Farha

Decided to finally watch this, didn't regret it one bit. If you're expecting a political film, this is not it. This was a raw and emotional account of how a young Palestinian girl lost everything near and dear to her and how her aspirations of becoming a teacher and opening a girls school in her village were destroyed due to the events of the Nakba.

It was filmed very well with brilliant cinematography and amazing sound design. The primary protagonist was great and the overall acting was very convincing.

Definitely worth a watch!

Be aware that this film has some tear jerking moments, it is the unfortunate reality of what occured in Palestine.

... when your hands could reach the sky, when a future had been opened and your dreams had been awoken, with a chance to learn and teach, explore, investigate and seek, helping barriers erode, helping others to decode; but instead of unlocked doors, you're imprisoned by a war, observe the crimes of an invasion, through portals locked without salvation, inhumanity to man, to children, to families, by man, against the innocent civilians, who still suffer in their millions.

An outstanding performance by Karam Taher brings to life the torment, torture and tyranny endured during times of upheaval post WWII.

As an advocate of the Palestinian cause for decades, I needed no convincing. I didn't need a documentary or history lesson. What I got was a compelling story of a family and the village they lived in during the time of the Nakba. It was all the more engaging for essentially being a true story passed down the generations by "Farha" herself.

It's rare that I sit watching the credits at the end of a film. I did so stunned and halfway through the flood of bitter tears came. Tears at the ruination of Farha's life and that of millions of others, tears at the way Palestine was dispossessed, tears at the destruction of a settled culture and traditions to make way for invaders.

I can't imagine how this tale could have been better acted, directed or told. I've visited the camps in Syria where Farha ended up and I know that Palestine is engraved on the hearts of everyone there. I long for the day that they can return.

Please watch this film.

'Farha' (2021) is a visually stunning, historically accurate film set in 1948 that depicts a relatively small-scale tragedy that Palestinians refer to as the Nakba (Arabic for "catastrophe"). The film doesn't detail the politics behind the arrival of the Israel Defense Forces. It primarily unfolds in a storage room, offering glimpses of life through a crack in the wall. Sound is used effectively to give color, further cementing the trauma of the experience in an emotional roller coaster. The storytelling techniques do not fail to describe the world beyond the walls: strafed by bullets, torn apart by cries of distress, and marred by an airless, oppressive quality.

A story of shattered dreams, uprooted communities & destruction of the soul, Farha is one of the countless accounts of al-Nakba, the 1948 Palestinian exodus that led to their displacement from their homeland for the creation of Israel. Powerful, provocative & profoundly upsetting, the film is a harrowing coming-of-age journey of a young girl whose innocence is destroyed by the violence she witnesses.

Written & directed by Darin J. Sallam in her feature film debut, the premise may be bare-boned but it is sufficient enough for the horrors of the diaspora to play out. The film acquaints us with our 14-year-old protagonist's dreams & aspirations before the coming tragedy and the despair & anguish she's left with after seeing the sheer brutality of the invading forces. It's not an easy sit but then, it isn't supposed to be nor it should be.

Most of the events unfold inside the pantry our titular character is locked in by her father after their village is attacked. The camera stays with her throughout the ordeal, shows the violence from her perspective, and aptly captures her loss of innocence. Karam Taher is outstanding in her debut performance and plays the eponymous role with emotional precision. Sound is also integral in conveying the terror unfolding outside and it is expertly utilised.

Overall, Farha informs & sheds light on a vital slice of Palestine history that its oppressors have tried to brush under the rug for decades and makes for only a small fragment of the massacres that unfolded back in 1948 & still continue to this day. Although heavy-handed at times, it does get the message across with clarity and is a strong plea for the Palestine voice to be heard & not be silenced. One of last year's better offerings and by all means an essential viewing.