Venicephrenia

Thoroughly enjoyable, fun and very dark film.

The film follows a bunch of young tourists from spain as they venture in the magic and mysterious streets of Venice.

The film will have you laughing quite a few times but also it'll have you rooting for the main characters, who will become very human and close to your heart.

The photography and production design is superb as well as its original soundtrack.

Cosimo Fusco, the main antagonist plays two different characters and it's just delicious.

This is a great film that seems half role play game and half slasher. Contains elements of classic Italian and Spanish horror films.

Date to watch it, I promise it won't bore you at all.

This is such a good film.

I'm not understanding why there's no many really bad reviews.

It feels like they're watching a completely different film from what I've seen.

The acting was great, sound quality was excellent, costumes were brilliant, the story was superb, the directing was faultless. It looks like a fair few quid was spent on this, yet even it's Gross has been low & I can't fathom why?

Ignore the bad reviews. If you want a really good original horror movie, this will be your bag.

I'll be recommending this movie to all my friends who love a good horror/slasher.

I will happily watch this film again & again.

As a huge fan of Alex De La Iglesia, I've had this film on my radar ever since I saw the "coming soon" trailer for this in a theater in Valencia, Spain back in early 2022...I waited and waited, hoping it would drop on a streamer in the U. S.... Finally the digital showed up on sale and had to snag it..mannnn, its about time!

Though nowhere near as great as some of my fav Iglesia flicks, like Day of the Beast (1995), The Last Circus (2010) or The Bar (2017), this Cult-sploitation/Slasher film delivers on a capable cast, a perfectly recognizable location (gorgeous Venice), eerie old building locations & plenty of blood & gore! The opening credits and final shot is reminiscent of a 60s/70s Giallo film. One of the final kills was especially creative (no spoilers). Sure, you've seen plenty of "annoying young people getting killed one by one" before, and the final FINAL act goes on a little too long, but Iglesia manages to put a hip, stylistic flare that I still enjoyed! No regrets blind buying this one!

The Spanish director is very critical this time and he is fundamentally right: Venice, this jewel, has become an amusement park; it is the tragedy of mass tourism that is being targeted. Hence the idea of making Veneciafrenia, a slasher, this subgenre of horror in which the murderer, generally with well-founded reasons for having become one (or, at least, with some defense for his revenge), kills by the most savage methods young people who only think about having fun, fornicating, drinking and taking drugs, without looking for a moment at the environment in which they live or at the people or things that surround them. A slasher which, as the genre dictates, has the main aim of entertaining.

However, the film only half succeeds. The contrast between the classic Venice of the carnival, baroque, colorful and disproportionately brilliant, and the vulgar attitude of this gang of thirty-something Spaniards, three women and two men with youthful pretensions and adolescent stupidities, who stumble upon the worst journey of their lives, is too strong for us to believe it. Giallo's notes in the treatment of colors and the nuances of certain characters, confer a certain welcome ghostly vision to the whole with the obvious reference to the great "Don't turn around" by "Nicolas Roeg" from 1973, as a model to follow to present not a beautiful, sublime city, but a city that is frightening, because it is old, ugly and decadent.

"Veneciafrenia" ends up failing on both fronts: that of the rejoicing of terror, and that of the critical vision of the fact of society which was nevertheless an excellent starting point. This does not prevent some beautiful flashes like the opening credits, truly magnificent. The terror based on Opera with the excuse of the character of Rigoletto was also seen well. The black humor works at times but is poorly balanced with the terror of the Giallo. All of this lacks relevance and ambiguity: the general tone is strange due to the different parts that never really stick together (between the half-funny gore slasher and the satire-criticism with a certain message) and a disappointing ending.

It's well filmed, we recognize the touch of "De la Iglesia", but the film lacks a little this frenzy which, ironically, sometimes blurs certain works of this author. The protagonists are walking clichés. The villains much more interesting.

Barely an amusing film where we feel that "Veneciafrenia" is missing out on something that could have been memorable.

Veneciafrenia works better when it leans into the slasher with the beautiful Venice and its costumes as backdrop, but falls hard when it tries to focus on the main conspiranoic plot of the film, becoming something completely different and far less interesting.