An uptight television producer takes control of a morning show segment on modern relationships hosted by a misogynistic man.An uptight television producer takes control of a morning show segment on modern relationships hosted by a misogynistic man.An uptight television producer takes control of a morning show segment on modern relationships hosted by a misogynistic man.
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One of the few all-around great love movies, both for women and men!
A very nice romantic comedy
Light entertainment. Unfortunately they cut the parts that would have made it great.
Abby (Katherine Heigl) is an uptight, prudish tv producer who is forced to work with a loud-mouthed, misogynistic talk show host named Mike (Gerard Butler). Each presents an extreme stereotype of the sexes: Abby is a control freak who expects her man to be straight out of the Hallmark Channel while Mike treats women like he's ordering at the McDonald's drive thru. The plot revolves around a bet: Mike tells Abby that if she follows his neanderthal advice, she can snare her perfect dream man.
So there's an interesting sort of role reversal, where the prudish female is taking lessons from the neanderthal bro in order to achieve her ideal Hallmark romance. That itself was a great start, but this clever spirit of the film got lost when they cut a few critical scenes (I guess because those scenes focused on character development and didn't have enough zingers).
The scenes that were cut showed exactly how hopelessly neurotic Abby is and why she keeps scaring men off. And they focused on the important, yet mostly lost, subplot of how fake Abby must become in order to snare her man. 4 or 5 scenes were cut, and rather than understanding the degree of Abby's "Pygmalion" transformation, we the audience are rushed through the process. Also cut are some scenes that show Mike to be more sensitive/human, giving his character depth which is otherwise lacking. The result of these cuts is, instead of this film showing more of a complex gender-role-reversal switcheroo, it simply falls back on the black & white stereotypes of men being neanderthals and women being prudes. Nothing exceptionally clever, but still entertaining enough.
So in the end, yes, I can understand why the watered down message could offend some. What we get is mostly the male perspective of Mike, reducing Abby's role to being his clueless sidekick. And the rest is predictable.
The angle of them on a tv set with a producer/talent relationship is interesting, but it's nothing really new if you've done your romcom homework. On that account I would sooner recommend "Groundhog Day" which has the identical setup--Bill Murray playing the narcissistic tv talent with Andie McDowell playing his more sensible-minded producer--except that Groundhog Day rightfully focuses on the narcissist coming down to earth, not the other way around which we see here.
A final note worth mentioning. I've heard it said that any movie that ends with a hot air balloon is insulting to the viewer's intelligence. There is indeed a hot air balloon in this one. So be prepared...
Entertainingly rude, but also rather stupid, rom-com
Is that true about tap and bottled water being basically the same? I'll take that one on trust.
And why can't we see Mike's congratulatory cake? I bet that box was empty. Boo.
But back to the review...
Abby (Heigl) is nothing if not prepared. She's capable. She's unflappable, at least until Butler's character, Mike, shows up. I don't know about you but, background check and casual heightism aside, I rather like the idea of a date who comes to dinner with a prepared list of conversational topics. Who likes awkward silences?
Abby's TV morning show is dropping in the ratings, so her boss decides to freshen it up by hiring a spicy TV personality, Mike Chadway, to present the Ugly Truth. He's going to be controversial on love and relationships, the battle of the sexes, telling it how it is, in his mind anyway, not how folks pretend it ought to be. Abby is horrified, but the results are in and the numbers don't lie. Abby's lovelife being a trainwreck, in a short time Mike is doling out advice to her too.
Mike's TV routine, first seen on some kind of cable channel (is that right, cable?) is crude to say the least. Very lowbrow. He remorselessly objectifies women, gleefully in fact. And how does he do that so convincingly? I'll tell you. It's because this movie, The Ugly Truth, was screenplayed by three women. Yes. True. Look it up. Roger Ebert was astonished that something so vulgar could come from writers on the distaff side, but I'm not. No-one is better at objectifying women than women themselves. And yup, you guessed it - that's the ugly truth.
But what about this movie as another entry in the rom-com genre?
Mike's right. "The truth is never pretty." Does this movie stick to its truth till the end? It ought to be a bitter end, given the obnoxious date-doctor's philosophy, but, well, things tend to end happy kissy in Romcom Land. And this is a standard issue Hollywood genre picture, with just the kind of locations, lighting, lensing, soft music, bouncy spirit, to make it only barely distinguishable from a host of others. What sets it apart? Heigl and Butler both have good energy, likeability, and Mike's crass, schoolboyish sense of humour, the kind the ladies both disapprove of and giggle/swoon over. Contradiction? In a man's world yes. In a woman's mind, call it multitasking.
In under half an hour Mike has had chicks wrestling in pudding on morning television. Abby then has a dream where she's demoted to being a nude weathergirl, dropping tacky innuendoes. Neither set piece is remotely convincing. Nor for that matter is the cat up the tree scene, also inside the first half hour. Once Mike/Butler starts dishing on his fellow men, then, well, you really know this stuff was written by women. It's testament to Butler's charm and Heigl's that they make this crass piffle funny and entertaining. And I disagree with Ebert about the restaurant underwear scene. I think Heigl's impromptu O-performance is more impressive than Meg Ryan's (from I'll Have What She's Having) for being fake real as opposed to fake fake. Curious to admit, but The Ugly Truth rises in status within the genre on account of its unusual, explicit vulgarity. It's not insipid, which makes a nice change. It's borderline gross, but not gross-out. It's rude-funny without being disgustingly filthy. It may be completely unbelievable that someone so icky would get a morning tv timeslot alongside news anchors, and likewise end up advising a beautiful woman on how to date moment-by-moment, but the payoffs outweigh the absurd setups.
