Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.
- Awards
- 3 wins & 17 nominations total
Momma Cherri
- Tina
- (as Charita 'Momma Cherri' Jones)
Janlyn Bales
- Andromedan
- (as Janlyn Mallis Bales)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
The bee's knees.
'Bugonia (2025)' is about a pair of conspiracy theorists who kidnap a CEO in the belief she's an alien capable of negotiating a deal with her brethren to leave Earth and stop harming its residents. Shot with director Yorgos Lanthimos' signature clinical coldness but trading his films' usual monotone stiffness for a more naturalistic approach to matter-of-fact dialogue, the film balances dark comedy with crushing reality as it crafts its relatable world of heartbreaking problems and no easy solutions. It isn't really interested in answering any of the questions it asks, nor is it concerned with giving you a clear outcome - or protagonist - to root for. Despite being a three-hander, it's never clear which of the main players you're meant to be aligned with, as it's basically just a case of a bad person doing bad things to another bad person while a slightly less bad person watches with unease. There's no real thematic consistency or poignance to the picture because it doesn't really seem to say anything beyond establishing its narrative as being once which plays with recognisable concepts and emotions. It also does something that throws its underlying point into question, going so far as to perhaps undercut the point it initially makes about who's "right" and who's "wrong". Its grey mortality is part of its appeal, but its ultimate handling of it feels ever-so-slightly irresponsible if you try to sincerely connect the dots from its execution back to its conception. In the end, this is a really well-made movie that's performed to perfection and is unashamedly downbeat. It's quirky, it's uncomfortable, it's mostly entertaining. Yet, it's also slightly uneven, with a third act that's vaguely disappointing (and, even more vaguely, predictable) despite its undeniable boldness. It's definitely a good movie, but it isn't quite as emotionally gripping as I'd like it to be. I appreciate it, but I don't exactly feel it. Still, it's a solid effort that's engaging and entertaining enough to keep you happily watching for its duration. It isn't Lanthimos' best, but it isn't his worst, either.
Why Bugonia Is Lanthimos' Boldest Film in Years
Watching *Bugonia* felt strange in the best possible way. Lanthimos throws you into a world where nothing feels entirely normal - the rules are odd, people react in unpredictable ways, and yet something about all this chaos feels oddly familiar. You laugh, but there's always tension underneath it, like you're waiting for something to go wrong. The emotions hit harder than expected, even in moments that seem absurd on paper.
The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
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The story follows two conspiracy-obsessed men who kidnap Michele (played by Emma Stone), a corporate figure they believe is an alien trying to destroy Earth. It sounds ridiculous - and it is - but Lanthimos uses that absurdity to dig into paranoia, power, and the strange ways people cling to belief when faced with uncertainty.
Visually, the film looks beautiful and a bit unsettling. Shooting on 35mm gives it texture - the kind of imperfections, shadows, and lighting you don't get with digital. It makes the world feel alive, slightly out of sync, and that's exactly what this story needs. The camera work feels intentional without being flashy, every frame adding to the unease.
The tone is darkly funny but emotionally sharp. Lanthimos doesn't offer easy answers or explanations. He just builds tension through behavior - through silence, through glances, through moments that should be funny but end up being uncomfortable. Emma Stone stands out; she plays Michele with a mix of calm control and quiet menace that holds the film together.
It's one of those films that doesn't fully explain itself, and maybe that's the point. You either go along with its strange rhythm or you don't. For me, it worked - not because everything made sense, but because it felt honest in its chaos. Lanthimos doesn't tell you what to think, he just lets the madness unfold, and somehow, that's what makes it stick.
**Verdict:** 9/10 - not as tight as *The Favourite*, but easily Lanthimos's boldest and most unpredictable work since *The Lobster*.
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Almost as groundbreaking as the Substance.
If you are a Horror Thriller fan, go see this! It has Comedy but it was too serious of a subject to make me laugh, kidnapping, torture, abuse, the movie is basically horror thriller and you can see why i say this...I did not enjoy poor things, it ended up being a Victorian Era P0RN0.... This movie is more straightforward and easier to get behind...it's a movie you must see in theaters...I went in blind, i only knew about emma stone being baId and kidnapped because this guy thinks she's an Alien...It's one of those movies you can rewatch and better than most films that have came out this year...I would compare it to the Substance, although Substance is way more wild...Go SEE THIS.
A wonderfully acted cynical fable
London Film Festival review
For a moment BUGONIA is like watching "Misery" or "Funny Games" through the lens of 1950s Hollywood dystopian paranoia films. Yorgos follows the sadistic path he started in The Killing of a Sacred Deer and Kinds Of Kindness playing with Kubrick-like visuals and sounds to deliver a fairly straightforward cynical fable until it's not.
Emma and Jesse explore a violent theatricality and beautiful expressionism to great success. Both are harrowing and spectacular (this is Plemons best part ever) but are also limited by the linearity of it all. The last act reconnects Lanthimos with his subversive, unpredictable and absurd poetry but I guess Media, Politics and Truths are this year's true topics. Not surprising this film shares common grounds with Eddington.
I wanted to love it but I just really really liked it.
For a moment BUGONIA is like watching "Misery" or "Funny Games" through the lens of 1950s Hollywood dystopian paranoia films. Yorgos follows the sadistic path he started in The Killing of a Sacred Deer and Kinds Of Kindness playing with Kubrick-like visuals and sounds to deliver a fairly straightforward cynical fable until it's not.
Emma and Jesse explore a violent theatricality and beautiful expressionism to great success. Both are harrowing and spectacular (this is Plemons best part ever) but are also limited by the linearity of it all. The last act reconnects Lanthimos with his subversive, unpredictable and absurd poetry but I guess Media, Politics and Truths are this year's true topics. Not surprising this film shares common grounds with Eddington.
I wanted to love it but I just really really liked it.
8Ehi7
Lanthimos-stone tackles sci fi, horror, comedy and drama
This movie is a really good mix of genres in typical lanthimos styles, there's especially a lot of his sicked black humour as well as unexpected drama, horror and sci fi. Performances are all great but it's the finale that for me really elevates the movie. Funny, coherent, surprising, visually amazing.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
The soundtrack was great too, looking forward to its general release to see the audience reaction.
The Movies of Yorgos Lanthimos
Did you know
- TriviaAidan Delbis, who had never acted professionally before, was cast as Don after Yorgos Lanthimos decided to find a non-professional neurodivergent actor to provide a different dynamic alongside Emma Stone and Jesse Plemons.
- GoofsWhen Teddy mispronounces "shibboleth," Michelle mocks him for using poor grammar. But grammar is the set of rules for how a language is structured (e.g. order of words in a sentence, inflection of words etc.), a mispronunciation is not a grammatical error.
- Crazy creditsThe Focus Features, Element Pictures and CJ ENM production companies are mentioned at the start of the film in cursive font without their production logos.
- SoundtracksGood Luck, Babe
Performed by Chappell Roan
Written by Dan Nigro (as Daniel Leonard Nigro), Chappell Roan (as Kayleigh Rose Amstutz) and Justin Tranter
Courtesy of Island Records
Under license from Universal Music Operations Limited
Published by Sony Music Publishing and Old Mine Cut Publishing pub designee (BMI)
Greatest Character Actors of All Time
Greatest Character Actors of All Time
The talented actors totally transform for their roles. How many do you recognize?
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Bugonia Bugonia
- Filming locations
- Sarakiniko Beach, Milos Island, Greece(beach in the end)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $17,374,275
- Opening weekend US & Canada
- $709,848
- Oct 26, 2025
- Gross worldwide
- $34,800,847
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 1.50 : 1
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