A coming-of-age psychological thriller that plays out the unsettling reality of a kid who holds his family captive in a hole in the ground.A coming-of-age psychological thriller that plays out the unsettling reality of a kid who holds his family captive in a hole in the ground.A coming-of-age psychological thriller that plays out the unsettling reality of a kid who holds his family captive in a hole in the ground.
- Awards
- 3 wins & 7 nominations total
Featured reviews
I don't know how I made it through til the end?
In an attempt to create mood and atmosphere the creators decided to minimise dialogue, add dreadful music with sombre characters who nobody would care about.
Avoid this movie is my recommendation.
In an attempt to create mood and atmosphere the creators decided to minimise dialogue, add dreadful music with sombre characters who nobody would care about.
Avoid this movie is my recommendation.
I have said this review doesn't contain spoilers but I guess by me saying it's absolute tripe I may have lied.
Utter garbage and totally pointless.
Utter garbage and totally pointless.
This film is a disappointing example of an intriguing premise, good acting, good cinematography, and strong sound design and score not adding up to anything worthwhile. The sum is much lesser than its parts.
I am also disappointed in the writing, as Giacabone penned both Birdman and Biutiful, two astoundingly original film concepts. I suppose the difference here is that, instead of a master like Innaritu at the helm, we have first-timer Pascual Sisto who is more interested in mood and pastiche than creating a cohesive experience. Haneke or Lanthimos this ain't, and it's heavy borrowing from each winds up getting in the way of what could have been a more interesting film.
I am sure that on second viewing, one might peel back another layer or two, but I don't feel the desire. I may check out Sisto's next project, but this one was kind of a bust for all of its technical achievement.
I am also disappointed in the writing, as Giacabone penned both Birdman and Biutiful, two astoundingly original film concepts. I suppose the difference here is that, instead of a master like Innaritu at the helm, we have first-timer Pascual Sisto who is more interested in mood and pastiche than creating a cohesive experience. Haneke or Lanthimos this ain't, and it's heavy borrowing from each winds up getting in the way of what could have been a more interesting film.
I am sure that on second viewing, one might peel back another layer or two, but I don't feel the desire. I may check out Sisto's next project, but this one was kind of a bust for all of its technical achievement.
I mean he didn't kill any animals, so that's great. But yeah this movie is not thrilling at all (the genre is there for some reason..). It's a slow-burn drama about a kid who is "different". He asks questions and wants to know why and what or how things are. He is curious but devoid of emotion or compassion. The movie itself is like I wrote in the title, a study and a pretty lame one at that, but still overall is pretty interesting. The atmosphere is the same as the main character, so as the soundtrack. I didn't get the ending or the other story in the movie. Though I overstand the idea and meaning of the movie, because it has an underlying message about families. I don't really recommend this movie to watch in cinema or if you have something better to see, only if you have nothing and/or are depressed and want to turn your brain off. Because yeah, the dialogues in the movie are so fking bland and boring.
I'm all for films that make the viewer think and draw their own conclusions or apply whatever the story is trying to say to their own interpretations of life and the world. This is a Haneke-esque parable consisting of two parallel but inverted storylines, one of which obviously consumes the majority of the run-time (hint: the one in the title).
Ahhhkay....so here we go. This one has excellent production value, a pretty decent cast (Dexter lol!), and good direction and cinematography. I really appreciated the soundtrack/score as this type of modern synth creepiness is often way overdone, but not in "John and the Hole."
Sorry to those who totally panned it with 1-Star reviews because "nobody would let their kid do that, he'd be in therapy" or "the ending made no sense" It's just not possible to draw those conclusions from this movie if you know anyone with kids that age in, well, this day and age - or if you remember being that age yourself. Perhaps that's one of the film's lessons anyway - Maybe parents *should* be more keenly observant of behaviors such as John's. Clearly this was a family of means, and they - unlike the vast majority of Americans - could afford psychotherapy or medical observation of their son. But sessions cost anywhere from $100-$300/hr and aren't covered by most insurance, IF you're lucky enough to have insurance in this country. But that's also part of the film's point and perspective: that of upper-middle class bourgeoise detachment from the real worries and experiences of life.
Sorry to get bogged down in that. On with the review...I'm glad I didn't have to shell out the dough for a theater experience (including drinks, popcorn, parking, etc.) to see this film. In fact I'm not even sure what format its theatrical release happens to be ("art house", major chain, small release, etc.) but I can tell you that it belongs in "art house" theaters. It's just too oblique for many viewers.
