Neptune Frost

Neptune Frost is completely trippy. Black codes from the underground meets cloud networks but all expressed as some kind of extended contemporary dance piece.

Parts are simply incoherent but there is always something to look at. It is interesting to have 2 or three characters in the foreground having a poetry recital while in the background there are often dancers interpreting the music that we are all hearing.

There are a number of ideas going on here and I really enjoyed this film as a creative and engaging although the stilted dialogue was a bit too theatrical for its own good.

It was very much like some kind of theatre / contemporary dance piece where the words are clues to the story but not the whole story at all.

I read somewhere that the music was 3 albums worth and when I saw the drummers at the end I was ready for the film to finish so that editing felt like a natural arc. I saw this film at a film festival and I hope it gets wider release. It is exciting and visually and musically very much a success on its own terms. There is a narrative but I think that is secondary.

What an interesting film! Music and philosophy all tied up together in a monolithic way. The director sure knew lots of history and stuff. I love the musical sequences. And some of this was downright disturbing and sexual in a sexual way. I loved it!

The many themes of sexuality, capitalism, colonization, exploitation all tie up at the end when there's these sort of "lectures" . The music and the unique approach is great!

Watching this felt exactly like what it feels like to be the only sober person in a club full of drunk people. If you've ever been a designated driver and had to listen to the cooing and obnoxious behaviors of drunk people, that is the equivalent to what watching this movie felt like. This movie was an incoherent acid trip, but not in a fun way. Unnamed characters, with no dialogue, would look at the camera and have post processing special effects applied to them with the same quality you'd expect in a high school film class. Except the high school film class would at least add dialogue and a coherent plot.

I waited optimistically for this film to make sense. You cling to the hope that, if you suffer through 20 minutes of the oddity that you would be rewarded with something that makes it all click into place. But that thing never comes. This movie remains the same pointless spectacle from beginning to end, except at least in the beginning the spectacle is interesting. By the time the audience makes it 5 minutes into the movie, the visual spectacle isn't even interesting anymore.

I knew precious little about this movie before watching it. I may know even less after having watched it...and yet I enjoyed it tremendously

My son had recommended I watch "Quilombo" and this movie could pair well with that. A swirl of sound and color, a story that feels epic with anti-colonial overtones.

While the movie pulses with resistance, traces an odd odyssey of a striking and transforming character. It is like a poem, one tends to feel it rather than follow it.

If reading the one line/three clause official description baffles you, and you don't mind being baffled hop on board this Afrofuturist modern mothership.

I likely will rewatch this again, ideally with one or both sons. I think someone could take various frames and make paintings of them. I was sort of expecting this was a crazed masterpiece of an African auteur from Rwanda, but I guess I better call Saul (Williams) out as the genius.

At times this made me think of Sahel musicians recording music on cell phone chips - that kind of collision of tribal and techno.

Unanimous Goldmine, indeed.