Rebus

Whenever I see the word "gritty" describing a TV series or a movie, it reminds me of a slick Hollywood PR type promoting something. I've seen parts of the first two "Rebus" series, but I never read the books. It's set in beautiful Edinburgh, the capital city of Scotland. In a number of shots you can see Edinburgh Castle in the distance, once the home of Scottish kings and queens.

I didn't care for the storyline, it's another police procedural which is really a family drama. Writers are obsessed with stories of drugs, when drugs are really a small percentage of all crime. It's another cliched drug and organized crime story. With a better script I'd watch a second series. I like the cast, especially Richard Rankin as John Rebus and Brian Ferguson as Michael Rebus.

"Vera" and "Grace" are much better UK police dramas.

Troubled cop Rebus battles crime on Glasgow's streets, and battles his own personal demons, the drink and his fractious relations with his family.

I think The BBC has a winner here, it's a cracking series, hopefully one that will go on for years to come. A lot more violent than anything that's been on mainstream TV for a long time, incredibly gritty.

Nicely made, but definitely has a a raw feel to it, that's part of the appeal.

We've all had our favourite, for some it was John Hannah, for some including me it was Ken Stott, Richard Rankin was first choice casting, he's absolutely brilliant.

I liked the dynamic between Rebus and Siobhan, they're not exactly bosom pals, there's definitely a degree of friction, which grows as the series develops.

I was a little mixed about episode one, but by the second I was hooked, I could easily have binge watched the whole lot in one go.

More please BBC.

8/10.

I find it rather funny that All these reviewers are complaining that Ian Rankin won't like what's been done to his creation and they are obviously oblivious to the fact that he fully supports this reimagining of a younger Rebus set in the present day. I think Richard Rankin does a great job as Rebus and I can't wait for 2nd series. The supporting actors are growing on me . This Rebus is a bit more violent than I really remember and I personally could Do with a bit less of gratuitous violence but all in all It's a winner . Good writing , good acting, not much to dislike here. I can see this series doing well .

The BBC's latest adaptation of Ian Rankin's iconic Edinburgh detective, Rebus, boldly reinvents the character for a new generation-setting him in the present day as a younger, more volatile DS rather than the weary DI of past series. While this reboot leans into violence and realism, it manages to stay true to the spirit of Rankin's creation-something the author himself fully supports.

Richard Rankin is a standout as Rebus, bringing a brooding intensity and emotional vulnerability to the role. His fractured relationships, particularly with ex-wife Rhona and his brother Michael, ground the show in personal drama, while the unfolding criminal plot adds the necessary suspense and grit. The supporting cast, including Amy Manson and Brian Ferguson, deliver compelling performances that grow stronger as the series progresses.

This version of Rebus doesn't shy away from the darker sides of Edinburgh, with plenty of bleak cityscapes, complex moral dilemmas, and "industrial language." The violence may be more graphic than earlier adaptations, but it serves the narrative's tone rather than distracting from it. Gregory Burke's adaptation is sharp and well-paced, and the direction by Niall MacCormick and Fiona Walton ensures a cinematic feel throughout.

This Series has earned its place, combining solid writing, atmospheric visuals, and a fresh yet faithful take on a beloved character. Grittier than expected, but undoubtedly engaging, Rebus is a welcome return for the troubled detective.

Those who have read Ian Rankin's originals, and seen the earlier TV series based upon them, may be somewhat disconcerted by this revival. It is well done - although the conclusion of the 6-part series suggests more has to come.

The originals were set in their time; the technology of our era now moves on differently. The revival reflects this, it's not an attempt to dive back into the past - and perhaps that's commendable.

But I'm concerned about why the producers felt the need to provide us with this - unless it's simply a blatant attempt to capitalize on a successful formula with the attendant risk of alienating those who revere the original. I'd like to believe otherwise!