An ex-con with a reputation tries to go straight by working as a handy man for a reclusive actress but this is unfortunately not the wish of London's underground crime lord.An ex-con with a reputation tries to go straight by working as a handy man for a reclusive actress but this is unfortunately not the wish of London's underground crime lord.An ex-con with a reputation tries to go straight by working as a handy man for a reclusive actress but this is unfortunately not the wish of London's underground crime lord.
- Awards
- 1 nomination
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Storyline
Did you know
- TriviaThe Chinese words on the package are the title of "The Departed", which is written by William Monahan as well. Infernal Affairs (the movie The Departed was based on) was incorrectly called "a Japanese film" during the 79th Academy Awards; Jordan emphasizes "he got it from Hong Kong" here.
- GoofsWhen the former caretaker Lee arrives, the Tree air freshener in his van is yellow. When he hurries to leave, the air freshener in his van is now green.
- ConnectionsReferenced in RTL Film: Episode #9.12 (2011)
- SoundtracksHeart Full of Soul
Written by Graham Gouldman
Performed by The Yardbirds
Courtesy of Licensemusic.com ApS
By arrangement with Nola Leon/Ace Music Services, LLC
Featured review
London Boulevard is written and directed by William Monahan. It stars Colin Farrell, David Thewlis, Ray Winstone, Ben Chaplin, Keira Knightley and Anna Friel. Music is by Sergio Pizzorno and cinematography by Chris Menges.
After serving his stretch for GBH, Harry Mitchel (Farrell) returns to his manor and finds gangland boss Rob Gant (Winstone) wants him as one of his charges.
Written and directed by the man who co-wrote The Departed, it's not hard to guess what sort of tone London Boulevard is set at. Which for anyone who follows neo-noir will find plenty to like here, not least the stylish and tonally compliant photography of Menges.
However, falling under the neo-noir banner becomes a curse in a way because there are far greater films of this ilk to liken it too. Pic at least does have the courage to not cop out in resolutions, but again there is no surprise factor for the genre faithfuls.
The narrative often meanders, shoehorning in Knightley's (underused) harassed actress as a love interest in the process, and London accents are choppy. It also is criminal to have Stephen Graham and Eddie Marsan in your movie and barely give them screen time!
On the plus side of things, the violence and dialogue is often taut and tart respectively, backed by a scorching rocky hipster soundtrack. Farrell is good value as a tough guy, Winstone does what he does best, menacing of course, while Thewlis steals the film as a wired cool cat with menace surprisingly lurking in is heart.
As a whole it fails to hit all the right spots, but enough in here for neo-noir fans to feed on as an appetiser to a more fulfilling noir meal. 6/10
After serving his stretch for GBH, Harry Mitchel (Farrell) returns to his manor and finds gangland boss Rob Gant (Winstone) wants him as one of his charges.
Written and directed by the man who co-wrote The Departed, it's not hard to guess what sort of tone London Boulevard is set at. Which for anyone who follows neo-noir will find plenty to like here, not least the stylish and tonally compliant photography of Menges.
However, falling under the neo-noir banner becomes a curse in a way because there are far greater films of this ilk to liken it too. Pic at least does have the courage to not cop out in resolutions, but again there is no surprise factor for the genre faithfuls.
The narrative often meanders, shoehorning in Knightley's (underused) harassed actress as a love interest in the process, and London accents are choppy. It also is criminal to have Stephen Graham and Eddie Marsan in your movie and barely give them screen time!
On the plus side of things, the violence and dialogue is often taut and tart respectively, backed by a scorching rocky hipster soundtrack. Farrell is good value as a tough guy, Winstone does what he does best, menacing of course, while Thewlis steals the film as a wired cool cat with menace surprisingly lurking in is heart.
As a whole it fails to hit all the right spots, but enough in here for neo-noir fans to feed on as an appetiser to a more fulfilling noir meal. 6/10
- hitchcockthelegend
- Mar 25, 2018
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Đại Lộ London
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $16,075
- Opening weekend US & Canada
- $3,431
- Nov 13, 2011
- Gross worldwide
- $8,307,227
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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