The Go-Go's

Enjoyed hearing their their insights about the the LA Punk scene and their first UK Tour when they were starting out. After that there was little new information except for the amount of drug use they admitted too and the firing of their original manager.

Seven years together, four albums, followed by intermittent reunions ... sorry ladies, but wait your turn for the Rock and Roll Hall of Fame.

I mean the documentary isn't bad but some of the content makes you sick to your stomach. Somehow they thought they were special when all they really amounted to was another cookie cutter pop band in the 80s. It is interesting listening to how their first major label picked them up based on image (didn't care if they were good) and then made them change their sound (oh all of our songs are pop songs when we play them slower). I mean anything can be a pop song if it's played like a pop song lol.

Also the way they talked about being misfits and finding each other (family) really seems like a bunch of hogwash when in the next scene they kick out members for no better reason then money and fame.

The whole mess just seems like the brain washed ramblings of a band that once had an impact. Also the pacing of the documentary is horrendous. With proper editing it could have been much better (stylistically not it's content).

Watch this if you want to understand the trials and tribulations of being in a band, whether or not you're a fan of the Go-Go's.

A great documentary: all the important players are interviewed; there's plenty of interesting content and it all moves along at an appropriately fast pace.

I do think we ask far too much of bands. We not only want them to write great songs and give great performances, but we also seem to want to have pretty much full access to their lives. I do wish we could be kinder to musicians, to the people whose music so enriches our lives.

"The Go-Go's" (2020 release; 98 min.) is a documentary about "the most successful female rock band of all time". As the movie opens, we are reminded (for the first, but not the last, time) that the Go-Go's are the only all-female rock band to write and perform their own songs who scored a Billboard No. 1 album. We then go to "Los Angeles, 1979" as the local punk scene is small but ferocious and a number of the eventual Go-Go girls are very much a part of it (check the footage and photos of Jane Wiedlin attending a show at the Masque). We then turn to Belinda Carlisle as she too came up through the SoCal punk scene. "The punk scene was safe and welcoming" she comments. "You don't know what you are doing? Just do it!" At this point we are 10 min. into the documentary.

Couple of comments: this is the latest from long-time documentarian Allison Ellwood. Here she brings the story of the Go-Go's, very much like those erstwhile VH-1 "Behind the Music" episodes. The documentary's first 45 min. are absolutely flawless, benefiting from the amazing amount of archive footage and pcitures from the early days. The band's first (1980) tour of the UK (opening for the Specials and Madness) gets ample attention, and rightfully so. Equally transfixing is the band's evolution from punk to new wave to pop. Confesses Charlotte Caffey (on writing "We Got the Beat"): "I was sacred. I thought the girls would throw me out of the band for writing a pop song." Absolute genius! The band's meteoric rise is as dazzling as it is dizzying (reaching No. 1 on the Billboard album chart with their 1981 debut album). They would never achieve such heights again. The second half of this documentary isn't nearly as compelling as, predictably, it focuses on the band's in-fighting, drug addictions and ultimate demise (and return). The biggest flaw, or annoyance, of this film, though, is the repeated pleas to get the Go-Go's in the Rock 'n Roll Hall of Fame. Do they belong? For sure. But hitting you over the head with this in a documentary isn't really the way to go.

"The Go-Go's" premiered a few days ago on Showtime, and is now available on SHO On Demand, Amazon Instant Video and other streaming platforms. If you are a fan of the Go-Go's from back in the day, or simply are a music fan, I'd readily suggest you check this out, and draw your own conclusion.

I liked the Go-Gos as much as anyone back in the day, but really, they were no more than a come and go band that played catchy music for a couple of years in the 80s - like many other bands at the time. Having said that, this doco really does create a really interesting exploration of the foundations of the band. They all seem to rabbit on about what great rebels they were and what crazy punk stuff they did, but that's not why they became famous. It was their American pop princess music and image that got them there. It has all the usual elements of pop band life - kicking people out, drugs, jealousy and fights over royalties. It's a very familiar tale, but still interesting to watch.

So why is there still some interest in this band after all these years? I basically think that it was because Belinda Carlyle cleaned up, became super hot, had a few hits and this helped maintain an interest in the band. They also tour every now and then and really emphasize the punk/party animal aspect of their lives which is ultimately more interesting than the popular music they produced. As for their campaign to get inducted into the Rock and Roll Hall of Fame, it will probably happen, proving that anything is possible if you hang around long enough and change your narrative to whatever is fashionable at the time.