Sleep

This German film about nightmares hardly kept me awake despite the fact that it is pretty well made, with a great care about aesthetics. But the plot rapidly eliminated the interest which I had at the beginning, I don't know why, maybe a feeling of déjà vu, though not for a German film. That's precisely the point, because we must seek the originality in this culturesque angle. I think that it also could be a Spanish film, with such a topic. Only children miss.... I won't spoil the film, but I think we can analyse the genesis of this story in history. German history, eighty years ago. I guess you see what I mean.... But that's only my opinion. To summarize, it's worth watching for those for whom this kind of film is made for. Unfortunately not me, but I tried....

Wow, this was a different one. And yes, if you are into the films of David Lynch there is a good chance that you may like this one.

Some seriously offbeat stuff going on here, which is just rooted enough in reality to keep it running smoothly. If you like the vibe at all, definitely stay with it so that you ultimately gain some understanding of what the hell is going on.

The mood and atmosphere, along with the cinematography and especially the soundtrack, are right on target with this kind of film. Long moody takes, some abrupt non-sequitur transitions, oh yeah, this movie will most definitely keep you on your toes. Now, for those who aren't really into this kind of thing or into movies with this kind of deeply Surreal vibe, a la our dear Mr. Lynch, then you probably won't enjoy it that much. BUT... if you indeed are into more creative, somewhat more 'Artsy' Horror, but again, ultimately with a viable explanation of what has been going on, then oh yeah, this will be right up your alley...

Right away, some people are going to be turned off because this film forces you to pay attention and think.

This is not a mindless romp through nightmares or haunted hotels.

There are very intricate plot points and a few twists that you need to pay attention to, otherwise once things ramp up in the third act, you'll be lost.

There is a surrealism to this viewing experience but I would not go as far as to put this into a category with David Lynch as some other reviewers have. This film doesn't have the intelligence or transgressive undertones of Lynch's work.

That doesn't mean it isn't intelligent or that the film is subpar in any way. In fact, this film is very well made both from a storytelling standpoint as well as a technical standpoint.

The use of camera angles, color, lighting, etc all serve to draw you into the scene with comfort that shifts into unease effortlessly.

The characters are somewhat likable but seem rather emotionally disconnected throughout the film and I found myself wondering if that was intentional in an effort to throw the audience off and not allow them to get too comfortable in any one situation with any one character.

The payoff at the end was on point and brings about a satisfying conclusion.

My one complaint would have to be the after credits scene.

It feels tacked on and pointless and it is shot in a way that looks like it's from an entirely different film. It just doesn't belong here and it should have been left out.

Highly recommend.

The film I loved watching it but it was not exactly clear what it was that was really happening. The mother is really not in a very good place she has been in the psychiatric ward of a hospital and her daughter worried and trying to find out what is going on. She moves into what seems to be a hotel and everything gets worse. The hotel apparently has something wrong and reminds us of the Overlook Hotel in The Shining. The boar hunting, the odd deaths and the mass suicide and the gassing and a large group of former nazis that worries us their sleep and the uncanny something we do not understand. I think I will have to have another look at this, after a while.

Marlene (Sandra Huller) is a flight attendant who suffers from severe nightmares, from which she awakens to draw sketches of her dreams. Her adult daugher Mona (Gro Swantje Kohlhof) takes care of her, but believes her when she says she's scheduled for a flight to Turkey. Instead, Marlene follows her dream-sketches to a hotel in the remote heartland of Germany, a town called Stainbach, and is soon hospitalized after a psychotic break at the hotel. Mona finds her, decides to stay at the same hotel run by Otto (August Schmolzer) and his wife Lore (Marion Kracht), but soon finds that the past is very much with the present in this hotel: including the suicides of the three founders, Otto's mentors, and the fact that Otto needs to be tethered to his bed to prevent him getting out at night....

That's a very sketchy outline of this very effective movie, which is really a deep dive into how the past affects the present, how bygone evil deeds and beliefs can retain their allure for some people, and how, sometimes, it's hard to know what reality is. Sleep: we all do it (even sharks who are not thought to sleep but I think it's just that we don't yet understand their version of sleep), and we all dream too. And that is when, this film suggests, we are most vulnerable - but also most insightful. I expected to be scared by this movie, because of its framing, but I never really got that jolt of adrenalin from fear because it's far more subtle than that. And, no, I don't like scary movies, so I was relieved at that. Instead, I end up finding myself thinking a lot about uncomfortable subjects such as the resurgence of fascism that has never really left us, and how easily it can come back. Recommended.