Chess Story

A very commendable production of a high cinematic standard, despite a lacking plot development. The protagonist's performance is masterful, immersing us in first-person suffering, an acting prowess that alone justifies watching the film. In addition to the protagonist's acting, there's a good technical production in terms of photography and lighting, although not masterful, it's of a fairly high standard. It's a shame that the plot couldn't make better use of a story with a short narrative journey, barely saved by the surprising twists at the end that leave the viewer astounded, making them forget all those sequences, while valid, not strictly necessary for visual storytelling. With a more developed plot, the film could have achieved a higher level of cinematic quality, but it still deserves credit for turning a theatrical drama into a respectable film.

Oliver Masucci knows how to act. First in "Er ist wieder da" & now in "Schachnovelle". Tough order, since Curd Gustav Andreas Gottlieb Franz Jürgens created a show stopping performance earlier. Michael Wortmann has to be applauded for the special effects & the cinematography is spectacular. Read Stefan Zweigs short story first, if you haven't already. The reviewer wonders, how the quote "Life is a game of chess" played a role in writing the novel as well as personal experiences. Wish Stefan Zweig had published more.

This film evokes an interesting thought process about the mind and still largely unknown brain. The acting is stellar as is the directing & editing. Prisoner's Dilemma and Viktor Emil Frankl's work make watching this film more interesting, although not closely connected to the film & short story, rather to the Angst, current events and the following two quotes by Stefan Zweig:

"In chess, as a purely intellectual game, where randomness is excluded, - for someone to play against himself is absurd ... It is as paradoxical, as attempting to jump over his own shadow." And: "All my life I have been passionately interested in monomaniacs of any kind, people carried away by a single idea. The more one limits oneself, the closer one is to the infinite; these people, as unworldly as they seem, burrow like termites into their own particular material to construct, in miniature, a strange and utterly individual image of the world." Enjoy watching & let us know, what you think.

This movie is great on many bases. It shows the power of mind in a way, which is very understandable. I see no flaw in this movie, but it clearly is difficult content, because it deals with a time that is gone a long time ago. I can imagine that many younger people can't understand the meaning of that all. The movie is being carried perfectly by the whole cast and especially by Oliver Masucci. It tells the story also in flashbacks, which are clear enough. One of the best German literature filming. I recommend it especially for people who are interested in this timeframe of history of Austria and Germany and literature. Also it isn't biographical, it shows likewise circumstances.

I have not read the book/source material for this. So I can't speak on how this was adapted. But I assume they did it justice. At least it feels like it. It is a wonderful film about being inside ... someone's brain. I reckon the closest you can get to it (no pun intended).

Very well played too. And the movie is edited in a way that while it may be confusing too, is also as intriguing as it can be. I almost want to read the book now. Only thing you have to be aware of: this is not so much about chess as it is about mental ... health/gymnastics. I reckon if you have your mind set on watching chess matches you might be dissapointed. Just so you know ...

So much potential - but unfortunately it's so German in the end.

It is such an important baseline for this story: When you see all these angry and aggressive people in the streets of Vienna and relate them to nowadays' tendencies for nationalism in Europe - you might know why it is more than necessary to remember how things had started more than 100 years ago in Germany.

The original story in Stefan Zweig's novel is a bit more complex. And yes: A book is a book and a movie is a movie ... no need that one media is "the exact copy of the other". But there is definitely no need for so much overacting and/or underacting which is so typically German! (What might be good and helpful in real life - that most of us Germans are bad actors - is not funny when it comes to movies.)

Technical realization? Great. Camera, costumes, sound and light? Great as well. Catching the emotions? Well ... too German.

Please: Be more subtle when just raising an eyebrow would have been enough. Please: Show more (!) real (!) emotions when just declaiming the written lines of the script or pretending, playing and performing (instead of being) are not enough.

Otherwise it is hard to really feel and believe what could and should be told by the fabulous story. There was a good chance. There was so much effort by the director and the actors. But sometimes too much effort is too much.