The Staircase

This series was rather good but a bit drawn out. They could have honestly cut an episode or two from this limited series and it would haver been a much leaner and tighter affair.

I knew nothing about this case despite the now well known documentary which I learned about through this series and watched on Netflix after completing this show but I will watch anything with Toni Collette and Juliette Binoche in it and both are excellent here.

The fact that this is based on a true story makes it even more incredible given the outcome about how Kathleen Petersen (Toni Collette) actually died makes for some fascinating, if uneven, viewing.

Have been following this story since the original trial. My impression so far is the set decorations, especially the house, is spot on. The cast, the always phenomenal Toni Collette and exceptional Colin Firth are excellent. Supporting cast portrays their roles true to their characters. In my mind's eye I'm watching the show unfold as if I'm seeing the actual victims. The writer's had a lot to work with starting with the trial transcripts and the French documentary The Staircase, so the show feels very real.

We enjoyed the mini-series, however it could be hard to follow in places. Why? We've noticed a trend in productions, they just can't be linear, they just have to jump back and forth in time. A little is okay and sometimes you need to do that to flush out the details of the movie, but most movies have so much of it, it feels like the show is just jumping around constantly. And this was no exception. Before her death, just before her death, after her death, the original trial, the 2017 statement, back to the 2011 retrial, then 2017, then just before her death. We were getting sea-sick. I just wish they wouldn't do this in movies all the time, it is so hard on the viewer.

After three episodes, this is shaping up to be a fabulous story, it is true, yet ambiguous enough to carry tension and suspense. The cast is magnificent with strong headliners and a depth unusually strong for TV.

The pacing is good, though the heavy use of short and long scene non-linearity is haphazardly delineated, with occasional timestamps, but no stylistic changes making frequent rewinding necessary. Cinematography is generally well done, but there are some sporadic gimmicky techniques which detract by being more showy than necessary.

Colin Firth has brilliant range as novelist Michael Peterson, the husband in the frame for his wife, Kathleen's, probable murder. Not surprisingly there are fine performances too numerous to mention from a cast of this stature.

A persuasive story very well told, episode four cannot drop quickly enough!

This seems to be made in a way where the story just seems to drag on and on...

This could easily have been consolidated into a 4 or 5 episode series instead of the 8 episodes - the producers have stretched the story to the point where the viewer starts losing interest.

Also the way the timeline keeps switching between historical and present without giving the viewer much indication that we are going back in time can be confusing at times.

This could have been written so much better to reflect the true story this series is supposed to be based on. One could also argue that the creators also took a little too much artistic licence in telling the story.

Either way, it's not a complete waste of time, but the creation of this series was poorly executed in my opinion.