The story of two men in one sided love. The paths they choose to fulfill their love stories decide who the Hero is and who is the Villain.The story of two men in one sided love. The paths they choose to fulfill their love stories decide who the Hero is and who is the Villain.The story of two men in one sided love. The paths they choose to fulfill their love stories decide who the Hero is and who is the Villain.
- Awards
- 5 nominations
J.D. Chakravarthi
- ACP Ganeshan
- (as J.D. Chakravarthy)
Storyline
Did you know
- TriviaDue to creative differences witn the director Mohit Suri, Aditya Roy Kapoor has reportedly opted out of the film
- GoofsIt is strange that there are absolutely no passengers in the metro train and at any of the metro stations.
- ConnectionsFeatured in The Cinema Snob: Santo vs. The Strangler (2022)
Featured review
This Bollywood product brings together beautiful specimens: Disha Patani and Tara Sutaria for the girls. And John Abraham and Arjun Kapoor for the cattle, i.e. The heaps of muscles and clenched jaws. Both male actors are good at being inexpressive, or expressing blissful love, depending on the scene. The two actresses have key roles in the plot, while being devoid of subtlety as well, but their delicious plastics pass very well to the camera.
For an extremely complex plot (not to say complicated) that mixes moments of romantic comedy, horror in the spirit of slasher movie (here with a hammer with a steamroller editing), action (many fights with bare hands, chase too) and suspense, because it is about a serial killer, or several, two love stories, with in the background the police or the families of our boys and muscles. It's a kind of macédoine that links small sequences of very different tones. Which causes a certain confusion at first, then things start to become clearer in the last third. But this confusion is perfect to maintain the interest.
The film is devoid of subtlety and lightness while being love stories, the whole was treated with a steamroller.
The musical passages (ridiculous love songs, while shortly before we have the killer hitting his victims with a hammer) are not even choreographed (did the film lack the means, or was the tension of the subject deemed not compatible with choreography).
For an extremely complex plot (not to say complicated) that mixes moments of romantic comedy, horror in the spirit of slasher movie (here with a hammer with a steamroller editing), action (many fights with bare hands, chase too) and suspense, because it is about a serial killer, or several, two love stories, with in the background the police or the families of our boys and muscles. It's a kind of macédoine that links small sequences of very different tones. Which causes a certain confusion at first, then things start to become clearer in the last third. But this confusion is perfect to maintain the interest.
The film is devoid of subtlety and lightness while being love stories, the whole was treated with a steamroller.
The musical passages (ridiculous love songs, while shortly before we have the killer hitting his victims with a hammer) are not even choreographed (did the film lack the means, or was the tension of the subject deemed not compatible with choreography).
- norbert-plan-618-715813
- Jan 20, 2023
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Ek Villains Returns
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ₹5,000,000,000 (estimated)
- Gross worldwide
- $4,297,792
- Runtime2 hours 9 minutes
- Color
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