A young woman is held in an underground bunker by a man who insists that a hostile event has left the surface of the Earth uninhabitable.A young woman is held in an underground bunker by a man who insists that a hostile event has left the surface of the Earth uninhabitable.A young woman is held in an underground bunker by a man who insists that a hostile event has left the surface of the Earth uninhabitable.
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Featured reviews
The Right Postcode!
I'm probably in the minority, but I disliked Cloverfield ... intensely! So many of these found footage films as far as I'm concerned, are just an invitation to watch someone's tarted-up home movie. Their producers/directors should be commended for being excellent marketing strategists in being able to convince punters to part with their hard-earned, to watch some (generally) cheap, tacky B feature. Cloverfield was no exception.
However in a significant turnaround, I'm happy to report that the Cloverfield's "blood relative" (according to JJ Abrams) is a much better production and a far more interesting story, than its predecessor. Technically speaking 10 CL is streets ahead, with the found footage format dispensed with and a small, but very professional cast employed in telling the story of 3 people dealing (not always on a voluntary basis) with life adjustments in a world affected by the events at the end of Cloverfield.
The cast were uniformly good with Mary Elizabeth Winstead as Michelle and John Goodman as Howard being the obvious lynchpins. Knowing virtually nothing about the storyline going into the film (apart from it having some vague relationship with Cloverfield), I have to admit I was pretty much hooked by the unfolding series of events affecting Michelle pretty early on. And as both her seemingly sometime antagonist and ally, Goodman's Howard is the perfect physical contrast. But very pleasing to see another independently resiliant and strong female lead character being featured in such a surprisingly entertaining and thrilling sequel as 10 CL turns out to be.
Much has been commented about the film's climax. I have to admit to some ambivalence. This is where the relationship to the earlier film is given some clarification, whilst overtly setting up the stage for a later episode. Still rejoicing over the absence of found footage, I guess I could just about accept anything thrown up by the producers. I will admit to some disappointment in that the events are clearly played out in real time, with Michelle emerging from the shelter at what is clearly the beginnings of dusk. For some reason an unlikely darkness then overwhelms the setting within about a minute of screen time and with the subsequent taking up of hand-held cameras, the action suddenly becomes more difficult to discern. Though I was still somewhat relieved, I can understand how others may have experienced some disappointment.
I'll admit to looking forward to the next instalment and even perhaps girding my loins and giving the original another watch, just to see again how well (if at all) it sets up this story.
However in a significant turnaround, I'm happy to report that the Cloverfield's "blood relative" (according to JJ Abrams) is a much better production and a far more interesting story, than its predecessor. Technically speaking 10 CL is streets ahead, with the found footage format dispensed with and a small, but very professional cast employed in telling the story of 3 people dealing (not always on a voluntary basis) with life adjustments in a world affected by the events at the end of Cloverfield.
The cast were uniformly good with Mary Elizabeth Winstead as Michelle and John Goodman as Howard being the obvious lynchpins. Knowing virtually nothing about the storyline going into the film (apart from it having some vague relationship with Cloverfield), I have to admit I was pretty much hooked by the unfolding series of events affecting Michelle pretty early on. And as both her seemingly sometime antagonist and ally, Goodman's Howard is the perfect physical contrast. But very pleasing to see another independently resiliant and strong female lead character being featured in such a surprisingly entertaining and thrilling sequel as 10 CL turns out to be.
Much has been commented about the film's climax. I have to admit to some ambivalence. This is where the relationship to the earlier film is given some clarification, whilst overtly setting up the stage for a later episode. Still rejoicing over the absence of found footage, I guess I could just about accept anything thrown up by the producers. I will admit to some disappointment in that the events are clearly played out in real time, with Michelle emerging from the shelter at what is clearly the beginnings of dusk. For some reason an unlikely darkness then overwhelms the setting within about a minute of screen time and with the subsequent taking up of hand-held cameras, the action suddenly becomes more difficult to discern. Though I was still somewhat relieved, I can understand how others may have experienced some disappointment.
I'll admit to looking forward to the next instalment and even perhaps girding my loins and giving the original another watch, just to see again how well (if at all) it sets up this story.
A claustrophobic and suspenseful mystery-thriller.
Arguably, the worst aspects of '10 Cloverfield Lane (2016)' are those that tie into its franchise roots, which is understandable considering that this started life as a completely original screenplay before it was contorted to fit into the 'Cloverfield (2008)' "universe". These issues are really only limited to a somewhat rushed finale, though, and the final result is still a much finer film than its predecessor. It's an incredibly intriguing and evolving mystery-thriller that's consistently entertaining and suspenseful, as it uses its small core cast of well-realised characters to drive the tension within its (mostly) single, increasingly claustrophobic location to expert effect. It's incredibly compelling mainly because of its intense focus on character, while it's the several subtle twists and turns that keep us on the edge of our seat as our reading of the situation (always seen through the lens of the protagonist) continues to organically change. Ultimately, the piece becomes perhaps one of the most enjoyable entries in its genre. 8/10
Decent mystery except the ending
It would have been solid 8 or 9 if it wasn't for the ending. Except that it was quite an intense mystery.