Recommended, I'm ashamed to say.
Better than I expected, it's honestly not that bad, it had better potential though
Abby, a TV producer, is coming home from another disastrous date one night, she happens to see a segment of a local television show, "The Ugly Truth," run by Mike Chadway, whose cynicism of relationships prompts Abby to call into the show to argue with him on-air. The next day, she discovers that the station is threatening to cancel her show because of its poor ratings, and the station owner has hired Mike to do a segment on her show to bring them back up. At first, the two have a rocky relationship; Abby thinks Mike is crass and disgusting while Mike finds Abby to be a control freak. However she meets the man of her dreams, a doctor named Colin living next to her, and Mike persuades her to follow his lead. She agrees to his helpful advice and if he can get her the man she wants, proving his theories on relationships, she will work happily with him, but if Mike fails, he agrees to quit; he successfully guides Abby to be exactly what Colin would want. But being a romantic comedy, Abby and Mike instead fall for each other as usual, you know how the story goes.
Now things I would've done different, if you don't want spoilers then don't read on: there is a child that comes into Mike's apartment, he and Mike get along great, I'm thinking that's his son; instead it's his nephew. I think this would have added substance to his character and made him more likable and would have had a better story on why he was so bitter on women, maybe like the mother left him or something. Second: I honestly would have had Abby chosen the doctor over Mike. Katherine and Gerad are great on screen together, but their chemistry for this film I felt was more of a great friendship than falling in love with each other. Her choosing Mike over the doctor was so typical, I would have had the doctor find out about what was going on and then take her back realizing that he still liked her very much and then Mike ends up with some slutty girl as usual happy with his shallow life, but still enjoying it. Third: no tired formulas, no girl best friend supporting everything the lead female does, no big kiss in front of an audience, no dramatic of finding out what a kiss meant. Fourth: why do we have gorgeous people claiming they have a hard time finding love or supposedly not having sex for a year? I'm not saying it's impossible, but I'm finding it hard to believe that girls who look like Katherine Heigl are having the hardest time finding love.
But there are some positives in the film, honestly I did have a good time watching this film over all, it was just the ending that killed the movie. But even the little rip off of When Harry Met Sally where Abby is wearing vibrating panties at a company dinner and someone saying what was in her food to have the same effect, it's an old joke but it never gets old. I loved that this was a Rated R rom-com because the reason MOST of these movies don't work are due to the fact that they're too family friendly and very much unrealistic. Not to say that The Ugly Truth is completely realistic, but more so than most films. We have some sick jokes but get a great laugh, Abby is going to a baseball game with Colin, her crush, and she accidentally spills her drink on his lap and starts rubbing his pants to clean them and the kiss cam lowers in on them with a bad angle looking like she's just having fun with his hot dog. Honestly I think most of the theater had a hard time catching their breath on that joke, no one could stop laughing. Katherine and Gerad do have great chemistry on screen, I just think it would have worked better as a friendship. So I would say this is better suited as a rental vs. a theater view. It's a lot better than I expected but had more potential as it falls back into the same old tired formula.
6/10
Did you know
- TriviaIn the film, Gerard Butler's character appears as a guest on The Late Late Show with Craig Ferguson (2005). Butler and Craig Ferguson are good friends in real life, and the former has been a guest on the real show several times.
- GoofsWhen Mike makes a comment about an "Irish Craig Ferguson," he's making fun of Abby's awful attempt to mimic Craig's Scottish accent; he's not saying Craig Ferguson is Irish.
- Quotes
Mike Chadway: [sarcasticly] Oh, I know, I've got a great idea! Why don't we pass the time with you telling me how much *fun* you and Colin had having sex in Los Angeles?
Abby Richter: I broke up with Colin in Los Angeles, you jackass!
Mike Chadway: What?
Abby Richter: Oh, oh yeah, that's got your interest. Well if you think we're going to finish what we started in L. A. you are out of your mind. You lost your chance.
Mike Chadway: Oh, c'mon, I never had a chance with you.
Abby Richter: You're right. I had a momentary lapse in judgement when I thought you were more than you are, but you aren't. Clearly.
Mike Chadway: Oh, yeah? Well what does that mean?
Abby Richter: [mockingly] I'm Mike Chadway. I like girls in Jello. I like to fuck like a monkey. Don't fall in love. It's scary.
Mike Chadway: Yeah, it is scary. It's terrifying. Especially when I'm in love with a psycho like you.
Abby Richter: I am not a psycho!
Mike Chadway: I just told you that I loved you and all you heard was "psycho." Well you're the definition of neurotic.
Abby Richter: No! The definition of neurotic is a person who suffers from anxiety, obessive thoughts, compulsive acts, and, and physical ailments without any objective evidence of...
Mike Chadway: Shut up! Yet again I just told you I'm in love with you and you're standing here giving me a vocabulary lesson.
Abby Richter: You're in love with me. Why?
Mike Chadway: Beats the shit out of me, but I am.
[she leans over and kisses him]
- ConnectionsEdited into The Ugly Truth: Deleted/Extended Scenes (2009)
- SoundtracksHot N Cold
Written by Dr. Luke (as Lukasz Gottwald) Max Martin and Katy Perry
Performed by Katy Perry
Courtesy of Capitol Records
Under license from EMI Film & Television Music
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- Release date
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- Also known as
- La cruda verdad
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Box office
- Budget
- $38,000,000 (estimated)
- Gross US & Canada
- $88,915,214
- Opening weekend US & Canada
- $27,605,576
- Jul 26, 2009
- Gross worldwide
- $205,599,393
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1






