The Wolf of Snow Hollow

A police officer wrestles with his AA meetings and the paranoia that grips his small mountain town as bodies turn up after each full moon.

Imagine a werewolf themed film with the tongue and cheek of Lake Placid. Jim Cummings direction and writing is impressive. But it doesn't stop there he even stars, leading the formidable cast as the main investigating Officer. The late great Robert Forster is notable lending his Twin Peaks-persona Sheriff presence but it's Riki Lindhome's Julia that steals the show.

The on location snow setting sets it apart from most other Werewolf films, the script is witty and sharp and never takes itself too seriously. Cummings also manages to deliver on the creature feature staged mayhem.

With surprise deaths and a cracking twist while not played as serious as the likes of Dog Soldiers or dramatic as The American Werewolf in London if you buy into the sly, ironic take on the genre you're in for a howling ride.

WOLF OF SNOW HOLLOW is a difficult film to describe in a meaningful way. Yes, on the surface, it's a werewolf movie. A small town, with an understaffed and undertrained police force, is forced to contend with a supernatural killer. Can the committed but anger-management challenged sheriff (Jim Cummings) coral his team long enough to track down the creature?

It's a horror movie, yes. But really, it's not that terribly scary. It isn't horrifically gory (but it's a little gory), so you don't have that guilty pleasure. It's also a comedy (surprise!), but not quite a knee-slapper. It isn't a parody movie in the vein of SCARY MOVIE; it mines most of its humor in the bumbling antics of the police and other townspeople.

None of this sounds like a recipe for a very successful movie, and yet there is something about WOLF OF SNOW HOLLOW. Writer/director/star Jim Cummings is a singular filmmaker. He's created a cop-hero who is far from ordinary. He wants to do a good job, but is nearly crippled by either self-doubt/self-loathing or by his own incredibly loose cannon temper. His father, also in law enforcement (and well played by Robert Forster in one of his final roles), counsels him repeatedly, but Cummings is a mess. It's a very interesting and unusual characterization; one that actually feels fresh and surprising. His fellow cops are loyal to him (even the ones smart enough to see his flaws and worry), but he even struggles to see that his peers are on his side and not working against him. The werewolf is almost an externalization of the lycanthrope within him. (Although, to be sure, the movie is not as psychologically heavy as what I just described!). So we watch the movie rooting more for this flawed guy to get his act together rather than to see the werewolf tracked down.

Cummings is ably supported by Forster and by Riki Lindhome, a promising and smart detective who also very much has Cumming's back.

The movie moves at a brisk pace, which is good, since what it doesn't have is a lot of tension. Even though the cops are bungling, we always assume they'll "get their werewolf." Most characters are not terribly well developed and we don't invest much emotionally into what the creature is doing to the town.

Really, in the end, it's just an odd, quirky, singular little film that I enjoyed probably more than I should have. Tough to describe, and difficult to recommend to just anybody, I'm still very glad I saw it. I'll certainly be checking out Cumming's previous effort THUNDER ROAD, and probably anything new he comes up with.

The synopsis is like a thousand others before it: small town, gruesome murders, emotionally challenged Sheriff and plenty of suspects.

So what makes this one stand out you may ask? Well, in all honestly, nothing.

But, the acting is decent and the pacing is okay. This is completely watchable and I give it 7/10 just because the last 10 movies I watched were all absolute filth and during this one I never felt the urge to hit the pause button to stop the punishment.

An up-and-coming Sheriff (Jim Cummings) wants to prove himself when horrific murders suddenly grip his remote town near Christmas time. Is it an animal, a human or something... else? Robert Forster plays the soon-to-retire dad and Riki Lindhome a subordinate officer. Manly Jimmy Tatro is also on hand.

"The Wolf of Snow Hollow" (2020) is a mystery/thriller with horror elements and a zippy sense of black humor. It has the setting of "Donner Pass" (2011), "Snowbeast" (2011) and "Silent Night" (2012), but a different threat mixed with clever amusement.

This is a solid piece of full moon entertainment by writer/director/star Jim Cummings. I loved the snowy locations and Chloe East is a highlight on the feminine front, along with Amanda Brown in a small role. Meanwhile the humor is amusing. Yet the flick's a little too frenetic for its own good. Cummings coulda reigned things in for some more mood, but it's his movie, not mine.

The film runs 1 hour, 25 minutes, and was shot in Kamas, Utah, which is a about 25 miles east of Salt Lake City, on the other side of the mountain range.

GRADE: B-/B.

There's a lot going on thematically in this uneven horror comedy.

The film is the brain child of writer/director/star Jim Cummings, whose film "Thunder Road" I adored. "The Wolf of Snow Hollow" isn't as good as that movie, but that's partially because it's more ambitious, so I give him credit for trying.

Cummings plays a police officer (again) with rage issues (again) and an alcohol addiction. Gruesome murders start happening in the small Utah town of the film's setting, and after Cummings first rejects the far out theory that they might be the work of a werewolf, he begins to toy with the idea that maybe there's something to it as the murders continue to go unsolved.

The werewolf concept acts as an allegory for both the monstrous impulses Cummings himself feels and that he's driven to when drinking, and the predatory world of men in general and the danger they pose to women in general and his teenage daughter specifically. There's clearly a MeToo inspired vein of male apology running through the film, but it all gets a bit muddled by a screenplay that doesn't quite know where it wants to go. The ending is unsatisfying, but the movie leading up to the ending is pretty decent. It doesn't do a great job of striking the right tone -- the humor isn't ever quite funny enough but everything else is treated a bit too lightly to ever be taken seriously -- but the film does have a bold sense of style that I appreciated.

I like what I've seen so far of Cummings as an actor and director and this film will keep me coming back for more.

Grade: A-