962.
I am old enough to remember both Colin Jordan and Oswald Mosley, and in particular, the 1962 "visit" by the latter to Ridley Rd in 1962. This ended within minutes with Mosley receiving a police escort to get him out of the area. I'm not certain, but If that was not his last public appearance, it must have been close to it.
What I don't recall from that period, was that there was a Dalston office of Mossad operating in the area. I know that may seem harsh, but the problem I have with it, is that even as "Faction", it doesn't work for me. When it's gets as specific as naming a real place and a real date, you'd expect to see bits that you can recognise as being "based on a true story". But so far, I've seen nothing of the sort. This bears no resemblance to my recollections of Ridley Road and events in 1962.
A mixed bag of actors. Some classy ones and some not so classy. But the script was full of cliches and this adaptation lacked credibility. The neo Nazis seemed more like a dark version of the Keystone Cops. Like Vigil this is another BBC series that promised much but failed to deliver mostly because of the storylines.
I think the writing and plot is weak, unconvincing and unbelievable. No problems with the set, scenery and the use of archive film of street scenes of the period are great. The performances are good too but it it ends there. The plot is thin, superficial and full of holes and appears to be lossely constructed to present set scenes.
A young Jewish girl leaves her family home for love in London, when shs gets there however her life takes a very different course.
I thought this was a terrific four part series from The BBC, a fascinating, harrowing and incredible story from Britain's history. Not a story many seem to remember.
It is beautifully made, it looks big budget, with a big cast, great sets, and some terrific fashions. I love how they mix in original footage with the new shots, it looks so good.
Pacing is one of the main strengths, it will keep you gripped, and have you on tenterhooks in equal measure.
The acting is terrific all round, Agnes O'Casey, Sam Spiro, Eddie Marsan, and of course Rory Kinnear, who shows his chilling side, don't think I've seen him play a part such as this.
I loved it, served as a warning from history, 9/10.
I thought this was a terrific four part series from The BBC, a fascinating, harrowing and incredible story from Britain's history. Not a story many seem to remember.
It is beautifully made, it looks big budget, with a big cast, great sets, and some terrific fashions. I love how they mix in original footage with the new shots, it looks so good.
Pacing is one of the main strengths, it will keep you gripped, and have you on tenterhooks in equal measure.
The acting is terrific all round, Agnes O'Casey, Sam Spiro, Eddie Marsan, and of course Rory Kinnear, who shows his chilling side, don't think I've seen him play a part such as this.
I loved it, served as a warning from history, 9/10.
Did you know
- TriviaThe Battle of Cable Street actually increased anti-Semitism in the UK, and led to a surge in the BUF's membership.
- How many seasons does Ridley Road have?Powered by Alexa
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