Save the Cinema

Fun movie based on the true facts about how passionate people can do inspirational things , a great tribute to a woman who did more for the town than any politician and the people who knew her and the lives she touched.

This new Sky Movies offering, "Save the Cinema", is short on finesse but strong on Welsh charm. It's also based on a true story that I only fully dredged from the deep recesses of my brain as the film was running.

Positives:

• Notwithstanding my reservations about this one (as below), this was a heart-warming tale of Welsh grit and determination. It really has a lot in common with last year's "Dream Horse" in this regard. It's also (bizarrely) based on a true story.

• Note: I have deliberately NOT described the "bizarre" aspect of the story here, since I hadn't had that spoiled and it made the film far better for me. Although the facts hovered on the edge of my memory, I only progressively recalled them as the film went on!

• Aside from the leads, a wide array of Welsh acting talent is given the chance to perform including comedian Rhod Gilbert, Owain Yeoman, Owen Teale and the very attractive Erin Richards, as the mayor's assistant and love interest Susan. It also pins its Britishness to its sleeve (probably making it a tough sell outside the UK) by featuring Wynne Evans, the "Go Compare" man. It emerges that he has a genuinely interesting link to the film.

• It's also great to see Tom Felton on the big screen and NOT playing a villain for once! After roles as Draco Malfoy and the zookeeper in "Rise of the Planet of the Apes" (a brilliant and under-rated performance in my book) I thought he might end up as the dodgy property developer. But no!

Negatives:

• I thought the script was really pretty ropey:
• - The film clunks along with many lines that you really wouldn't imagine anyone saying in reality. At times Liz muses to herself out-loud as a device to move the plot along, when a "show-don't-tell" approach would have been perfectly sufficient.

-- There's a conflict injected between Liz and her husband David that seems false and purely added for dramatic effect.

-- At times the film overly signposts where its heading, killing any sort of suspense in the story (a 'goodnight' scene with Jonathan Pryce being a prime example).

Summary Thoughts on "Save The Cinema": This movie was clunking along, in my opinion, at around the 5/10 level for most of its running time. As Douglas Adams would have put it, it was "mostly harmless". Its ace-in-the-hole was the bizarre historical event that comprises the finale of the movie: an event that caused something irritating to get in my eye and an unexplained lump develop in my throat. For this reason alone, I added on the extra point.

"Save the Cinema" is available on Sky / NowTV Cinema (at least, it is in the UK)

(For the full graphical review, please check out #onemannsmovies online. Thanks).

SAVE THE CINEMA is based on a real-life event but the film is not very well made.

A small town in Wales has a downtown theater that was originally a live theater then converted to a cinema in 1935. It's a mostly empty building but for some local stage performances. A dastardly mayor is working behind closed doors with a developer to demolish the theater block and created a mall-type thing (it's 1993). The mayor sneaks it thru an open town meeting, figuring no one will care and blabs about a revitalized downtown, jobs (the usual spiel). But the director of the live theater group fights back to save the cinema.

Samantha Morton plays the gallant lady, Jonathan Pryce plays the old fogy movie fan. Main problem is that the mayor is depicted as a cartoon character. The scenes of the amateur plays are way too long and the actual story is overly simplified, including the phone call from Stephen Spielberg with the OK to show JURASSIC PARK to make money.

Best part of the film is their obtaining a 35 mm print of HOW GREEN WAS MY VALLEY from a local movie fan (he's had it for 50 years) and the local Welsh audience being in awe of the story. But apparently no one in the town has ever seen a VHS movie or seen an old movie on TV. They gape at it like it was a dinosaur bone. The character Morton plays never even heard of the film or of GOODBYE, MR. CHIPS. Small-town life according to the movies. Everyone is a dope.

And of course the 50-year old 35mm nitrate film has no decomposition even though it's been stored in a closet (highly unlikely) and the Liz character has been working in the theater for decades but never knew there was a projection room? And the projectors, unused for decades, are all ready to go and need no cleaning or repairs? Things seem remarkably well preserved in Wales.

Unfortunately the story and the basic facts have been simplified to the point point of stupidity.

I just wanted to note the other review for criticising a true story for being predictable, unremarkable and having not enough funny characters.... In a TRUE STORY, I mean imagine being that daft wanting the chuckle brothers involved just for some banter.

It's a heartwarming film about someone who cared about something which is alien in 2022, I mean care, not sit on the internet typing good words to look like you're a good person. It's just a feel good, honest film that shows you the hood in people.

Whilst letting governments tax people to near poverty we risk losing the traditions and charm that made this country great, at some point it'll become uninhabitable in the uk as it can't be cost effective unless you're in the one percent.

I miss how the uk used to be, community spirit, charm and togetherness, real togetherness not cheap clapping ploys for photos, but a real big hearted safe community.

The true story of the Lyric, a much loved and used cinema / theatre in the Welsh town on Carmarthen is destined for demolition to make way for a new supermarket. Local theatre producer and mum Liz Evans (Samantha Morton) decides to stop at nothing to keep the Lyric going.

Sub Ealing type comedy, which, whilst pleasant enough and well lead by Morton, needs more fun characters and indeed laughs. Sweet to be sure, but unremarkable and predictable.