Cliff Walkers

China's official entry to 2022's Oscars is a very good atmospheric historical spy thriller. Although its story is not my cup of tea, I enjoyed it and was involved in it all the time. The story unfolds interestingly and storytelling is beautiful. Cinematography, production design and costume design are all nice. Some scenes are really thrilling and intense.

When too much information is weaved/stuffed into such a visual spectacle in just two hours, then some details must be missed out during the (first-time) viewing process. I really enjoyed the strain and the thrill that the movie offered in Act 2 , but it took me some time to realize who's who and I had to carefully follow up on everybody's lines and subtext in Act 1 (even if I speak Mandarin). It also feels a bit abrupt when we see things are all settled in the end. Clarity is inevitably compromised when the narrative sometimes requires the audience to connect dots by themselves , in a blink of an eye.

The plot twists and turns in this movie of the Communists vs the puppet regime in Manchukuo. Set in December 1934, the story revolves around a true event.

The sets are lovingly and authentically created to reproduce the romance of the period. Attention to detail is evident even to ensuring the cinema calendar is correct. I had to watch and rewatch the movie so many times to link the clues and details.

Zhang's masterly cinematography would have certainly won him the Best Director Oscar had Jane Campion's Power of the Dog not been just as lush and powerful.

Excellent, really Excellent movie. This will be a hard act to follow.

How this director went from shooting, among other masterpieces, the most fabulously caustic critique of maoism with "To Live!" to erecting cinematic monuments to the glory of the Chinese Communist Party will go down as the most tragic waste in the history of cinema.

It should pain every cinephile out there, to see such genius being employed to such petty ends.

This kind of shameless brainwashing was equally pathetic when the Americans were doing it, but at least they didn't send their best directors to do it. Here Zhang Yimou is just kissing the ring, you can feel it, the guy is too brilliant to sincerely adhere to this hopelessly explicit propaganda.

Apart from that heavy aspect, objectively the movie isn't bad, although the action sometimes moves a bit too fast and the sentimentalism can get a tad too facile and corny.

No pun intended - and when you watch the movie to the end, you will get a feeling that something is missing ... or not told to the end. That is because there will be a sequel to this. I had no idea when I started watching this, that that was the case ... but it is what it is. I would have waited and watched this and the sequel together.

It looks like Zhang Yimou is also doing the sequel. And if that name means something to you (I reckon you came to this site because of him rather than the film title), than you know what to expect from a movie he directs. There is a reason a lot of his work is getting nominated for a lot of awards ... same is true for this one right here.

Tension is high and the visuals match the the story that is being told. There is enough thrill to keep you on the edge of your seat. Even if you do not have any clue what happened in real life (history and all that). We cannot know it all, can we? Maybe this will keep you interested in all things that surround this and maybe more about chinese history.