The Paramedic

If you wish to watch something to disturb your mind in just a medium level, then you should give this movie a try. We all love Casas' brilliant acting and gesture here, it is all that worth in this movie. The characters and the background are all nicely wrapped, as well as the ending that gives us slight twist of the two main characters' relationship going forward. What's missing is the storyline that should gives us more originality with that kind of complicated bond between them.

Poor character development Movie has 2 characters who are pieces of crap The tone is dark The whole time I was expecting more paramedicy

I started watching and and it didn't take long before the main character's behaviour gave me the creeps. The movie centers around him handling his new life with paralysed legs and the resulting frustration about it, which he works out on his girlfriend. Him being stuck at home also worsens his already existing jealousy towards his girlfriend which ultimately gains the upper hand.

His actions constantly made me curious about what he was going to do next and I liked the suspenseful atmosphere that was created. Mario Casas puts down a good performance here. Not all the things happening in the movie are realistic but overall I liked the movie. Not as bad as some reviews here are saying.

After weeks of trying to find a good film on Netflix (having watched almost all the decent ones) I finally came across this gem. A hugely enjoyable Spanish psychological thriller that I was glued to throughout - and a few unexpected plot twists along the way. Really enjoyable movie (there are actually a few really good Spanish thrillers on Netflix if you take the time to find them). Disturbing, creepy, suspenseful, good acting, good camera work and a fantastic ending. At times disturbing to watch, but that's why we enjoy psychological thrillers, isn't it? I give it 8 out of 10.

The Paramedic is reminiscent of better movies such as Rear Window and Misery, but without sufficient character development, it just feels like an exploitation film, heavy on violence and narcissism. A great deal of the tension generated here is sustained by the fact that the director establishes early on that Angel (an ironic name) is without morals, a guy in the healing professions who routinely steals from the injured and dead. We know that no internal ethics will interfere with his revenge scheme. He won't hesitate to murder anyone who gets in his way. He won't feel remorse or mercy, or change his mind about the evil he is doing, so nothing he does, no matter how vile, surprises us. Implausibility is high as people keep warning Angel they're going to call the police instead of just going ahead and calling them. Most implausible is that Angel, like a Mafia boss, has his own crime cleanup squad on call for getting rid of pesky bodies. All of this leaves little room for nuance and doesn't allow the mounting tension to ever let up, making this simply unpleasant and difficult to watch rather than engrossing, as a thriller ought to be.