An upstart television producer accepts the challenge of reviving a struggling morning show program with warring co-hosts.An upstart television producer accepts the challenge of reviving a struggling morning show program with warring co-hosts.An upstart television producer accepts the challenge of reviving a struggling morning show program with warring co-hosts.
- Awards
- 1 win & 3 nominations total
- Channel 9 Weatherperson
- (as Stephen Park)
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Featured reviews
McAdams and Ford shine!
Rachel McAdams shines in this surprisingly clever and uplifting news comedy, reminiscent of similar films from decades ago. It's directed by Roger Michell (who also directed the exceptional 'CHANGING LANES' and 'NOTTING HILL') and written by Aline Brosh McKenna (who's written a handful of similar themed rom-coms including 'THE DEVIL WEARS PRADA', 'LAWS OF ATTRACTION' and '27 DRESSES'). It's produced by J.J. Abrams and features a top notch supporting cast including Diane Keaton, Jeff Goldblum and Patrick Wilson. It's co-star Harrison Ford that really steals the show though, giving one of his best performances in years.
McAdams stars as a work obsessed TV show producer named Becky who's so obsessed with her job that she's relationship challenged and awkward around men (of course not convincingly so but McAdams does a more than adequate job trying to pull it off). As the film opens she's let go from her current job and hired on to the struggling morning news show 'Daybreak'. The show is long past it's prime and it's ratings are barely able to keep it on the air. On her first day Becky fires the sexist co-host Paul McVee (Ty Burrell, of TV's 'MODERN FAMILY') and then is faced with the dilemma of replacing him with no budget. She soon discovers that legendary veteran news anchor Mike Pomeroy (Ford), who she idolized as a kid, is still under contract with the station for two years. So she forces the aged superstar, who thinks the show is beneath him and his standards, into taking the job. He of course clashes with his veteran co-host (Keaton) and everyone else on the show. Becky fights hard to make it work though and save the show from it's dismal ratings while trying to juggle a new-found relationship.
The film is somewhat clichéd and predictable fluff but it's pumped with a lot of lovable energy from it's A list cast. I've been a fan of McAdams for several years now and this might be one of her best performances yet. She brings a believable likability to the role that the usual bigger stars that are typically cast in a movie like this (Julia Roberts, Sandra Bullock, etc.) never could. Her energy and enthusiastic performance really make the movie and the only thing that possibly outdoes her is Harrison Ford. He hasn't been this funny and likable in several years and he and McAdams have great chemistry together. The rest of the cast is adequate but those two really make the film work. There's some clever writing and the directing is fitting (although the film feels a little rushed towards the end). As far as this type of material goes it's definitely not a bad little film.
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Becky's Glorious Mornings
For whatever reason, Rachel McAdams (especially given her range) does a wonderful "Type A" character, and nailed this roll. Between that, Harrison Ford nailing the jerk, and a wonderful supporting cast we get a fascinating look into the production world of morning television.
It's a strange and competitive industry, and Becky's journey is wonderfully crafted for us.
A pleasant surprise
I thought "Morning Glory" is just another romantic comedy that happens to be set in a television setting, but it pleasantly surprised me. The plot in fact focuses a lot more on the stress and frustration of being an executive producer, with romance being sidelined as an almost dispensable subplot. The intensity of Becky's job is well portrayed, the two anchors' verbal wars and Mike's indifferent and selfish attitude all makes "Morning Glory" entertaining to watch. "Morning Glory" is a pleasant surprise!
I didn't expect much from this movie but came away quite happy
This is one of Harrison Ford's funniest roles - he plays the grumpy, I'm too good for this, I will do what I want and you'll just have to deal with it, asshole extremely well.
The witty banter back and forth between Diane Keaton and Harrison Ford is at times laugh out loud hilarious. I loved their chemistry and the weatherman's antics were the beginning of when my ratings for the movie started to go up. Once it all got going I thought to myself, "I'd watch that morning show!"
"What's The Story?"
All the actors share a warm chemistry. Rachel McAdams gracefully carries the film. She's charming, funny, energetic, spontaneous, ditzy and spot on, which is exactly what Becky is supposed to be. McAdams performs naturally. I was also pleasantly surprised to see that, while she was cast alongside legends like Harrison Ford and Diane Keaton, the two senior actors allow McAdams to own 'Morning Glory'. Ford in turn is splendid as the grumpy and slightly arrogant newscaster. This is perhaps his funniest role and the actor obviously has a flair for comedy. I loved his scenes with McAdams where the two match wits. A laidback Diane Keaton, even though her screen time is limited, makes the best of her scenes and she's simply hilarious. The supporting cast that includes Jeff Goldblum, Patrick Wilson, John Pankow, Matt Malloy, Ty Burrell and Patti D'Arbanville is equally convincing.
Not only does 'Morning Glory' work as a comedy but it also tells a heartwarming story of a workaholic young lady who finally becomes a TV producer but she learns that success comes from good teamwork and in the process she creates a family. Even though the story sounds familiar, the humour and the cast more than make up for it.
On the technical side, 'Morning Glory' is very well made. The behind the scenes look of the morning TV show appeared very real thanks to the art direction. I didn't like some of the songs that played in the background but otherwise the soundtrack works (and it's barely an issue).
To sum it up, 'Morning Glory' is exhilarating and uplifting. I was smiling long after the end credits have finished rolling. This is definitely a movie to watch on a quiet evening after a tired day at work or on a rainy day. It's something one can easily enjoy with a date, with friends and with the family.
Did you know
- TriviaRachel McAdams initially was not keen on making the film - a comedy - as she felt she was unsuited to being funny. Director Roger Michell took her out for dinner several times to convince her otherwise.
- GoofsWhen Becky approaches Pomeroy on the hill, he fires two shots at some birds. As the second shot goes off, it is seen that his finger is not on the trigger, but behind it. Actualy this type of double barrel shotgun has two triggers, one behind the other. When you take a good look you see that his finger is indeed behind the first one but also on the second trigger which is correct.
- Quotes
Mike Pomeroy: Nobody really cares that I can do this job, but... but I can. I wanted you to see that.
Becky Fuller: That was a great story, Mike. That was... that was better than a great story, that was great television. I mean, that was bran with a donut. A bran donut.
Mike Pomeroy: I've got a grandkid. Did you know that? Alexander. I haven't seen him since I got fired. I was embarrassed... after all I'd accomplished. And then to... come back to the news... this way. The truth is, I'd... I'd screwed up with my kids way before I got canned. Anyway, I was never at home and... when I was, I took every phone call, watching TV out of the corner of my eye. Why am I telling you this? You're worse than I am. You'd sleep at the office if you could. Let me tell you how it turns out. You end up with... with nothing. Nothing. Which is... which is what I had. 'Till you came along.
Becky Fuller: Wait a second. Did you just say something nice to me?
Mike Pomeroy: I told you I could banter.
- Crazy creditsThe Bad Robot logo fades to the opening scene within the box the robot was in. The box, with the opening scene in it, then proceeds to expand in size until it fills the frame.
- ConnectionsFeatured in Richard Roeper & the Movies: Fall Preview 2010 (2010)
- SoundtracksFree Me
Written by Joss Stone, Leo Nocentelli, Jonathan Shorten, Conner Reeves, and Eric "Kenya" Baker
Performed by Joss Stone
Courtesy of Virgin Records Ltd
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Xin Chào Buổi Sáng
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $31,011,732
- Opening weekend US & Canada
- $9,203,266
- Nov 14, 2010
- Gross worldwide
- $60,040,976
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1







