An Invisible Sign

This film is a strange one but i would have to rate it higher than most. The main character is a more realistic version of what someone would actually be that had insecurity issues. I really enjoyed this film because I can relate the main character and what she feels like sometimes. There aren't many films that do focus on this aspect on life in such a real way, which many of us go through. that is why i had to give it such a high rating. As well as this Jessica Alba plays a really innocent cute character, something a little different from her usual

The film is funny, sad, inspiring, and a bit weird. If you enjoy indie films you will most probably like this. If you are lonely and have social issues you will probably like this.

I so wanted to love this; how many films are there about math teachers connecting with their students. It's such a great idea. However, in the execution, the indie vibe goes from off-kilter to off-track and the film is weirdly pompous in its false modesty and humbleness.

Quite frankly after some initial interest it's biggest problem is boredom - neither the script, nor the events, nor the characterization hold the attention - and so what we end up is a lot of loose ends and ideas.

Jessica Alban does a fine job at the slightly emo OCD vibe but we never really connect with the cuteness, and all in all, it was a little too off-kilter for this viewer.

If you like indie films you may enjoy this - we just couldn't connect with it - and found it all trying too hard to be different, instead of using the film to show math as a tool for wider issues.

Yeah, main character was called many times weirdo - by young children, which teacher she was. That self was weird too - don't think that it is something happening often in some elementary school, in any country.

And here is main problem with this movie - overdone, to make some dramatic effect, but just in wrong, unrealistic way. Worst was that bringing of axe in classroom - and yes, those who expected that there will be something there with that axe were right - sadly - that was just way too stoopid. And clearly it is on writers. Little less on direction and I can not blame actors, except that took roles in this .

Well, I guess that Jessica Alba wanted some more serious role, without being sexy and like. But whole thing works not as comedy - really little funny moments. As drama it is overdone, unrealistic. Math is not only numbers and adding, subtract - but there are probably people which really try to explain everything with numbers.

Well, message is clear, despite all flaws. I will not write about it here.

With little more effort by writers, maybe with some feedback to them this could be much better.

Definitely worth watching. The best word to describe it is 'interesting'. It seems quite slow sometimes, though never boring, just more character-driven than plot-driven for a large portion of the film - although more happens towards the end.

The actors playing the film's central/crucial characters played their roles well, and most had interesting, thought-provoking roles. Sophie Nyweide in particular was excellent as Lisa. To me, the film revolved around her and Mona, played well by Jessica Alba. Their relationship was interesting, especially alongside the film's comments on becoming and being a grown up. Lisa's character alone was one of the main things that kept me hooked when I was watching it; children's roles don't often go that deep in character. That, as well as Mona's views on numbers and any of the final thoughts the film leaves you with, makes An Invisible Sign something new and refreshing.

I didn't leave with a new favourite, but I'm very glad I watched it. It's not the type of film to suit everyone, but I recommend giving it a chance.

sure, it is far to be the right word. but it is the most comfortable. for a beautiful story, for a great job from Jessica Alba, for the touching atmosphere, for the performances of Marylouise Burke and J.K. Simmons. maybe because I am teacher, Mona Gray seems to me one of the most seductive characters from the last decade of cinema. because this job remains a refuge, has deep roots in the experiences of childhood, impose a form of train of exercises to escape from yourself. if a sin of film must be defined, it is , maybe, the desire of director to be a complete work - from traumas to the love story. but it is a small, almost insignificant sin. so, a lovely/touching film.