Miss S

I just finished Miss S. Simply wonderful. The production was top notched, beautifully done. The acting was fantastic! If you liked Miss Fisher, you should LOVE this! It is fun to compare the 2 versions. There aren't that many differences and the ones that are actually made it more enjoyable. And the fashions on Miss Su and Inspector Luo are beautiful. In fact Inspector Luo dresses better than Detective Robinson. I hope they do the rest of the Miss Fisher stories. GREAT fun! A must see! I really can't anything wrong with it at all. Don't let the fact it is Chinese stop you from watching. I'm a middle-aged white woman from Texas.

I have watched many of the Miss Fisher's Mysteries - still haven't seen Crypt of Tears yet, so I can echo some other reviewers. While these do initially follow the basic profiles of the characters and some of the plots, the shows come off as a totally different experience for me, especially from a cultural sense. Like anyone who covers a good song, Miss S is successful in making this show its own enjoyable take.

I'm trying to avoid having to do a spoiler tag, so here goes. What did I enjoy most about the show?

1) Su Wenli is so likeable from the very beginning. I honestly think her some of her best scenes in the whole show are her interactions with Su Yun (Li Ya Zhen). Her emotion just pours through the screen sometimes. Plus, Yili Ma is just a classic beauty, looking gorgeous in every outfit and I admit I had a little bit of a crush going on.

2) The best character arc for me is Tao Zi's. She may be my favorite. Her transformation over time is just more satisfying than Dot's arc, as well as her relationship with Xiao An.

3) I have greatly enjoyed the relationship between Inspector Luo and Miss Su, much more than 'Phrack'.

4) The show doesn't take itself too seriously. I mean, there are plenty of serious moments, but the humor, though sometimes a little on the nose, just works so well.

5) I thought the acting was great. By the end of these 30 episodes, everyone seemed to have found their stride.

The only reason I didn't give it a 10 was mostly because of the production value:

1) some of the small inconsistencies with localization on the subtitles (especially when it came to describing medical conditions). Fortunately the context of the show gave no problems in identifying the afflictions or conditions of certain characters. And I don't mind subtitles anyway.

2) Props at times were a little anachronistic. Wenli browses through a PATRICIA CORNWELL book while in Inspector Luo's office. A unicycle at the cirus has a modern knobby BMX type tire on it. Little things like that.

3) Some of the set pieces were a bit on the cheap side (the jail, the walls of the sauna room in Episode 2). A couple of times I thought a wall might fall over.

Some viewers may not be used to the way the script delivers each story with its approach to dialogue, whereby there are often times when in a conversation one character may rephrase and repeat what another one just said a minute or so before. Also, people may not be used to how characters speak another character's name to express concern over their emotional condition. If Wenli was upset and crying, instead of saying "Wenli, I'm really sorry about your sister," the other character will just say "Wenli..." or perhaps use their full name. I watch a lot of shows from Japan, Korea, and China, so I'm used to this.

I really really liked that HBO didn't release a dubbed version. So much is lost in a dub. Although the 70s and 80s Shaw Brothers kung fu movies have a certain nostalgia about them with the sometimes terrible dubs, my experience has always leaned towards the slightly unfavorable. Miss S would have had a totally different atmosphere and loss of enjoyment without being able to hear the emotion and tone of the native Mandarin (and some Cantonese here and there).

If you like fun murder mysteries that have occasional crazy twists where you do find yourself maybe second-guessing what you had right from the beginning then you'll love Miss S. Kudos to HBO for bringing this to America.

Miss Fisher fans should check out this reboot, preferably after being prepared for what's the same, and what isn't. Here are some key points:

1 - The scripts closely follow the original in both the mysteries and the players, with some East-West and temporal adjustments. The 30 episodes of Miss S's first season are clones of 15 tales from Phryne's first two seasons, stretched into 50+-minute two-parters. The more you remember from before, the less you'll be surprised by the outcomes. This one's set in the 1930s - a decade later than the former, reducing the carryover from World War I in everyone's backstories. They do include the running thread of the heroine's childhood trauma from the creep who abducted her sister.

2 - Miss S is wealthier than Phryne. Her mansion makes Miss F's elegant abode look like tract housing. Her car is more exotic, as well. The Shanghai sets and costumes in general are a bit more lavish than in the Australian original.

3 - The supporting players are quite similar. The new will-they-won't-they police inspector, Weiguang Gao, is more handsome than his counterpart, but even more of a stiff. A few characters repeat in diminished roles, like her aunt, doctor friend and butler. A huge bonus comes from the casting of her new assistant/protege. Guanjin Bu takes Dot's charming innocence to new heights. She's petite and absolutely adorable, making her growth in the job even more delightful. Her constable love interest is more of a dufus than the original's Hugh, adding to the comic element.

4 - The biggest difference between our eponymous women may be due to cultural constraints. Miss S. Is as bright, confident and worldy as Phryne, but more reserved in her degree of coquettishness. Her flirting is relatively tame; her amorous byplay virtually non-existent. She shows more leg, particularly in long Chinese dresses with deep side slits, but no decolletage. Miss S. Is also more of a damsel in distress during physical encounters, lacking the toughness and survival skills Phryne periodically summoned for self-defense. For Western viewers, that's quite a loss. Instead of Emma Peel's putative grandmother, we get a younger, hotter Jessica Fletcher.

I hope these comparisons help maximize your enjoyment of this charming series.

I thought the show was about crime and mystery but it really isn't. The show is a constant hedonistic glamour show. There's more focus on flexing and displaying wealth and power than anything else.

The main character is very unlikeable. She's always kidding or messing around and she always has a condescending attitude towards everyone around her.

I absolute LOVE the fashion, styles, colors, and art in this show but it shouldn't be the main focus of the show. The story feels like an afterthought and sort of thrown in.

A lot of the scenes make no sense and the main character is pretty much a Mary Sue. She an extremely rich person that can do and say anything she wants and things always just work out.

This series pays a nice homage to the "Miss Fisher's Murder Mysteries". If you are a fan of the original series set in Melbourne this is quite a treat. Miss Su is Phryne Fisher with the series being set in Shanghi instead of Australia. It does incorporate some cultural differences but the spirit of the lead remains the intact. An independent woman of means who becomes a lady detective in the 20's. The costumes are a delight, and much of the original storyline remains intact. I would recommend the Essie Davis version as a first introduction, but this is a very nice adaptation.