A Complete Unknown

Just came back from the theatre this evening and and felt a bit deflated.

Timmy just didn't live up to the expectation.

His detached, semi broody sort of 'sexy timing' thing is alright I guess, for portaying an a#hole, but not at all the qualities I'd want to depict a complex and rounded human being and artist as I imagine Dylan is.

Thank god for every time Edward Norton appeared on screen. Almost like someone shook me up to pay attention to the movie. Mr Norton was able to make it interesting somehow, but I saw a lot of other talented actors just falling through the cracks of this thin story.

Because it just missed a substantial story. That's the real flaw.

I know the songs. Yes they are great. But I hoped for a little more to get my teeth in.

Left the theatre feeling like I saw 'the best off', without really getting any wiser.

And that T. C. needs to get a little more life experience.

I do like a music based film, and I'm old enough to know and like Bob. I think Timothy is good, but previously so young looking I struggled with some of his roles. Here he grows up. Bob Dylan is a great part for him, and he plays him well, maturing physically and as an actor.

The film seemed a little "clean" and in the midst of the mid 60's onward, drugs seem to be limited to cigarettes! Even Bob himself has talked about drugs issues related to opioids and psychedelics, so it did seem an important admission, maybe related to Bob still being with us.

However still an entertaining biopic with great music which was the focus (as it should bet) for the Nobel prize winning icon.

Driving home from the cinema happily singing along to Bob which clearly had the desired effect. 7/10.

"So Long, It's Been Good to Know Yuh." Woody Guthrie (Scott McNairy)

Those of us alive in early '60's could not have known the nasal, raspy-voiced 19-year-old, Bob Dylan (Timothee Chalamet), would one day change folk music forever. Director James Mangold in the biopic A Complete Unknown, perfectly captures the times changing and Dylan as he takes us from Pete Seeger's traditional folk to Dylan's own brand of folk rock.

The surprise in this solid one-of-the-best of the year, is how much music Mangold and co-writer Jay Cocks give the audience. Besides, several of the tunes are played in full by the lead actors, not something I could say even in the wake of Bohemian Rhapsody. Another surprise, Chalamet can sing very well.

Inevitably, a folk star must contend with the attentions of women, either friends or colleagues. The latter are represented in the distractingly attractive Joan Baez (Monia Barbaro), both talented and beautiful. Her biopic, I Am a Noise, explained her ambivalence toward Dylan, who was her opposite with his growing selfish mien.

Lover Sylvie Russo (Elle Fanning), not as talented or beautiful as Baez, represents the collateral damage from his fame. Despite his growing disaffection, she still influenced him to write such classics as A Hard Rain's Gonna Fall and The Times They are A Changin.

Both women are treated as important parts of Dylan's life, not just weepy or ineffectually forlorn. Baez was never neutralized by his allure, whereas Sylvie shriveled. The film captures this rough spot in his life while it also champions his talent. Let's face it-he was distant, downright enigmatic, and the film doesn't try to explain why. But then, other attempts at understanding him such as Scorsese's No Direction Home and Haynes' I'm Not There failed as well. Dylan's just too interior to be flushed out.

What these and other parts of his life also show is Dylan's insensitivity while he could sing of more loving attitudes to mankind in general. It is commonly known that artists can be abrasive and dismissive but also creative beyond measure. Dylan, however, clashes with the warm and caring Pete Seeger (Edward Norton, waiting I predict for an Oscar nomination) over Dylan's electrifying folk music, one of the intriguing conflicts the film does not sugarcoat.

Besides the splendid period accuracy, A Complete Unknown offers multiple musical sequences to delight even the newest audiences. After seeing this bountiful biopic, audiences witness Dylan becoming better known and his music eternal for even the most conservative audience.

One of the best films of the year and a biopic for the ages.

I loved A Complete Unknown. To me, it is a story of lost innocence-a modern fall from Eden. Dylan's relentless chase for what he thinks will make him happy only highlights his longing for what he has already lost. The problem is, he doesn't know who he is. His evolving relationships mirror the changes in his music, and by the end, he seems to realize that whatever he's become, he regrets some of his choices because there's no going back.

And the soundtrack? Absolutely killer-every track perfectly captures Dylan's transformation and inner conflict, making the film an unforgettable theater experience.

As a rock music lover since I was a child growing up in the MTV 80s, I am always interested in learning the backstories of rock history. I'll read books, articles, liner notes (remember those)- I'll watch documentaries (there's some bad ones, but quite a few great ones)- but I usually avoid biopics. There are so many out there, and far more often than not, I am underwhelmed.

I am a fan of Bob Dylan. I have seen him in concert several times. I celebrate the man's entire catalog. I had some trepidation about watching A Complete Unknown.

The movie starts with Dylan(Chalamet) arriving in New York in 1961 and ends with his 1965 performance at Newport. It mostly focuses on his romantic relationships with Sylvie (Fanning) and Joan Baez (Barbaro). Along the way, we see Dylan's relationship with Pete Seeger (Norton) and Woody Guthrie, as well as Albert Grossman.

What I liked: -pretty much all of the acting performances were good. Most notably, Barbaro as Baez. The screen seemed to come alive every time she was on it.

• The music performances. I think the filmmakers did a great job making new performances of well known songs (Like a Rolling Stone for example). This could have gone bad, but they pulled it off. Chalamet and Barbaro deserve praise for their work here.

What I didn't like: -the uninspired script. It felt very paint by numbers. I would have liked to see more depth as to what makes Dylan Dylan. Chalamet's portrayal only enhanced this. The irony of playing Dylan, is that because he comes off as aloof and arrogant, playing him that way means you're being accurate, but not interesting.

I mostly enjoyed Ed Nortons portrayal of Seeger, but at times he laid on the "hokey Folkie" a bit too much. Again, maybe an accurate portrayal but lacks depth.

****Not sure if I'll ever watch this again. I will say it had more pros than cons, but overall, it was kinda boring.