Fifteen years after they parted ways, Sayani, Law officer in a corporate firm meets Asimabha, a brilliant man leading a devious life, and they go through a unique journey with a curious inte... Read allFifteen years after they parted ways, Sayani, Law officer in a corporate firm meets Asimabha, a brilliant man leading a devious life, and they go through a unique journey with a curious interplay of conflict, intrigue and surprise.Fifteen years after they parted ways, Sayani, Law officer in a corporate firm meets Asimabha, a brilliant man leading a devious life, and they go through a unique journey with a curious interplay of conflict, intrigue and surprise.
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- 5 wins & 2 nominations total
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A romantic relationship film.The film has wonderful story line and the camera languidly follows the characters throughout the film. It's a wonderful movie in recent time.Their narrative is not unusual either.Though the film is character-driven, it is not filled with dialogues.
Robibaar (On A Sunday, on Hoichoi) - Sayani (Jaya Ahsan) is a legal affairs manager of an MNC and is simultaneously working on publishing her own book. On a lazy Sunday morning, she heads to a coffee shop for breakfast where she has a chance meeting with Asimabha (Prasenjit Chatterjee), her beau from 15 years ago. Or is it?
What follows is a dribble between their past life and experiences and their present, through which we learn that Asimabha is a brilliant individual with devious motives. He has led a life of con, has none to go back to, law is hotly chasing him and he has paid money to a hitman to murder him as suicide isn't something that he has the courage to do. But somewhere in his heart he is repentant and thinks that he can redeem himself by rescuing a street urchin. Now Asimabha and Sayani can use each other for mutual benefit, perhaps.
If the writer-director Atanu Ghosh thought that this is content enough and will engage the viewers, he got it all wrong. The story, if you can call it that, refuses to take off. It whines and grates, unable to lift it's own weight and crawls forward like a sloth, testing our patience. You keep waiting expectantly for something dramatic to happen or a twist in the story, but alas there isn't any. With just two characters around it also becomes quite monotonous to listen to their inane humming. Actually, not much emotive skills are on display here as there isn't much demand for it. Of course there isn't much chemistry between them too as they separated 15 years ago - really?
What follows is a dribble between their past life and experiences and their present, through which we learn that Asimabha is a brilliant individual with devious motives. He has led a life of con, has none to go back to, law is hotly chasing him and he has paid money to a hitman to murder him as suicide isn't something that he has the courage to do. But somewhere in his heart he is repentant and thinks that he can redeem himself by rescuing a street urchin. Now Asimabha and Sayani can use each other for mutual benefit, perhaps.
If the writer-director Atanu Ghosh thought that this is content enough and will engage the viewers, he got it all wrong. The story, if you can call it that, refuses to take off. It whines and grates, unable to lift it's own weight and crawls forward like a sloth, testing our patience. You keep waiting expectantly for something dramatic to happen or a twist in the story, but alas there isn't any. With just two characters around it also becomes quite monotonous to listen to their inane humming. Actually, not much emotive skills are on display here as there isn't much demand for it. Of course there isn't much chemistry between them too as they separated 15 years ago - really?
It is the story of a unconventional romance. Warming this feast is a wonderful screenplay, One of the best films about love, relationship . . . its simultaneously hopeful and realistic about this relationship. Loved it
I mean,why was this movie ever made? What was the rationale? Absolutely no story build-up, the characters seemed to show off too much, they acted like there was too much to reveal but everything can easily be anticipated even by a 10 year old, dialogues were useless, why use unnecessary english jargons where you can use a good vocabulary of bengali jargons? Seriously, I don't understand! Also, there was too much of a pause while delivering dialogues, i mean what the heck? The Zee bangla serials are much better! The ending was too idiotic! I would suggest not to not waste your precious time and money on this at all!
This film is about love between a couple. Sayani detached her connection from Asimabha about fifteen years back due to his bad activities (forgery, lie etc). Sayani is a Law officer under a Corporate Firm.The concept of Movie, "A Robibar(Sunday) changes the two lives when they meet" . Asimabha (Prasenjit Chatterjee) has performed dark character prominently and efficiently which shows his Acting ability. Jaya Ahsan (Sayani) supported to boost up Asimabha's Character and each frame of the film become effective and lively. Music by Debjyoti Mishra is very nice which gives positive balance to the movie to form a poetic love.
This film may move towards success (if so) only due to balanced Acting by the two Jaya Ahsan, Prosenjit Chatterjee and Debjyoti Mishra(Music) .
Movie has become slight lengthy require edit. There is drawback in storyline in regards to message.
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- On a Sunday
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- Runtime1 hour 58 minutes
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- 2.35 : 1
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