Overall, I appreciated it and found "John and the Hole" thought-provoking and scary at the same time. It wasn't intended to be "realistic" in terms of real world potentialities, actions or outcomes. It was a vague dive into the mentality of modern juveniles and what exactly defines "adulthood." For that reason, and that I wasn't ever tempted to get up or turn it off, I give it 6 Stars. Just know you're not signing up for a typical movie viewing experience and keep your expectations low. On the other hand, if you're a fan of "art house" cinema, you'll probably find many aspects of this film enjoyable as I did.
As for the ending, since so many seem to be completely unable to free themselves from their own frame of reference (see: the same people who reflexively give Haneke movies terrible reviews because they don't take the time to digest them in the context of contemporary American cinema), I feel compelled to defend it here. This wasn't supposed to be a realistic outcome; it was intended to be absurd, as was the rest of the film. That it's hidden behind a veil of upper middle class normalcy, excellent film-making and a languid, sometimes boring story arc is exactly the point of the exercise. It's also demonstrated in the parallel story that attempts to frame the ridiculousness of the main plot, at least from the point of view of an adult with a well-formed intellect and in-check id. In that sense it's a fantasy of adolescence in which "adulthood" consists only of going through a few boring and repetitive motions every day with no real moral , ethical or well-defined desired outcome - and - in the modern bourgeoise existence, little to no consequence to the outcome of those motions.
Ahhhkay....so here we go. This one has excellent production value, a pretty decent cast (Dexter lol!), and good direction and cinematography. I really appreciated the soundtrack/score as this type of modern synth creepiness is often way overdone, but not in "John and the Hole."
Sorry to those who totally panned it with 1-Star reviews because "nobody would let their kid do that, he'd be in therapy" or "the ending made no sense" It's just not possible to draw those conclusions from this movie if you know anyone with kids that age in, well, this day and age - or if you remember being that age yourself. Perhaps that's one of the film's lessons anyway - Maybe parents *should* be more keenly observant of behaviors such as John's. Clearly this was a family of means, and they - unlike the vast majority of Americans - could afford psychotherapy or medical observation of their son. But sessions cost anywhere from $100-$300/hr and aren't covered by most insurance, IF you're lucky enough to have insurance in this country. But that's also part of the film's point and perspective: that of upper-middle class bourgeoise detachment from the real worries and experiences of life.
Sorry to get bogged down in that. On with the review...I'm glad I didn't have to shell out the dough for a theater experience (including drinks, popcorn, parking, etc.) to see this film. In fact I'm not even sure what format its theatrical release happens to be ("art house", major chain, small release, etc.) but I can tell you that it belongs in "art house" theaters. It's just too oblique for many viewers.
Overall, I appreciated it and found "John and the Hole" thought-provoking and scary at the same time. It wasn't intended to be "realistic" in terms of real world potentialities, actions or outcomes. It was a vague dive into the mentality of modern juveniles and what exactly defines "adulthood." For that reason, and that I wasn't ever tempted to get up or turn it off, I give it 6 Stars. Just know you're not signing up for a typical movie viewing experience and keep your expectations low. On the other hand, if you're a fan of "art house" cinema, you'll probably find many aspects of this film enjoyable as I did.
As for the ending, since so many seem to be completely unable to free themselves from their own frame of reference (see: the same people who reflexively give Haneke movies terrible reviews because they don't take the time to digest them in the context of contemporary American cinema), I feel compelled to defend it here. This wasn't supposed to be a realistic outcome; it was intended to be absurd, as was the rest of the film. That it's hidden behind a veil of upper middle class normalcy, excellent film-making and a languid, sometimes boring story arc is exactly the point of the exercise. It's also demonstrated in the parallel story that attempts to frame the ridiculousness of the main plot, at least from the point of view of an adult with a well-formed intellect and in-check id. In that sense it's a fantasy of adolescence in which "adulthood" consists only of going through a few boring and repetitive motions every day with no real moral , ethical or well-defined desired outcome - and - in the modern bourgeoise existence, little to no consequence to the outcome of those motions.
Did you know
- TriviaThe piano playing scene was actually just Charlie Shotwell practicing piano and he didn't realize it was going to be in the movie until he saw a cut of it.
- ConnectionsReferences Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)
- How long is John and the Hole?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Un lugar secreto
- Filming locations
- New England Studios, Devens, Massachusetts, USA(filming location)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $25,386
- Opening weekend US & Canada
- $16,658
- Aug 8, 2021
- Gross worldwide
- $26,069
- Runtime
- 1h 43m(103 min)
- Color
- Aspect ratio
- 1.33 : 1
Contribute to this page
Suggest an edit or add missing content