Ariel: Back to Buenos Aires

Ariel is a beautiful, moving film about family, the history of a country, and the power of dance. The film is beautifully shot and features great performances. I highly recommend it, specially being from Argentina myself.

Here are some specific things I liked about the movie:

The cinematography and camera work was stunning.

The performances by the cast were all great.

The dance scenes were incredibly well-choreographed.

Overall, I really enjoyed Ariel. It's a beautiful, moving, and well-made film. I highly recommend it to anyone who loves family dramas, dance movies, or movies about Argentina.

ARIEL is a unique film, combining the elements of dirty politics, family secrets and sensual dance. Great attention is paid to details, such as the clothing and attitude of the silver foxes in the tango clubs and the intimate & sometimes combative relationship between the young adult brother and sister at the centre of the story. The music, dance and architecture of Argentina are lovingly presented. As the brother and sister peel back the layers of the family mystery, the audience is riveted until the inevitable resolution. Notwithstanding the ugly historical political reality, the heart of the characters ultimately shines through.

Ariel is a film about tango, family, history and awful things being hidden and uncovered. The history of the Abuelas de Plaza de Mayo is really well portrayed. Great performances by the main actors, especially Raphael Grosz-Harvey and Eleonora Wexler. A beautiful score and gorgeous, arial shots of Buenos Aires. The film is skillfully and sensitively directed by Alison Murray. The complex indictment of characters and corporations for their collaboration in Argentina's military dictatorship between 1976-1983 is a huge part of this film's accomplishment. I hope this film travels far and is seen worldwide.

I really enjoyed this stylish film about family and tango. Director Alison Murray and her team have crafted a moving tale about the reverberations of Argentina's dirty war of the 70's and 80's for the generations that followed.

Canadians Davie and his sister Diana are both a mess, each in their own way. On their first trip to Buenos Aires, city of their birth, the pair discovers tango culture in all its sensual glory, and, eventually, some dark and shocking family secrets.

While the human action veers into melodrama on occasion, tango is such an apt metaphor for navigating the bumps and challenges of life, and the imperative to follow your heart and just keep dancing. Scenes set in the city's milongas (e.g. La Glorieta) are some of the best in the film, with social details, distinctive music and the swirling movement of tango all lovingly captured. I was also moved by the spotlight Murray shines on the Abuelas de la Plaza de Mayo and the work they are doing to find and help the lost children of Argentina's disappeared. Family, tango - such a rich mix in the hands of this director.

Beautifully shot, compelling character story, with a backdrop of tantalizing Tango choreography.

From North America to Argentina, we follow the lives of siblings Davie and Diana, we learn how their family history come into question. Both brother and sister have their own views, wants they need to explore in Buenos Aries (Good Air), and we follow their individual journeys.

With a backdrop of Tango clubs as a source for revealing their true inner feelings, they explore their own identities and begin on an emotional rollercoaster ride. We learn of the 'disappeared' during Argentina's dictatorship of 1970-80s.

Alison Murray's direction, pulls out believable acting skills and superb detailed choreographic cinematography.

A visual/aural treat to watch/listen.