Thrilling, Breathtaking...
First things first, after watch this movie you will learn that nothing is what it seems to be.
At the beginning you will appreciate what appears to be a well made drama, after a while you will be immersed in a thriller with some awesome actors providing you moments of fear, sadness, uneasiness, terror and disbelief.
The story will make you doubt the movie at first but don't let it make you give up of watching it. You will certainly be captured by the fast changes in the narrative transforming this movie from one thing to another, where in a moment you will be happy watching it and a second after you will be terrorized by something; or wanting to know what is really happening and a moment after seeing all your beliefs crushing down by another event that reveals itself.
It is a awesome movie that anyone who wants to watch different stories should invest an hour in it.
At the beginning you will appreciate what appears to be a well made drama, after a while you will be immersed in a thriller with some awesome actors providing you moments of fear, sadness, uneasiness, terror and disbelief.
The story will make you doubt the movie at first but don't let it make you give up of watching it. You will certainly be captured by the fast changes in the narrative transforming this movie from one thing to another, where in a moment you will be happy watching it and a second after you will be terrorized by something; or wanting to know what is really happening and a moment after seeing all your beliefs crushing down by another event that reveals itself.
It is a awesome movie that anyone who wants to watch different stories should invest an hour in it.
But what genre?
It had been a good many years since watching Cloverfield, and upon watching the trailer for 10 Cloverfield Lane, I had a pretty solid idea of how this new movie was going to pan out. Now maybe this trailer only showed in Europe or perhaps even just Britain where I'm from, because I can't for a moment believe that people didn't expect exactly what was going to happen after watching the 3 minutes of footage? The twist was given away. The plot spoiled. Anyone with half a brain could've deduced the entirety of the story from the trailer.
So, saying that, I knew what to expect. I went into watching the movie with a pretty strong idea of what was going to happen- and I wasn't far off.
The first 3 quarters of this movie is one movie in itself, and the last quarter is an entirely different one. So far from one another in terms of genre that even despite knowing what was going to happen, I was still stunned by the total change.
The first 3/4 is, honestly, extremely well done. John Goodman portrays such a convincing creepiness and terrifying instability that I found my skin crawling in almost every scene he was in. He completely steals the movie for me. And thank God, because without him I don't think there would be much to hold it up. The psycho-thriller element to this movie is fantastic. If it had remained solely within that genre, I think you'd be working with a solid 9/10.
But the ending just sours it for me. Expected, but not enjoyable. Cool CGI and action is great in itself but after a buildup of drama and tension and claustrophobic social interactions, it just feels odd and misplaced.
All in all, a great movie that's thoroughly worth watching- but I feel the sharp deviation at the end will either confuse and disappoint, or be a snippet of excitement that isn't nearly satisfying enough.
So, saying that, I knew what to expect. I went into watching the movie with a pretty strong idea of what was going to happen- and I wasn't far off.
The first 3 quarters of this movie is one movie in itself, and the last quarter is an entirely different one. So far from one another in terms of genre that even despite knowing what was going to happen, I was still stunned by the total change.
The first 3/4 is, honestly, extremely well done. John Goodman portrays such a convincing creepiness and terrifying instability that I found my skin crawling in almost every scene he was in. He completely steals the movie for me. And thank God, because without him I don't think there would be much to hold it up. The psycho-thriller element to this movie is fantastic. If it had remained solely within that genre, I think you'd be working with a solid 9/10.
But the ending just sours it for me. Expected, but not enjoyable. Cool CGI and action is great in itself but after a buildup of drama and tension and claustrophobic social interactions, it just feels odd and misplaced.
All in all, a great movie that's thoroughly worth watching- but I feel the sharp deviation at the end will either confuse and disappoint, or be a snippet of excitement that isn't nearly satisfying enough.
Did you know
- TriviaBradley Cooper: Provided the voice of Michelle's fiancé, Ben, on her cellphone. J.J. Abrams reached out to Cooper, who he first met on Alias (2001), to record the brief phone call. Cooper recorded the audio on his phone, sent the file to Abrams, and the entire process was completed without the pair speaking to each other about it at all outside of text messages.
- GoofsWhen running from Howard before escaping the bunk, Michelle is bare-foot. She goes into her room to collect the "hazmat suit" and we see her boots on the floor there, but she leaves the room still bare-foot. Moments later, when she climbs on the table to go into the air-ventilation opening, she has those boots on.
- ConnectionsFeatured in Super Bowl 50 (2016)
- SoundtracksI Think We're Alone Now
Written by Ritchie Cordell
Performed by Tommy James and Tommy James & The Shondells
Courtesy of Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
Details
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- Avenida Cloverfield 10
- Filming locations
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- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $72,082,998
- Opening weekend US & Canada
- $24,727,437
- Mar 13, 2016
- Gross worldwide
- $110,216,998
- Runtime
- 1h 43m(103 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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