A drifter named Eleanor moves to Melbourne, staying in a rundown boarding house. Through dead-end jobs and a doomed affair, she navigates life among fellow outcasts while missing genuine con... Read allA drifter named Eleanor moves to Melbourne, staying in a rundown boarding house. Through dead-end jobs and a doomed affair, she navigates life among fellow outcasts while missing genuine connections over a transformative year.A drifter named Eleanor moves to Melbourne, staying in a rundown boarding house. Through dead-end jobs and a doomed affair, she navigates life among fellow outcasts while missing genuine connections over a transformative year.
- Awards
- 1 nomination total
Cal Gordon
- Barista
- (as Callum Gault)
Dia Taylor
- Rachel
- (voice)
- Director
- Writer
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Featured reviews
Good depiction of Melbourne and what to expect if you're moving here with little in your pocket. Impro style works well and the space it creates draws you in to the story and the characters. Andrew Walsh makes a lot of films typically set in Melbourne, depicting raw characters and this is his first feature, which he has pulled off in great style. I'm sure this will open doors to more! The locations work well, the characters are strong and the actors portraying the characters are good choices. Some faces are familiar, having seen them in other productions and films. Music is very effective too!
This quiet, contemplative film takes a bit to hit its stride, but once it does, it casts a spell. It benefits from having a beautiful actress in the lead who is likely destined for big things, Olivia Fildes as the mysterious, mercurial Eleanor. She is well matched by her new flat mate, the alcoholic, unstable but affable comedian, Roy, played by Cris Cochrane. Their seemingly improvisational scenes pull the viewer in with the rhythm of everyday life.
Much of the movie plays out in long, uninterrupted takes. It is a testament to the writing and performances that they, mostly, hold the audience's attention. One early exception is when Eleanor commits an act of rebellion at a dead-end job. It unspools in desultory fashion, a missed opportunity for a bigger payoff.
But at its best, this reminded me of Greta Gerwig/Noah Baumbach collabs like Frances Ha. Poignant observations about life from a young person's point of view in an uncaring world with fleeting moments of grace. The closing piano theme is a fitting and beautiful note to fade out on.
Much of the movie plays out in long, uninterrupted takes. It is a testament to the writing and performances that they, mostly, hold the audience's attention. One early exception is when Eleanor commits an act of rebellion at a dead-end job. It unspools in desultory fashion, a missed opportunity for a bigger payoff.
But at its best, this reminded me of Greta Gerwig/Noah Baumbach collabs like Frances Ha. Poignant observations about life from a young person's point of view in an uncaring world with fleeting moments of grace. The closing piano theme is a fitting and beautiful note to fade out on.
A young woman, out of her element and in over her head, tries to find her way in a new city. Moving into a room in a house with a creepy drunk guy we watch her struggle to find a new job and adjust to her new living situation. As she struggles she tries to find love in all the wrong places and pays for her naive mistakes. In this raw and humorous film we see just how friendships can be formed in the strangest ways and coming of age can take a toll. Being that the film was improvised it's quite impressive. The characters are very realistic and natural. The camera work and picture is very well done and being shot in Australia it's an interesting watch.
This film is probably a common tragic story for wandering youth or young adults where the protagonist Eleanor seems to aimlessly drift from one pointless human encounter striving to find some meaning or happiness.
We know fairly little about her apart from her broken family history back in Adelaide and interestingly she spurns the advances of the one character who may likely give her the comfort and security that she really needs in her wandering life.
Despite the occasionally obvious improv dialogue the film actually has a more realistic script than many indie films that try to create natural speech interactions and results in a jumble of words that people often use if conversation.
How Deep is the Ocean is a thoughtful film that does a good job of exploring the loneliness that runaway youth or drifters experience each day. The long unbroken scene takes will likely challenge those with a 3 second attention span but the beauty is in the ability to stop and watch the characters closely and in this Director Andrew Walsh gives us full serving.
We know fairly little about her apart from her broken family history back in Adelaide and interestingly she spurns the advances of the one character who may likely give her the comfort and security that she really needs in her wandering life.
Despite the occasionally obvious improv dialogue the film actually has a more realistic script than many indie films that try to create natural speech interactions and results in a jumble of words that people often use if conversation.
How Deep is the Ocean is a thoughtful film that does a good job of exploring the loneliness that runaway youth or drifters experience each day. The long unbroken scene takes will likely challenge those with a 3 second attention span but the beauty is in the ability to stop and watch the characters closely and in this Director Andrew Walsh gives us full serving.
As an Aussie, I watch a heck of a lot of Australian Indie films - and I thoroughly enjoyed this one!
Writer/Director Andrew Walsh's debut film 'How Deep is the Ocean' is a character study of a young 20-something, Eleanor, who arrives in Melbourne, Australia, trying to make a new life for herself. Over the course of the next year, we see her drift from job to job and dealing with low-life Aussie men.
There's nothing huge or momentous that takes place - it's a simple film about life, love, and simply getting by in this world. Interesting to note is that the film didn't have a full screenplay. The storyline was set, but the actors had to improvise dialogue. This results in a film that feels genuine, even if a little awkward at times.
Worth a look!
Writer/Director Andrew Walsh's debut film 'How Deep is the Ocean' is a character study of a young 20-something, Eleanor, who arrives in Melbourne, Australia, trying to make a new life for herself. Over the course of the next year, we see her drift from job to job and dealing with low-life Aussie men.
There's nothing huge or momentous that takes place - it's a simple film about life, love, and simply getting by in this world. Interesting to note is that the film didn't have a full screenplay. The storyline was set, but the actors had to improvise dialogue. This results in a film that feels genuine, even if a little awkward at times.
Worth a look!
Did you know
- TriviaThe debut feature of director Andrew Walsh
- SoundtracksTrudge
Written By Ben Singer & Sarah Golding
Performed by Nights By The Fire
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- How Deep is the Ocean
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- A$30,000 (estimated)
- Runtime1 hour 18 minutes
- Color
- Aspect ratio
- 2.39 : 1
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