Thirteen Lives

Once again Viggo and Colin prove they're among the best in the business. Farrell is so good at transforming himself and he's consistent here. The movie takes few if any liberties for the sake of drama but maintains a taught narrative throughout.

What the divers achieved in that rescue was nothing short of a miracle and kudos to Howard for crafting a movie that gives this story all the respect it's due.

One thing is certain, Ron Howard certainly knows how to make this kind of film, and this is his best in a while and maybe his best ever. Brilliantly made and well paced, capturing all if the emotion and tension of an incredible rescue and international effort. I have previously watched the (also) excellent Nat Geo documentary and this film mirrors that well and adds no typical Hollywood drama to it at all. Truly excellent viewing.

I followed this Real story as it unfolded live on telly. I used to not sleep so that I know those kids will be alright somewhere.

Watching this 2.5 hrs movie, made me go back to June 2018 of Tham Luang cave rescue. This movie is a masterclass, it's emotional, it's about courage and rescue.

Don't miss this gem. Actors been brilliant so are the kids.

Thank you for this movie.

This was better than expected. Could have gone sideways in so many fashions but resists at every turn to become soapish or maudlin or fall into action flick tropes but it does not. In Ron Howard's able hands this amazing true story comes alive with intrigue and emotion. And clocking in at 2 1/2 hours, for me it did not feel overlong or slow.

Maybe, it helps that I didn't watch The Rescue prior to seeing the film, but Ron Howard's work is excellent nonetheless. The film doesn't waste any time getting to its "rescue mission" core, bringing in the likes of Viggo Mortensen, Colin Farrell, and eventually Joel Edgerton to help tell this thrilling and utterly grounded tale. Howard ensures that the film doesn't forget where it is set, allowing the region's culture to breathe life into its Thai characters as opposed to showcasing just white sentiment.

The major highlight, as you expect, is the underwater cinematography (by Sayombhu Mukdeeprom) which plays an essential role in making us gasp for breath often and inducing claustrophobic feels. William Nicholson's script plays out chronologically, adding more gravity to the events. The melodrama is kept to a bare minimum, and the narrative is very matter-of-fact. Benjamin Wallfisch's score infuses itself into the fantastic sound design, making it indistinguishable from the sounds of water splashing, diving helmets hitting rock, and oxygen cylinders being dragged along. It's 2.5 hours long, and you already know the ending, but it's still one of the finest films this year.