The Sudbury Devil

If a history is grotesque, so too should be its depictive art. The Sudbury Devil is a visually and auditorily striking ride from start to finish.

Writer/Director Andrew Rakich draws on his knowledge of the history of the American colonies, their fears, their hangups, their desires and their treatment of the indigenous peoples of this continent to tell a story of the birth of a monster. His attention to detail is evident, and for those that catch everything that he does right, this film is a feast of historical context done right.

Dillon DeRosa's work on the score is simply immaculate. Subtle, communicative, and as otherworldly as the forces at work within the visual narrative. Music is a language that speaks to the quiet and pattern-reading parts of our mind, and DeRosa has written us something wonderful and eerie.

The cast in this movie is relatively small, but every performance is given with delightful fervor. In particular, the work done by actors Benton Guinness, and Matthew Van Gessel stood out to me personally for their roles as John Fletcher and Isaac Goodenow, respectively. (Bonus points to actress Linnea Gregg however, for speaking the truth and message of the movie most plainly, in certain lines.)

All in all, I enjoyed this movie immensely. It is worth pointing out that it will *not* be to everyone's tastes. It follows a reasonably straightforward narrative, but watcher beware, strangeness abounds. There are many parts of this movie which are undeniably surreal, and markedly uncomfortable to watch. This, I believe, is by design. It's not a movie's obligation to keep a watcher comfortable, and given the subject matter at hand, that caveat applies doubly.

From me, ten stars. It's not the most approachable film, but it is a FANTASTIC religious/historical horror experience. Do not watch it with your parents.

...then you need to brush up on your American history or your media analysis. This is a fun movie and while history nerds like myself can find many small details to appreciate, I watched it with a large group of friends who had never even heard of King Phillips War before watching this who enjoyed dissecting the meaning and appreciated the plot of this film.

Not a friend of the creator or even knew about his youtube presence before watching this. Learned about it when looking for more movies like The Witch.

Are there some flaws? Sure. But this movie didn't have millions in budget so idk what you were looking for but there are no technical or stylist choices so bad you can't watch it like some low budget films.

Once again, highly recommend!

First off, This movie is not good. The cinematography looks nice, and that is pretty much it.

I'm not biased by politics and I will actually explain the faults in this movie.

Directing: Oh god what can I even say, It's just the most flat boring Directing I've ever seen, "Inspired" by Robert Eggers, Andrew Rakich just does his best Impression of a Robert Eggers movie, but he's only ever seen screenshots of 'the lighthouse'.

It's just intensified continuity but it holds on shots longer, it barely ever frames dialogue with more than 1 character in the shot and there is ZERO blocking.

Here's a little tip that every good filmmaker knows, For a shot to be visually interesting, it either has to be spectacular (Big beautiful spectacle) which this movie fails at, or have movement.

Movement of actors, Movement of the camera, it doesn't really matter, but when you do a 30 second long shot with no movement whatsoever of a mundane subject, It's just BORING.

Directing overview: Stop doing other director's styles, you're supposed to do your own. And stop taking the audience for granted, There are better things I can do with my time than watching this.

Writing: For writing I will do 3 categories: Dialogue, Characters, And plot/story/structure.

Dialogue: I understand they should speak Old English but you still need to make it clear and interesting, It doesn't matter if it's "More historically accurate" for them to speak how they do, but between the boring directing and the boring Dialogue, you can guess how the movie feels. And not to mention that the dialogue is just so empty and bland with NO depth or subtext behind it, if characters just say what they mean all the time (like this) then the dialogue is bad.

Characters: The characters all just feel like cardboard cutouts of how you'd describe them in one word (Christian, Evil, Weird, etc.) with NONE of them having ANY actual depth. Now this is related to dialogue but just listen, If you want to test whether or not your Characters / Dialogue works: imagine a blind viewer watching the movie, without being told what character is saying what, Will they still be able to tell who's who by the dialogue? If not (like this movie) then rewrite your script and give personality to your characters.

Plot/Structure: Just a generic plot, really just nothing special.

Extra Writing Category (Another reason this movie sucks): The School of Resentment.

If you don't know what the school of resentment film theory is, go google it real quick but it's pretty simple, Movies and Cinema is slowly being transformed into political messages, they only make movies to state their Political opinions, they barely care for the actual art of making a movie or it's story, They just want to give their opinions. This movie suffers from this, STRONGLY, the entire movie Is just Overly political, and If you don't believe me, believe what the cast is saying: Said by Kendra Unique which plays Flora (The demonic woman who falls in love with Fletcher)

"Not only is it about the glory of Satan, but also freedom to be who you are. It's stepping out boldly against this white, Christian colonialist society and saying f*** you".

