Days

"Rizi" ("Days" in English) is the first Tsai Ming-liang movie that I've ever seen. It appears that he's Taiwan's answer to Jim Jarmusch. The movie is the ultimate example of slow cinema, featuring long takes and only a handful of lines (none of which are subtitled). I guess you could say that the movie is about life, as an affluent man and an immigrant have a brief fling.

You'll have to avoid the movie if you want to see superheroes, explosions, car chases, etc. This is a low-key film focused very much on the characters. I wouldn't call it the greatest movie ever made, but it's still more interesting than the umpteenth movie where Tom Cruise narrowly avoids all danger. I don't know if it's available on any streaming service, so you'll probably have to check a neighborhood video store.

Basically, nothing happens in the movie. If i record my daily life under covid restrictions it would be a more interesting movie. I was able to watch it on 2X fast-forward and the scenes were still ridiculously long.

Amazing cinematic language and pure cinema. Tsai always learned us that the movie language is about the frames and filming time. The touching story of his films has always a great meaning.

The Film is an onirious, dreamlike journey, it reminds of Tarkowskis Stalker or other great films outside the normal scale. You have to be patient until the end, although the long frames without camera movement and not much happening forces you in the seat and at one point you will be able maybe like an meditation to think about yourself. I also saw the film at it's Berlinale opening and I was also thinking what does this film or the director want to do with me? Get yourself on this journey to your inner self and you will not be disappointed.

Actually, none/nada, but still captivating as we silently (except for a few scenes with background noise) follow two men as they live their days. We experience one's pain though heated acupuncture; acupressure; neck brace; very deep total body muscle tearing massage. For millions that day-to-day marginal existence defines their lives?