IMDb RATING
6.4/10
8.9K
YOUR RATING
The lives of a troubled veteran, his nurse girlfriend and a naive boy intersect first in Alberta and then in Belgium during the bloody World War I battle of Passchendaele.The lives of a troubled veteran, his nurse girlfriend and a naive boy intersect first in Alberta and then in Belgium during the bloody World War I battle of Passchendaele.The lives of a troubled veteran, his nurse girlfriend and a naive boy intersect first in Alberta and then in Belgium during the bloody World War I battle of Passchendaele.
- Awards
- 11 wins & 5 nominations
David Lawrence Brown
- Dr. Bernard
- (as Dave Brown)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPaul Gross wrote and directed this film, and its closing song "After the War." His grandfather, Michael Joseph Dunne, a WWI vet, once confessed to a young Gross about bayoneting a young lad in the forehead. Gross later said on Dunne's deathbed he was muttering for forgiveness and he was the only one who knew what was being talked about.
- GoofsIn the climactic battle sequence (1:33'51'' mark) as a German soldier stabs a fallen body, the bayonet bends as if made of rubber.
- Quotes
Michael Dunne: Do you think maybe I could accompany you to a dance, or...?
Sarah Mann: I don't dance with soldiers.
Michael Dunne: I could lose the uniform.
Sarah Mann: I don't dance with naked soldiers.
- Crazy creditsDuring the end credits, Black and White footage of the real battle of Passchendaele are shown.
- SoundtracksAfter the War
Performed by Sarah Slean
Written by Paul Gross and David Keeley
Courtesy of Debmeister Music Publishing
Produced by Asher Lenz and Jack Lenz
[Played during the end credits]
Featured review
Passchendaele is part unabashed romance and part horrific and quite graphic war story.
In film World War One has been a neglected war compared to the more morally unambiguous Second World War and the more recent Vietnam War. And films that aren't about American participation are just as neglected. Passchendaele fills that void.
The movie moves quickly and switches between home life and battlefield with surprising ease and effect. I was not bored for a moment of this movie. The movie will make you care about these people when they are at home living their lives and then fear for them at war. While the battle scenes are quite brutal, they are not sensational or exploitive, since to have made them sensational or exploitive would defeat the great effort this movie takes in showing how men had to cope with life after the war and the memories of what they lived through.
Undoubtedly there will be cynics who will decry some moments as contrived or melodramatic, but these are the small-minded who have missed the real emotion of this film. The movie is great entertainment, but there is something going on beneath the surface. This is the first time I can recall a film where the main character is someone who has been both emotionally damaged by the war, but does not succumb to it. I suspect there must be many men coming out of the war who were damaged, but quietly lived with that damage their entire lives. For that depiction alone, this is a great movie.
The movie is not without humour and it has one of the funniest seduction lines I've ever heard uttered by a woman in a movie.
The movie is entertaining, but there's a lot going on and much I haven't mentioned as I don't want to click the spoiler warning. There are scenes I'm still thinking about, which doesn't happen with every movie I see.
In film World War One has been a neglected war compared to the more morally unambiguous Second World War and the more recent Vietnam War. And films that aren't about American participation are just as neglected. Passchendaele fills that void.
The movie moves quickly and switches between home life and battlefield with surprising ease and effect. I was not bored for a moment of this movie. The movie will make you care about these people when they are at home living their lives and then fear for them at war. While the battle scenes are quite brutal, they are not sensational or exploitive, since to have made them sensational or exploitive would defeat the great effort this movie takes in showing how men had to cope with life after the war and the memories of what they lived through.
Undoubtedly there will be cynics who will decry some moments as contrived or melodramatic, but these are the small-minded who have missed the real emotion of this film. The movie is great entertainment, but there is something going on beneath the surface. This is the first time I can recall a film where the main character is someone who has been both emotionally damaged by the war, but does not succumb to it. I suspect there must be many men coming out of the war who were damaged, but quietly lived with that damage their entire lives. For that depiction alone, this is a great movie.
The movie is not without humour and it has one of the funniest seduction lines I've ever heard uttered by a woman in a movie.
The movie is entertaining, but there's a lot going on and much I haven't mentioned as I don't want to click the spoiler warning. There are scenes I'm still thinking about, which doesn't happen with every movie I see.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Người Tình Trên Chiến Hào
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CA$20,000,000 (estimated)
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content