It doesn't get much more political than that, and movies who are purely about politics have no place in Cinema.

Writing Overview: Overly Political, Boring 'Characters', Shallow deep dialogue and a generic story.

The "Look": This one I'll divide to Lighting, Framing, Movement and Visual Storytelling.

Lighting: Now this is one Area which I actually can praise, the lighting is simple yet quite atmospheric and pleasing to look at. The highlights are exposed a lot of the time due to the color grading (Which is ok but you don't have to Emulate film, not every movie needs to look like it was shot on film).

Framing: Yet another area which I can say some good things about, the framing is often quite nice, WHEN IT'S NOT A CLOSEUP, STOP FRAMING ALL THE DIALOUGE IN CLOSEUPS, YOU CAN USE WIDESHOTS FOR THOSE TOO!!

Movement :None, except for a shaky cam and some rare instances, you're gonna be looking at a still shot, in a non moving world, with non moving characters.

Visual storytelling: Once again, None, I don't have much to say, every shot just shows you one simple thing without ever hinting or indirectly revealing anything.

The "Look" Overview: It looks nice but It never does more than one thing at a time and often hold on shots for much too long.

Other Things:

G0re and S*x: To a point where it gets tiring to watch.

The Acting: Oh Geez, this REALLY REALLY breaks the movie, because at least if the acting was good it would be scary, but instead it's honestly just silly: The actress I mentioned earlier, Kendra Unique, Is the worst actress I've ever seen, no I'm not exaggerating, She honestly acts like a 6 year old girl who's just been told to "Act like an Evil witch" and she's only ever seen Disney movies.

The actress that plays Patience, (yes there is a character named patience) Shows NO emotion, not in a scary demonic uncanny kind of way, but it's just like her face and voice can't express any emotion other than boredom and slight confusion, she delivers her lines and that's just it.

The actor who plays Goodenow, Matthew Van Gessel, is supposed to act like a possessed man the entire movie, instead I just kind of found myself thinking he's doing an offensive impression of a ret4rded man, I don't know what I'm supposed to tell you that's just how It felt like.

All the other acting is okay, I will say Josh Popa (Awesome name) who plays Josiah, does deliver a pretty good performance, especially the Physical acting, not blocking because the Director doesn't know how to do that, but just how he constantly manages to express his character's emotions through how he stands, sits or just looks at things despite the director not giving him ANY blocking, I cannot stress this enough, NO BLOCKING.

The Horror: Damn I forgot this was a horror movie, well that's okay so did everybody else who made it, It is never ONCE scary, I don't even think they were trying.

CGI/VFK: They look bad, that's it.

Overall: An all-politics-no-story boring script with lifeless characters and a basic plot directed in the Laziest way it can be with a youtuber's fanbase that'll just eat up whatever he shits out. Looks nice though.

This had been on my watchlist for a while, but I don't have any recollection of adding it, so it must've been witchcraft.

I love folk horror. I love all those weird superstitions and local legends that manifest themselves in these movies. I love the weirdness and the unpredictability. Yet, there's a truth to them. There's a mid-19th century French book called Satanism & Witchcraft, which argued that witchcraft was adopted by women, because the feudal society gave them no other options for gaining any kind of control over their own lives. While the contents of the book is just garbage, this argument does have a certain proto-feminist appeal to it.

Now, I don't know if Rakich is aware of this book, but the film makes a similar case. Feudalism might not exist in this world anymore, but the driving force behind it, Christianity, does and is still as harmful as ever. On paper, the witch might be the antagonist here, but it is hard to see her as the villain.

On the other hand, our protagonist, Fletcher, might try to play the part of a man of god, he is definitely not the hero. He does not seem comfortable with what they are doing from the beginning, but it takes a long time before we are told why and that's great.

All in all, this doesn't quite rise to the pantheon of folk horror, but is very close. The microbudget does sometimes show, but you can also argue that it gives the movie character. There are some points where the movie, which feels more like psychological horror, looks like a cheaply made slasher and it doesn't really work, but overall that's a small complaint.

This has nothing to do with likeability or hatred, this is just the blunt and hard fact of the reality of the world.

This film won in all aspects and spectrums.

There is no witch, no devil and no horror.

It's just a parody to colonial and imperial power.

We chewed that enough ain't we?

Not it's time to discharge it all!

In all it's honesty, the fact of the calamity of this planet, is presented in all it's brutality!

The validation of trying to debunked it, is majestically fictional. So true, one may need to swallow one own vomit in despising the blunt denial.

So perfectly done in its own timing, when the shift of the power are currently present!