Landscapers

I never much post reviews on series here, but this one really caught my attention. Was very surprised the score wouldn't be higher.

I have to applaud the director and writers, for bringing such a creative story telling, of a very simple murder case, in some way. They focussed on all the back stories, dug deep in the past of the characters and done a great job on finding a different way to bring it to the screen. Although the last episode was a bit confusing and symbolic to me.

All the performances are outstanding. Special mentions to Kate O'Flynn and David Thewlis. Colman was good, but... I would start to like seeing some less typical Colman tweeks. I have seen this character before in other work of you.

I absolutely would recommend to see this... it's quite dark, but also funny and disturbing. But it also carries a lot of heart and emotions. Very smart story telling, and I can't wait to see the first movie of Will Sharpe now.

As Episode 1 of "Landscapers" (2021 release from the UK; 4 episodes of about 55 min each) opens, we are told upfront what the outcome of these events are, so there is no need for guessing how it's all going to end. We are then introduced to Susan, who is browsing an antique store somewhere in France (Lille, we learn later). She buys a rare movie poster. Back at the apartment, her husband Christopher comes home from yet another wasted day trying to find a job. Christopher tells Susan that things are dire and they are just about out of money, not to mention late on their rent. He decides to call his stepmother back in the UK to beg for financial help... At this point we are 1o min into Episode 1.

Couple of comments: this tv mini-series in based on true events (in the closing credits of Episode 1, we get actual news clips from various British TV stations). As mentioned already, we are told in the opening seconds what the final outcome for Susan and Christopher will be, so in other words, it's not about the ending but instead about Susan's and Christopher's journey to the ending. For sure this mini-series in very dark and oh so very British. That combination seems to have prompted a number of 1 and 2 star reviews on here, to which I say: "you wouldn't spot quality if it hit you in the face". The talent that is attached to this mini-series is amazing, none more so than Olivia Colman as Susan (Colman was nominated for an Oscar for her performance in last year's "The Father"). This series is written and directed by Ed Sinclair (a/k/a Colman's husband in real life). The role of Christopher is played by veteran British actor David Thewlis. Bottom line: there is a lot to like about this TV mini-series, and I can't wait to see the rest of Susan's and Christopher's journey.

"Landscapers" premiered on HBO just a few days ago, and Episode 1 is now available on HBO On Demand and HBO Max (where I caught it last night). If you are in the mood for a true crime series that is dark and very British, I'd readily suggest you check it out, and draw your own conclusion.

This show held me until episode 4, when it all but descended into farce and got too clever for its own good.

It could easily have been told in 3 taut episodes. For me the breaking of the 4th wall in ep4 (which began in ep3) didn't belong, and was an unnecessary distraction.

The best way I can think to describe this show is an artisanal docudrama, and it works. The scene cuts are flawless and the cinematography dark and vivid. The characters are well cast and well acted, Coleman slays as usual. It's an interesting story, if not a bit odd.

I often find British crime dramas to either be so desaturatedly bleak that they're a slog to watch, or too cartoonish to take seriously - Landscapers is neither and instead takes its filmic cue from the murderous couple's adoration for old romance and westerns. As such the four episode miniseries is alive with action scenes, arch fourth wall deconstructions, monochrome melodrama, soft focus romanticism and everything in between. Its layered restlessness accompanied by some charged performances and a deep empathy for the characters (and people) gave it a strange charm and I found myself completely won over by it. Definitely worth a gander.