- Runtime
- 2h 12m(132 min)
- Sound mix
- Color
- Aspect ratio
- 1.43 : 1(70mm IMAX - some scenes)
- 1.78 : 1
- 1.90 : 1(IMAX Digital - some scenes)
- 2.39 : 1
- Camera
- Arriflex 435 Xtreme, Panavision G-Series Lenses
- IMAX MSM 9802, Hasselblad Lenses
- Iwerks MSM 8870, Hasselblad Lenses
- Panavision Panaflex Millennium XL2, Panavision Primo, C-, E-, G-Series, ATZ and AWZ2 Lenses
- Red Epic, Panavision Primo and C-Series Lenses(some scenes)
- Laboratory
- Barrandov Laboratore, Prague, Czech Republic(dailies)
- Company 3, Los Angeles (CA), USA(digital intermediate and dailies)
- DeLuxe, Hollywood (CA), USA(color timing)
- FotoKem Laboratory, Burbank (CA), USA(special large format services)
- Kodak Cinelabs, Dubai, United Arab Emirates(dailies)
- Technicolor Creative Services, Vancouver, Canada(dailies)
- The Chimney Pot, Dubai, United Arab Emirates(dailies)
- Universal Production Partners (UPP), Prague, Czech Republic(dailies)
- Vancouver Laboratory Inc., Vancouver, Canada(dailies)
- Film Length
- 3,628 m(Spain)
- 3,632 m(Portugal)
- Negative Format
- 35 mm(Kodak Vision3 200T 5213, Vision3 500T 5219)
- 65 mm(horizontal, Kodak Vision3 200T 5213, Vision3 500T 5219)
- Redcode RAW
- Cinematographic Process
- Digital Intermediate(4K, master format)
- Dolby Vision
- IMAX(source format, some scenes)
- Iwerks 8/70(source format, some scenes)
- Panavision(anamorphic, source format)
- Redcode RAW(3.3K, 5K, source format, some scenes)
- Super 35(source format, one scene)
- Printed Film Format
- 35 mm(Kodak Vision 2383)
- 70 mm(horizontal, IMAX DMR blow-up, Kodak Vision 2383)
- D-Cinema
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