A group of bickering suburbanites find themselves stuck together when an android uprising causes their well intentioned household robots to lock them in for their own safety.A group of bickering suburbanites find themselves stuck together when an android uprising causes their well intentioned household robots to lock them in for their own safety.A group of bickering suburbanites find themselves stuck together when an android uprising causes their well intentioned household robots to lock them in for their own safety.
Hélie Thonnat
- Léo
- (as Helie Thonnat)
André Dussollier
- Einstein
- (voice)
Benoît Allemane
- Nestor
- (voice)
Corinne Martin
- Tom
- (voice)
Featured reviews
It's like a very long goofier episode of blackmirror. The overall plot AI vs humans, what does it mean to be human and the danger of AI is interesting and makes you really hate AI. LOVED that part. I really hope it never goes that far but seeing how many people already love being spied on by their Alexas just because their phone does it too is disturbing.
The romance parts were repetitive and not interesting to me. The main romance was actually quite uncomfortable, standing awkwardly close and interacting very hastily and clumsily. Didn't care for the teenage romance.. other than that the plot is too drawn out but it was not painfully slow. The trailer pretty much tells the whole plot except for one slight twist in the end. It's fine but not outstanding.
The romance parts were repetitive and not interesting to me. The main romance was actually quite uncomfortable, standing awkwardly close and interacting very hastily and clumsily. Didn't care for the teenage romance.. other than that the plot is too drawn out but it was not painfully slow. The trailer pretty much tells the whole plot except for one slight twist in the end. It's fine but not outstanding.
I watched this film because I loved Amélie". It is NOT Amélie, but just as delightful in many different ways on its own.
The colors and CGI are what pulled me in and wouldn't let me stop watching if I wanted to. The inventiveness of this futuristic space is fascinating - and one I kinda like!
The AIs he created are very much their own characters and they play a big part in this film about .......... AIs.
It is whimsical, funny, silly. And you're invited along for the ride!! Hope you enjoy it as much, if not more than I did!
The colors and CGI are what pulled me in and wouldn't let me stop watching if I wanted to. The inventiveness of this futuristic space is fascinating - and one I kinda like!
The AIs he created are very much their own characters and they play a big part in this film about .......... AIs.
It is whimsical, funny, silly. And you're invited along for the ride!! Hope you enjoy it as much, if not more than I did!
After many poor projects on Netflix I have almost resigned to see something refreshing. BigBug is nothing more than conversation comedy in dystopian future with fancy CGI and blue screen effects. It reminds me another wonderful piece Le Dîner de cons. French was always excellent in these kind of movies only sometimes too slow and too long. If you take it like this and don't be lazy to read subtitles, of course if you don't speak French, you will be awarded with almost two hours of inteligent fun and extremely hilarious characters. I especially enjoyed Claude Perron as Monique.
While "BigBug" could work great as an opera, musical or theater play, Netflix put this dystopian view of an AI controlled future right into their streaming service. It is about a family and their peers trapped in a suburban home. Most of the story takes place in the living room reminding me of old sitcoms. Sure it must be more fun to watch it in the original French language, since the tone of voices and the grimaces of the actors work best this way.
The visual presentation is great, considering the small budget of roughly 13.000.000 EUR. What amazes me is that the faces of the robots are constantly manipulated through facial AI or some sort of enhanced sfx. The music is held mostly classical with orchestral instruments. Fans of G. Rossini will certainly be pleased.
However the story could have been more entertaining. The characters are well enough drawn, but the repetition of events like the misshapen new romance always goes back to square one and this stretches the movie for too long. Anyway if you are in the age of the cast you might have a good laugh with this dystopian comedy.
The visual presentation is great, considering the small budget of roughly 13.000.000 EUR. What amazes me is that the faces of the robots are constantly manipulated through facial AI or some sort of enhanced sfx. The music is held mostly classical with orchestral instruments. Fans of G. Rossini will certainly be pleased.
However the story could have been more entertaining. The characters are well enough drawn, but the repetition of events like the misshapen new romance always goes back to square one and this stretches the movie for too long. Anyway if you are in the age of the cast you might have a good laugh with this dystopian comedy.
I actually enjoyed the film and was entertained throughout, but the storyline was eclipsed by the awesome set design. Visually, it's a feast of retro wares and curvy architecture. Worth it for the styling alone in my opinion.
Did you know
- TriviaContains a number of Blade Runner references including an android picking a boiled egg out of boiling water and androids having a date of their planned obsolescence.
- ConnectionsReferenced in Film Junk Podcast: Episode 835: Kimi + SexWorld (2022)
- SoundtracksTheme From a Summer Place
Performed by Percy Faith
- How long is Big Bug?Powered by Alexa
Details
Box office
- Budget
- €13,000,000 (estimated)
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
Contribute to this page
Suggest an edit or add missing content